Long time comic book illustrator Mark McKenna, who works for Marvel and DC Comics and whose credits include The Hulk, Spider-Man, and Justice League and most recently Star Wars: The Old Republic for Dark Horse Comics, appears at the Guilderland Public Library on Saturday October 3, 2015 at 11:00 AM to demonstrate the process of creating comics in a 90-minute presentation. With a hands-on approach, Mark explains the jobs and atmosphere surrounding a freelance comic illustrator including what it takes to put a monthly comic book together, via a 25-minute PowerPoint presentation.
Registering for an event automatically enters you into a raffle to win a print or book from the presenting artist. Artist prints and books will be available for purchase at each artist event.
Guilderland Public Library
2228 Western Ave, Guilderland, NY 12203
Back in 2011, John sent me an email that read, “Son, look at this.” John and I have called each other “son” for twenty years. It’s our oldest invention, the stone tools of our friendship. His email included a link to a convention called DragonCon, which I was unfamiliar with. “We should go to this to watch all the freaks,” he went on. “We’d have the time of our lives!”
We went to DragonCon that year, plus the next two. In 2014, John was unavailable, so I took my wife and daughter, who went with me again this year, marking my fifth Labor Day weekend spent in Atlanta, Georgia.
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DragonCon has been held in the Dogwood City since 1986, when it was started by a science fiction and gaming group, the Dragon Alliance of Gamers and Role-Players (DAGR). From the outset, it was different. In an era when most conventions focused on a single universe (Star Wars, Star Trek, Doctor Who) or medium (comics, games, science fiction), DragonCon was founded as a multi-genre convention, and it has remained one ever since.
That first gathering drew 1,400 fans and featured some surprisingly renowned guests: Robert Asprin, Lynn Abbey, Michael Moorcock, and the band Blue Öyster Cult. Attendance grew every year, doubling in some years. By 1995, it was at 14,000. It topped 40,000 in 2010, and in 2015, just five years later, over 65,000 were expected. Heck, there are now more volunteers (2,300+) than inaugural attendees!
Most gatherings of that size take place in convention centers, but DragonCon is still hotel-based. Initially confined to the Piedmont Plaza, it now swamps five four-star venues: the Hilton, Hyatt Regency, Marriott Marquis, Sheraton, and Westin. Vendor booths are located in a sixth building, the AmericasMart. Over 3,000 hours of programming are spread among those hotels, divided into fortysomething tracks. Tracks such as comics and Tolkien are the DNA of DragonCon. Others like podcasting, Whedon Universe, and filking are newer. The curriculum is always changing, always improving, according to Dan Carroll, DragonCon’s director of media. The alternate history track, for example, was added seven years ago when a panel on the topic was planned for 400 people. Over 3,000 showed up.
I went to one panel this year. Cacophonously titled “Legendary SW Authors Talk Mythos,” it featured four writers—Rebecca Moesta, Timothy Zahn, Michael Stackpole, and Kevin J. Anderson—who have totaled no fewer than 50 Star Wars novels. To call these authors “legendary” carries a double meaning, as their works, like others of the Star Wars Expanded Universe, are no longer canon thanks to a 2014 Lucasfilm decree. (This article describes the new continuity in detail.)
The authors talked about this decision, not to bellyache but to explain that it isn’t the degradation most fans seem to think. They knew from the start that they were scribblers, hired to tell tales from someone else’s world. They didn’t feel betrayed; they felt lucky for the opportunities. After all, it isn’t just any world—it is Star Wars, one of the best worlds in this, or any, universe. Besides, there is nothing to stop Lucasfilm from taking their work—say, Michael Stackpole’s X-Wing books—and turning it into a separate movie or TV series, a possibility hinted at during last year’s San Diego Comic-Con.
The panelists discussed other topics, including their tastes in stories (westerns, Doc Savage, Edgar Rice Burroughs, and fortuitously, romances like Gone with the Wind), what influenced them as writers, and how they collaborate. It was a fascinating colloquy despite the feebleness of the moderator, a supposed Star Wars blogger whose questions were rambling and confused the panelists. One question had already been answered by Stackpole, and after the moderator asked it, Kevin J. Anderson said, “Mike, you want to run through that again?” The moderator smiled, turned to the audience, and said, “Never mind. We’ll take your questions now.”
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One of the biggest attractions of DragonCon is the Walk of Fame, where all the TV, movie, gaming, and other guests interact with fans. Over 400 guests attended this year, a few of them household names: Stephen Amell, John Barrowman, Katie Cassidy, Karen Gillan, Nichelle Nichols, and Edward James Olmos. I wanted to interview some guests, a process DragonCon manages better than most conventions. Reporters who are granted press passes must be separately approved for interviews. These approvals are based on the size of their media outlets. Once I got my approval, I could request interviews with up to ten guests.
