MICE will feature two full days of comics programming with workshops and demonstrations by professional artists, along with panel discussions on topics central to comics. All of our panels and workshops are appropriate for all-ages, but look for the Kid-Friendly tag for activities geared toward families and young readers. MICE Panels are located in the Lecture Hall and Workshops take place in the Lower Level of University Hall, 1815 Massachusetts Ave. Cambridge, MA
Saturday, October 17, 2015
Comics For Life! Cartooning Workshop (Kid-friendly Workshop)
11:00 AM – 12:00 PM
Get ready to draw your life in comics! MICE 2015 special guest Lucy Knisley, author of Relish: My Life In the Kitchen and many other graphic memoirs, will give you pointers on caricature, and how to illustrate your experiences and tell the story that only you can tell.
Black Independent Comics and Cartoonists Panel
11:30 AM – 12:30 PM
Five accomplished black independent cartoonists discuss their work and careers, as well as issues of racial identity in comics, and specifically in the alternative and independent comics world.
Moderator: Tony Davis Panelists: John Jennings, Micheline Hess, Ben Passmore, Whit Taylor, Joel Gill
Storyboarding Workshop (Kid-friendly Workshop)
12:30 PM – 1:30 PM
Discover where comics and animation collide: the storyboard! We’ll work from existing scripts to develop your skills in sketching, pacing, and movement. Bob Flynn, art director at Fablevision Studios and storyboard artist for Spongebob Squarepants: Sponge Out of Water, will show you how easy and fun the process can be!
Instructor: Bob Flynn
Iron Cartoonist (Kid-friendly Panel)
1:00 PM – 2:00 PM
MICE pits top cartoonists against each other in a live drawing event. Utilizing themed “ingredients,” three artists will compete for the title of ultimate cartoonist and earn prizes for the audience.
Host: Zack Giallongo Contestants: Mike Holmes, Cara Bean, Dan Moynihan Judges: Carey Pietsch, John Green, Braden Lamb
Comics Lettering and Layout Workshop
2:00 – 3:00 PM
Join cartoonist (Diary Comics, Behold! The Dinosaurs!) and occasional letterer (Casanova, Seconds) Dustin Harbin for a hands-on workshop exploring the role of lettering in comics page layout. Lettering is a lot more than just legible handwriting: it’s often the clearest sign to a reader of what’s happening on a page, who’s speaking and when, and in what order everything should be read. Participants will work through laying out lettering for a page of comics from start to finish, with plenty of room for Q’s and A’s along the way.
Writing About Comics
2:30 PM – 3:30 PM
In the midst of our review culture, how is comics criticism evolving alongside this exciting, growing art form? A panel of comics journalists, educators, and scholars examine how to write about a medium that includes both visual and literary storytelling. Moderator Brigid Alverson writes about comics at Robot 6 and School Library Journal. Our panelists write for a variety of online comics blogs including: Janelle Asselin (Comics Alliance), James Kaplan (Panel Patter), Zach Clemente (The Comics Beat), and Juliet Kahn (Comics Alliance).
First Aid for Drawing Injuries Workshop
3:30 PM – 4:30 PM
Drawing can be fun, but it can also be a pain! Explore safe and effective techniques for caring for minor musculoskeletal injuries that can occur while drawing. Kriota Willberg, creator of the minicomic First Aid for Drawing Injuries (Or, Pain is Your Frenemy!) helps you to discover strategies for reducing pain while you draw and the differences between treating pain and treating injuries.
Kriota Willberg makes comics and art about body-oriented sciences. As a cartoonist she is best known for (NO) PAIN! A Guide to Injury Prevention for Cartoonists. An educator and massage therapist specializing in the treatment of orthopedic injury, she has also studied fitness and exercise. Kriota has taught injury prevention and anatomy for drawers at the Center for Cartoon Studies, the Society of Illustrators, and MoCCA.
