The Cartoon Art Museum welcomes writer and herstorian Trina Robbins as she discusses her latest graphic novel, Lily Renée, Escape Artist: From Holocaust Survivor to Comic Book Pioneer on Thursday, January 26, 2012 from 7:00-9:00pm. This historic volume, illustrated by Trina’s frequent collaborator Anne Timmons and mo oh, is published by Graphic Universe™, a division of Lerner Publishing Group. Robbins’s lecture and booksigning are free and open to the public.
About Lily Renée:
In 1938, Lily Renée Wilheim is a 14-year-old Jewish girl living in Vienna. Her days are filled with art and ballet. Then the Nazis march into Austria, and Lily’s life is shattered overnight. Suddenly, her own country is no longer safe for her or her family. To survive, Lily leaves her parents behind and travels alone to England. Escaping the Nazis is only the start of Lily’s journey. She must escape many more times—from servitude, hardship, and danger. Will she find a way to have her own sort of revenge on the Nazis?
In Lily Renée, Escape Artist: From Holocaust Survivor to Comic Book Pioneer, written by Trina Robbins, illustrated by Anne Timmons and mo oh, and published by Graphic Universe™, a division of Lerner Publishing Group, readers can follow the story of a brave girl who grows up to become an artist of heroes and a true pioneer in comic books who still serves as an inspiration for women in the comic book industry today.
About the Author:
Trina Robbins is the author of numerous nonfiction and fiction books and comics for children and adults, including several histories of women cartoonists. A pioneer in comics herself, she took part in the underground comix movement of the 1960s and illustrated the Woman Woman comic book. Most recently, she authored the Chicagoland Detective Agency graphic novel series. She lives in San Francisco with her partner, comics artist Steve Leialoha.
About the Artists:
Anne Timmons was born in Portland, Oregon, and received her BFA from Oregon State University. In addition to her collaboration with Trina Robbins on the Lulu Award-winning GoGirl!, Anne’s work includes the Eisner-nominated Dignifying Science, as well as Pigling: A Cinderella Story.
mo oh likes to draw. She also likes to read, bake, eat (mostly eat), make plants grow (mainly for eating), and sit in the sun. She recently graduated from the Center for Cartoon Studies in Vermont with an MFA in cartooning and works occasionally as a sketch/concept artist for a small game company. She lives in Northampton, Massachusetts.
About the Publisher:
Graphic Universe™, a division of Lerner Publishing Group, creates high-interest fiction and nonfiction titles through supreme graphic novel artwork and story lines created by experienced artists of this genre. Founded in 1959, Lerner Publishing Group is one of the nation’s largest independent children’s book publishers with thirteen imprints and divisions. For more information, visit www.lernerbooks.com or call 800-328-4929
Cartoon Art Museum
655 Mission Street, San Francisco, CA
Trina Robbins appears on Friday, August 26th at 7pm
Please join us for an evening with Trina Robbins and the FIRST female drawn and written comics superheroine, Miss Fury! Eisner and Harvey nominated writer and herstorian Trina Robbins will sign copies of Miss Fury and present a slideshow on the life and history of Tarpé Mills, the lady writer and artist.
Robbins is a long time writer and artist in the comics world, contributing as a cartoonist to 70s San Francisco undergrounds like Wimmen’s Comix, and as a writer, where her work stretches from mainstream titles like Xena and Wonder Woman, to all-ages collections like Chicagoland Detective Agency, and editorial work which includes Fantagraphics‘ beautiful Brinkley Girls collection.
Escapist Comic Bookstore
3090 Claremont Ave, Berkeley, CA, 94705
Trina Robbins appears on Wednesday April 27, 2011 at 7:30pm
Tickets $10 member, $20 non-member
(admission includes a signed limited edition print by Trina Robbins)
Limited seating advance purchase required Click Here for tickets
Join the ToonSeum in welcoming acclaimed writer, artist and herstorian Trina Robbins as she discusses her career and the history of women in comics, including the latest ToonSeum exhibit, Brenda Starr: The Art of Dale Messick.
For over 30 years, Robbins has been writing comics and graphic novels, translating shojo manga, lecturing, and offering her unique and insightful criticism on comics and culture. Robbins became a key figure in the underground comix scene in the 1970′s, publishing the all-women It Ain’t Me, Babe and Wimmen’s Comix magazines. Robbins has drawn Wonder Woman, published volumes of influential books and essays, and created the popular Go Girl! series with Anne Timmons.
Robbins, a long time fan of Dale Messick, considers the artist to be one of the most important cartoonists of the twentieth century. “Dale Messick’s work is extremely significant to women cartoonists, and to women in general,” Robbins has said. “Brenda Starr was incredibly popular and well drawn, yet Dale was not accepted in the male world of cartoonists. Both she and Brenda persevered.”
Messick, who died in 2005 at the age of 98, wrote and drew Brenda Starr for over 40 years before handing the strip over to understudy Ramona Fradon with the insistence that the strip would continue to be produced exclusively by women.
This event will be the final chance to see the Brenda Starr: The Art of Dale Messick exhibit. Ms. Robbins will conclude the lecture with a Q&A and book signing.
945 Liberty Avenue, Pittsburgh, PA 15222
“The Cresting Wave: San Francisco Underground Comix Experience”
July 10 — August 22, 2009
Artists Reception 6-8 pm, Friday July 10th
130 8th Street
San Francisco, CA
415 626 5496
Electric Works is pleased to present “The Cresting Wave: The San Francisco Underground Comix Experience,” a group exhibition featuring Underground Comix artists from San Francisco, from the mid-’60′s to the late ’80′s. Artists included are Mark Bode, Vaughn Bode, Guy Colwell, R. Crumb, Jay Kinney, Paul Mavrides, Dan O’Neill, Trina Robbins, Spain Rodriguez, Gilbert Shelton, Larry Todd, Randy Vogel, and S. Clay Wilson. Culling work from private collectors and the artists themselves, guest curator, Underground Comix writer, publisher and historian, Dan Fogel, has amassed important work from each artist that spans personal drawings, well-known comix pieces, including covers and original comps, as well as other rare ephemera from the heyday of the San Francisco scene.
San Francisco was the birthplace of the Underground Comix scene in the mid 1960′s: nowhere else on the planet was there such an concentration of talent, vision, and production. In a relatively short time, the artists who coalesced in the Bay Area changed the face of popular culture forever. Taking on issues of politics, race, sexuality, drugs, the counterculture of the time, and intellectual property, these artists were able to push the bounds of propriety, “decency” and imagery more drastically than in any other medium of the era.
Complementing the robust gallery show, Electric Works will feature many other important pieces by the artist which will be available for viewing during the course of the exhibition in our flat files. In addition, Electric Works will be publishing limited edition prints, mini-prints, and a collaborative “jam” print featuring many of the artists in the exhibition, proceeds of which will benefit the S. Clay Wilson Special Needs Trust, benefiting their friend, who is recovering from serious injuries.
” Five years later? Six? It seems like a lifetime . . . the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark — that place where the wave finally broke and rolled back.” — Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream, 1971.