What’s My Style? Panel
4:00 PM – 5:00 PM
Stylistic chameleon Robert Sikoryak sits down with four outstanding independent comics creators to explore the development of personal style. How has experimentation with graphic and storytelling techniques, media, format or other aspects of drawing comics challenged and shaped their visual styles? What breakthroughs, revelations, influences or inspirations have led to artistic growth? Moderator: R. Sikoryak Panelists: Luke Howard, Sophie Goldstein, Sophie Yanow, Jason Little
Comic Life Drawing (Kid-friendly Workshop)
4:30 PM – 5:30 PM
This introduction to figure drawing gives cartoonists of all skill levels an opportunity to draw from a live model! Explore the basics of dynamic movement, weight, and human anatomy. Easels, paper, and charcoal will be supplied. Zack Giallongo is the illustrator of Broxo, Ewoks: Shadows of Endor, and The Stratford Zoo Midnight Revue Presents series.
Sunday, October 18, 2015
Fable Comics Workshop (Kid-friendly Workshop)
11:30AM – 12:30 PM
Presented by The Eliot School
Looking for your next great comic idea? You can start with one of the oldest stories you know – fables! Chris Duffy, editor of the Fable Comics Anthology, along with artists George O’Connor (The Olympians) and Shelli Paroline (Adventure Time) will give you some pointers in drawing your own comic from well-known fables.
Art of the Mini-Comic (Kid-friendly Panel)
12:00 PM – 1:00 PM
The humble mini-comic is one of the basic forms of expression for independent cartoonists, and it ranges from simple fold and staple photocopies, to exquisite handmade artists’ books. Jon Chad (Leo Geo, Bikeman) explores the form, and talks to some of the most creative mini-comic makers at MICE.
Jon Chad has been producing handmade mini-comics and zines since 2006. Jon has illustrated books for clients including the Atlanta Braves, the FBI, and has been commissioned to make minicomics for Cartoon Network’s Regular Show and Adventure Time. Jon Chad’s books Leo Geo and his Miraculous Journey through the Center of the Earth and the sequel, Leo Geo and the Cosmic Crisis are published by Roaring Brook Press. Jon lives in Northampton, MA and teaches book-making and screen-printing at the Center for Cartoon Studies.
Unexpected Cartoons (Kid-friendly Workshop)
1:00 PM – 2:00 PM
Presented by The Eliot School
A playful workshop for kids and all ages. Participants are led into various drawing exercises that would encourage improvisation and strengthen creative ability. We will approach drawing from new angles and discover unexpected results. All you need is a sheet of paper, pencil, eraser, and an open mind.
Cara Bean is an artist and Educator in Lexington, MA. Cara excels in both poetic self introspection, and silly storytelling. Her Gorilla Year series has received critical praise for tackling autobiographical issues in an innovative form.
Comic Life Drawing (Kid-friendly Workshop)
1:00 PM – 2:00 PM
This introduction to figure drawing gives cartoonists of all skill levels an opportunity to draw from a live model! Explore the basics of dynamic movement, weight, and human anatomy. Easels, paper, and charcoal will be supplied. Instructor: Zack Giallongo
Spotlight on Ryan North and Gene Luen Yang Panel
1:30 PM – 2:30 PM
Gene Luen Yang (American Born Chinese, Boxers and Saints) and Ryan North (Dinosaur Comics, Adventure Time) have each made major contributions to defining contemporary forms like webcomics and young adult graphic novels, as well as crossing over into the “mainstream” world: North has brought his absurdist wit to Marvel’s Squirrel Girl, while Yang is currently writing Superman for DC. MICE is proud to present these two original, category-defying creators in conversation with writer and educator Alexander Danner.
Mini-Comic Workshop (Kid-friendly Workshop)
2:30 PM – 3:30 PM
Sometimes the best ideas come out of play, improvisation, and collaboration. In this workshop, you’ll participate in a few fun, collaborative, drawing games and create some wildly unexpected characters and stories with your fellow attendees.
Dan Moynihan lives in Brookline, Massachusetts where he draws and writes comics. His work has appeared in Nickelodeon Magazine and various anthologies. His first picture book, Hiding Dinosaurs, is out this year.
Parenthood and Comics Panel
3:00 PM – 4:00 PM
Cartoonists who have taken the daring leap into parenthood — or parents who have taken the daring leap into cartooning — discuss how having children affects their work. How have they dealt with the challenges of maintaining a creative work schedule with the demands of parenthood? How has being a parent influenced the content of their work?
Moderator: Dan Mazur Panelists: Jennifer Hayden, Jason Little, Glynnis Fawkes, Charles Snow, Sage Stossel
MICE will be held at Lesley University’s University Hall at 1815 Massachusetts Avenue in Porter Square. The hours of the show are Saturday, October 17th, 10:00 am – 6:00 pm, and Sunday, October 18th, 11:00 am – 5:00 pm. Admission is FREE. Special Guests include: Gene Luen Yang, Lucy Knisley, Dustin Harbin, Ryan North, and Jennifer Hayden! Click their website for more information: www.micexpo.org
Christopher Alexander appears at Mysterious Galaxy Books on Saturday October 10th from 4:00 to 6:00 PM for Star Wars Reads Day!
Jedi might get their knowledge from the Force, but books are sure to be a close second! Whether you’re a Jedi, a Sith, or a scruffy-looking nerfherder, come and celebrate the third annual Star Wars Reads Day, an international event centered around books, reading, and education. Revel in the fun of reading about our favorite galactic heroes and villains with Star Wars Origami author Christopher Alexander, and prepare for “The Force Awakens!” With planned activities, fans, and fun, this is a Star Wars celebration not to be missed.
Mysterious Galaxy Books
5943 Balboa Avenue, San Diego, CA 92111
Packrat Comics hosts a Halloween Comicfest on October 31 with our annual comics for canned goods food drive (free comics for non-perishable food items), comic creators, Mikey’s Late Night Slice pizza truck, a costume contest along with a special guest appearance by Deep Roy.
Mr. Roy played the physical Yoda in Return of the Jedi along with a Cantina band member and THE Oompa Lumpa in the 2005 remake of Charlie & The Chocolate Factory. He is in the current Star Trek movies as Keenser and was Teeny Weeny in the Neverending Story. His list of credits is impressive including a recurring role on Doctor Who and you will get a chance to meet him during our annual ComicFest!
WIN A BATMAN ADVENTURES #12, FIRST HARLEY QUINN – Bring the most non-perishable food items and it’s yours!
Artists & Writers
Writer: TALES OF MR. RHEE; NIGHTMARE WORLD; WRITE OR WRONG, etc. (Devil’s Due/Image Comics)
Writer: CRITTER; THE LEGEND OF OZ: THE WICKED WEST; etc. (Big Dog Ink)
SCOTT “SCOOT!” McMAHON
Writer/Artist AW YEAH COMICS; SAMI THE SAMURAI SQUIRREL, etc (Aw Yeah Comics)
Artist EL MARIACHI, etc. (El Arto Studios)
Writer/Artist: OLD MAN, DOG, AND THE OCEAN; RAINBOW SPRINKLE-SLIME; etc
Pin-Up and Sketch Cover Artist; Graphic Designer
Writer: ORPHANS, RED ANGEL DRAGNET, etc.
Free Comics and food drive
Writer: CRIME CATS
Costume Contest & More!
3872 Lattimer Street, Hilliard, OH 43026
Local author R.A. Salvatore appears at the Fitchburg Public Library on Thursday October 22, 2015 from 6:00 – 8:00 PM to discuss and sign his new book, Archmage.
About this author
R.A. Salvatore is the New York Times best-selling author of more than forty novels, including the popular Forgotten Realms series The Legend of Drizzt. He’s an avid gamer, father of three, and loyal citizen of Red Sox Nation.
Fitchburg Public Library
610 Main Street, Fitchburg, MA 01420
Celebrate STAR WARS Reads Day on Saturday, October 10 and help us call attention to the joy of reading — and the excitement of new Star Wars book and movie releases! Author Cole Horton joins us at Bank Street Bookstore on Saturday October 10, 2015 for a fun trivia game based on his book “Star Wars: Absolutely Everything You Need to Know.” Cole has an endless amount of knowledge to share with Star Wars fans of all ages so match wits with our expert and learn all kinds of interesting factoids from 11:00 a.m. to 12:00 p.m.
Bank Street Bookstore
2780 Broadway, New York, New York 10025
Horror master John Carpenter appears alongside Sandy King-Carpenter, Tim Bradstreet, Trent Olson, Steve Niles, and Tone Rodriguez at Golden Apple Comics on Sunday October 25, 2015 at 1:00 PM! They will be signing John Carpenter’s’ Tales of Halloween, a brand new graphic novel anthology of six short stories guaranteed to scare the pants off of you.
Golden Apple Comics
7018 Melrose Avenue, Los Angeles, CA 90038
May the Force be with you as the Maplewood Memorial Library celebrates Star Wars Reads Day at the library on Saturday, October 10, 2015 from 2:00 pm – 4:00 pm! Put on your best Star Wars gear and join us for robot demonstrations from the CHS Robotics Club, a presentation by Star Wars expert Jason Fry, LEGO Creations from the Garden SLUG (Garden State Lego Users Group), Star Wars trivia and prizes, scavenger hunt and Star Wars themed crafts.
Maplewood Memorial Library
51 Baker St, Maplewood, NJ 07040
September 22, 2015 by Joe Fauvel
Filed under Animation, Anime, Collectibles, Comic Books, Comic Strips, Convention News, Cosplay, Florida, Gaming, Horror, Manga, Movies, Science Fiction and Fantasy, Sports, Television, United States, Video Games, Webcomics
Come out to the Palm Beach County Convention Center – September 26th & 27th for Palm Beach’s Original Comic-Con!
Meet Special Guest Matthew Wood – General Grievous in Star Wars Episode III: Revenge of the Sith and Star Wars: The Clone Wars!
Meet Special Guest Carlos Castellanos! Carlos is the illustrator of the nationally syndicated comic strip Baldo!
Meet Special Guest the one and only Captain Cartoon – Dick Kulpa! He is an accomplished artist, who worked on the Star Trek and Bruce Lee comic strips and headed up Cracked Magazine. He is also the creator of (the still on the loose) Bat-Boy for the Weekly World News!
PalmCon: The Palm Beach County Comic Book and Collectibles Show is Palm Beach County’s biggest comic and pop culture convention. Now celebrating their fifth year, PalmCon continues to hold true to it’s mission statement to bring Palm Beach County the best in comics, animation, and pop-culture while providing a fun and safe family friendly atmosphere.
More information and tickets can be found on our site! http://www.palmcon.net
Long time comic book illustrator Mark McKenna, who works for Marvel and DC Comics and whose credits include The Hulk, Spider-Man, and Justice League and most recently Star Wars: The Old Republic for Dark Horse Comics, appears at the Guilderland Public Library on Saturday October 3, 2015 at 11:00 AM to demonstrate the process of creating comics in a 90-minute presentation. With a hands-on approach, Mark explains the jobs and atmosphere surrounding a freelance comic illustrator including what it takes to put a monthly comic book together, via a 25-minute PowerPoint presentation.
Registering for an event automatically enters you into a raffle to win a print or book from the presenting artist. Artist prints and books will be available for purchase at each artist event.
Guilderland Public Library
2228 Western Ave, Guilderland, NY 12203
Back in 2011, John sent me an email that read, “Son, look at this.” John and I have called each other “son” for twenty years. It’s our oldest invention, the stone tools of our friendship. His email included a link to a convention called DragonCon, which I was unfamiliar with. “We should go to this to watch all the freaks,” he went on. “We’d have the time of our lives!”
We went to DragonCon that year, plus the next two. In 2014, John was unavailable, so I took my wife and daughter, who went with me again this year, marking my fifth Labor Day weekend spent in Atlanta, Georgia.
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DragonCon has been held in the Dogwood City since 1986, when it was started by a science fiction and gaming group, the Dragon Alliance of Gamers and Role-Players (DAGR). From the outset, it was different. In an era when most conventions focused on a single universe (Star Wars, Star Trek, Doctor Who) or medium (comics, games, science fiction), DragonCon was founded as a multi-genre convention, and it has remained one ever since.
That first gathering drew 1,400 fans and featured some surprisingly renowned guests: Robert Asprin, Lynn Abbey, Michael Moorcock, and the band Blue Öyster Cult. Attendance grew every year, doubling in some years. By 1995, it was at 14,000. It topped 40,000 in 2010, and in 2015, just five years later, over 65,000 were expected. Heck, there are now more volunteers (2,300+) than inaugural attendees!
Most gatherings of that size take place in convention centers, but DragonCon is still hotel-based. Initially confined to the Piedmont Plaza, it now swamps five four-star venues: the Hilton, Hyatt Regency, Marriott Marquis, Sheraton, and Westin. Vendor booths are located in a sixth building, the AmericasMart. Over 3,000 hours of programming are spread among those hotels, divided into fortysomething tracks. Tracks such as comics and Tolkien are the DNA of DragonCon. Others like podcasting, Whedon Universe, and filking are newer. The curriculum is always changing, always improving, according to Dan Carroll, DragonCon’s director of media. The alternate history track, for example, was added seven years ago when a panel on the topic was planned for 400 people. Over 3,000 showed up.
I went to one panel this year. Cacophonously titled “Legendary SW Authors Talk Mythos,” it featured four writers—Rebecca Moesta, Timothy Zahn, Michael Stackpole, and Kevin J. Anderson—who have totaled no fewer than 50 Star Wars novels. To call these authors “legendary” carries a double meaning, as their works, like others of the Star Wars Expanded Universe, are no longer canon thanks to a 2014 Lucasfilm decree. (This article describes the new continuity in detail.)
The authors talked about this decision, not to bellyache but to explain that it isn’t the degradation most fans seem to think. They knew from the start that they were scribblers, hired to tell tales from someone else’s world. They didn’t feel betrayed; they felt lucky for the opportunities. After all, it isn’t just any world—it is Star Wars, one of the best worlds in this, or any, universe. Besides, there is nothing to stop Lucasfilm from taking their work—say, Michael Stackpole’s X-Wing books—and turning it into a separate movie or TV series, a possibility hinted at during last year’s San Diego Comic-Con.
The panelists discussed other topics, including their tastes in stories (westerns, Doc Savage, Edgar Rice Burroughs, and fortuitously, romances like Gone with the Wind), what influenced them as writers, and how they collaborate. It was a fascinating colloquy despite the feebleness of the moderator, a supposed Star Wars blogger whose questions were rambling and confused the panelists. One question had already been answered by Stackpole, and after the moderator asked it, Kevin J. Anderson said, “Mike, you want to run through that again?” The moderator smiled, turned to the audience, and said, “Never mind. We’ll take your questions now.”
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One of the biggest attractions of DragonCon is the Walk of Fame, where all the TV, movie, gaming, and other guests interact with fans. Over 400 guests attended this year, a few of them household names: Stephen Amell, John Barrowman, Katie Cassidy, Karen Gillan, Nichelle Nichols, and Edward James Olmos. I wanted to interview some guests, a process DragonCon manages better than most conventions. Reporters who are granted press passes must be separately approved for interviews. These approvals are based on the size of their media outlets. Once I got my approval, I could request interviews with up to ten guests.
With over 500 interview requests for 114 slots (according to Samantha Douglas, the interview coordinator), not every reporter approved for interviews actually gets one. Imagine my surprise when I was offered two: one with Sylvester McCoy, who played the Seventh Doctor on Dr. Who, and one with Caroll Spinney, who played Big Bird and Oscar the Grouch on Sesame Street. The interviews were actually press conferences held in one of the Marriott meeting rooms. About twelve reporters were at each one. Most represented nerd-news sites like ConventionScene, though I also saw CNN and Georgia Public Broadcasting.
Through no fault of DragonCon, the press conferences were disasters. After we waited thirty minutes for Sylvester McCoy, someone came in to say that he was cancelling. His panel had run long, and because he was leaving that afternoon, there was no time to reschedule. Carol Spinney was over an hour late (he simply forgot) and stayed only about ten minutes. Here is a bit of what he had to say:
Reporter: I heard in other interviews that you based Big Bird on a four-year-old child. Over the years, have you had to adjust your characterization of that four-year-old child version of Big Bird based on the generations?
Spinney: Actually, initially, since I decided Big Bird could not read or write, he was four-and-a-half. Then I had to go up to six. And now he has been six for years. He is a precocious child of six. He travels by himself with a dog. And he went to China, somehow. I don’t know how he got tickets. I think it’s just fun playing him as a kind of wide-eyed child. I get letters all the time from children saying, “Big Bird, you’re my best friend. Please come and play with me.” One said, “How about next Thursday?”
Reporter: When the movie [Follow That Bird, 1985] came out, Big Bird had already been around for a while, and a whole generation of children had been watching him and relating to him as a friend, and kids really felt that their friend had been kidnapped. Were you expecting Big Bird to connect to a whole country of children at that deep of a level?
Spinney: I didn’t really know what to expect. When Jim Henson hired me, we were both puppeteers. I would do whatever characters needed performing, but by the third year, with Big Bird, I was so busy. They tried to have me continue doing the incidental stuff too, but one day, Big Bird was in almost all the scenes, and I had to keep taking a taxi up and down Broadway [performing as different characters in different scenes], so one day I said, “Let’s not play this game anymore.” On the fourth year, I said I was busy enough that we needed more puppeteers. So we got some more.
Reporter: I saw that you visited the Center for Puppetry Arts yesterday. Can you talk about what you saw and did there?
Spinney: Well, the museum is going to open by November. They have so many things to display. I saw the place where they are building and repairing puppets, a lot of the Henson puppets that are worn-out. Some of the material has decayed. It has turned to powder. The only puppet I ever created myself is one that has gone to pieces. It was Bruno, who carried Oscar’s trash can around. There were fake arms going to Bruno’s shoulders, and my hands were inside. Oscar would come up and try to boss him around, but Bruno would not be bossed. I designed Bruno so that my head was in his head. I could see out through where the bags under his eyes would be. He looked like a Bert-type puppet. That way, we could get Oscar out on stage for concert tours. I asked a couple of years ago why we don’t use Bruno in shows anymore. He doesn’t exist. He has turned to powder. I asked why they don’t make a new one. It would cost $20,000, so good-bye, Bruno.
Reporter: You are an animator as well. Are you planning on making any future animations?
Spinney: Not really. After four years of doing it in Boston, I kind of got tired of it. I was glad it didn’t have to be my permanent career. I was hired by Disney Studios to be an animator, though I didn’t take the job. This was 1957, and the pay was only $56 a week for the first two years. I decided I’d try for something different, so I did. Walt [Disney] actually walked into the room during my interview. I never actually got to speak to him. I had always had a bucket list of three people I would like to meet: Andrew Wyeth, who I spent an afternoon with once and his son Jamie; Walt Disney—at least I was in the same room with him, and I turned his company down; and the other one was Jim Henson, who personally hired me. So I guess I accomplished all those.
* * *
Suppose you are thinking of going to DragonCon in 2016, which will be its 30th anniversary. What do you need to know?
- Book early. Tickets are plentiful, but the hotels fill up fast. The marketing manager at the Hyatt told me that it takes fifteen minutes to sell his 1,250 guest rooms for DragonCon weekend.
- Prepare to wait. You will wait for autographs. You will wait for panels. You will wait for the Heroes & Villains ball or the DragonCon Burlesque or panels with the biggest celebrities. Heck, you will wait for an elevator or a restroom. Get used to it.
- Pay in cash. I have a dream that someday the DragonCon decision-makers will realize they need to mail pre-paid badges. What’s the point of buying online when you have to pick them up in-person? This means 65,000 people standing in line. Yes, registration starts on Thursday, but this benefits only those who buy a weekend pass. Those who want a one-day pass on Saturday can only buy it on Saturday and must pick it up on-site, even if they paid online. You may as well pay for a one-day on-site, and if you do, pay cash. The cash line is terribly shorter and faster than the credit card line.
- Account for the parade. A highlight of the weekend is the Saturday parade, which starts at 10:00am and stretches through downtown. Over 80,000 people show up to watch, making it the second largest parade in the state of Georgia (the first is the Savannah St. Patrick’s Day Parade). Along the parade route, every inch of sidewalk bears a geeky gawker. It’s like a Marvel mosh pit, so plan accordingly. I heard one woman complaining that she had missed her Saturday morning photo op (which she had paid for) because she could not reach the hotel through the throng.
- Schedules are bunk. The program you are handed at registration contains a detailed schedule for the entire weekend. It is outdated the moment it is printed. There is a smartphone app that is kept current, but even it is not omniscient. For example, when I entered the Walk of Fame on Saturday, I saw a handwritten sign taped above Karen Gillan’s booth announcing that she would arrive on Sunday. DC Comics luminary George Perez left at 1:00pm on Saturday, and that was announced only when his signing line was cut off at noon. And I’ve already mentioned the press conference bloopers. Bottom line: No one can manage a convention of this heft flawlessly, so be flexible. Don’t have a meltdown when something goes awry.
- Take care of yourself. Dan Carroll calls DragonCon an “immersive experience.” This can be dreadful if you don’t manage it. He told me about an attendee some years back, a diabetic, who fainted during a session in the gaming room. She told the EMT who restored her that she hadn’t eaten in two hours. “When did you last eat?” the EMT asked. “Around 2:00,” the woman answered. The EMT looked at her and said, “Honey, it’s now 11:00.”
Six buildings. 65,000 attendees. 2,400 volunteers. A $55 million economic impact. You may have attended conventions in the past, but none compares to DragonCon, one of the United States’ largest and most venerable. Nowhere is this more evident than in the cosplays, which are more sumptuous than those you’ll see anywhere. Check them out for yourself below. Maybe I’ll see you there next year, when I plan to be dressed like this.
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Gotham City’s underworld, circa 1925
I didn’t want trouble, but these guys brought it. Big trouble.
George Lucas’s first casting attempt
Here’s Sam. Where’s Dean?
It’s always hot in Georgia in early September. Some people respond by practically going nude.
Who you gonna call? Sorry, wrong ghostbusters.
Maybe Mystery Inc. was looking for these guys. I found them instead.
I went to DragonCon looking for a life-size Barbie doll. Here it is.
This was a ood cosplay . . . I mean, a good cosplay.
An impromptu Muppet Show breaks out.
I found a baby once. Then this guy took him from me.
Preach it, Deadpool. Preach it.
Want to know what 3,000+ cosplayers in a parade look like? Here’s a glimpse.
Want to know what happens when my wife and daughter spend an entire weekend together? Here’s a glimpse.