With over 500 interview requests for 114 slots (according to Samantha Douglas, the interview coordinator), not every reporter approved for interviews actually gets one. Imagine my surprise when I was offered two: one with Sylvester McCoy, who played the Seventh Doctor on Dr. Who, and one with Caroll Spinney, who played Big Bird and Oscar the Grouch on Sesame Street. The interviews were actually press conferences held in one of the Marriott meeting rooms. About twelve reporters were at each one. Most represented nerd-news sites like ConventionScene, though I also saw CNN and Georgia Public Broadcasting.
Through no fault of DragonCon, the press conferences were disasters. After we waited thirty minutes for Sylvester McCoy, someone came in to say that he was cancelling. His panel had run long, and because he was leaving that afternoon, there was no time to reschedule. Carol Spinney was over an hour late (he simply forgot) and stayed only about ten minutes. Here is a bit of what he had to say:
Reporter: I heard in other interviews that you based Big Bird on a four-year-old child. Over the years, have you had to adjust your characterization of that four-year-old child version of Big Bird based on the generations?
Spinney: Actually, initially, since I decided Big Bird could not read or write, he was four-and-a-half. Then I had to go up to six. And now he has been six for years. He is a precocious child of six. He travels by himself with a dog. And he went to China, somehow. I don’t know how he got tickets. I think it’s just fun playing him as a kind of wide-eyed child. I get letters all the time from children saying, “Big Bird, you’re my best friend. Please come and play with me.” One said, “How about next Thursday?”
Reporter: When the movie [Follow That Bird, 1985] came out, Big Bird had already been around for a while, and a whole generation of children had been watching him and relating to him as a friend, and kids really felt that their friend had been kidnapped. Were you expecting Big Bird to connect to a whole country of children at that deep of a level?
Spinney: I didn’t really know what to expect. When Jim Henson hired me, we were both puppeteers. I would do whatever characters needed performing, but by the third year, with Big Bird, I was so busy. They tried to have me continue doing the incidental stuff too, but one day, Big Bird was in almost all the scenes, and I had to keep taking a taxi up and down Broadway [performing as different characters in different scenes], so one day I said, “Let’s not play this game anymore.” On the fourth year, I said I was busy enough that we needed more puppeteers. So we got some more.
Reporter: I saw that you visited the Center for Puppetry Arts yesterday. Can you talk about what you saw and did there?
Spinney: Well, the museum is going to open by November. They have so many things to display. I saw the place where they are building and repairing puppets, a lot of the Henson puppets that are worn-out. Some of the material has decayed. It has turned to powder. The only puppet I ever created myself is one that has gone to pieces. It was Bruno, who carried Oscar’s trash can around. There were fake arms going to Bruno’s shoulders, and my hands were inside. Oscar would come up and try to boss him around, but Bruno would not be bossed. I designed Bruno so that my head was in his head. I could see out through where the bags under his eyes would be. He looked like a Bert-type puppet. That way, we could get Oscar out on stage for concert tours. I asked a couple of years ago why we don’t use Bruno in shows anymore. He doesn’t exist. He has turned to powder. I asked why they don’t make a new one. It would cost $20,000, so good-bye, Bruno.
Reporter: You are an animator as well. Are you planning on making any future animations?
Spinney: Not really. After four years of doing it in Boston, I kind of got tired of it. I was glad it didn’t have to be my permanent career. I was hired by Disney Studios to be an animator, though I didn’t take the job. This was 1957, and the pay was only $56 a week for the first two years. I decided I’d try for something different, so I did. Walt [Disney] actually walked into the room during my interview. I never actually got to speak to him. I had always had a bucket list of three people I would like to meet: Andrew Wyeth, who I spent an afternoon with once and his son Jamie; Walt Disney—at least I was in the same room with him, and I turned his company down; and the other one was Jim Henson, who personally hired me. So I guess I accomplished all those.
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Suppose you are thinking of going to DragonCon in 2016, which will be its 30th anniversary. What do you need to know?
- Book early. Tickets are plentiful, but the hotels fill up fast. The marketing manager at the Hyatt told me that it takes fifteen minutes to sell his 1,250 guest rooms for DragonCon weekend.
- Prepare to wait. You will wait for autographs. You will wait for panels. You will wait for the Heroes & Villains ball or the DragonCon Burlesque or panels with the biggest celebrities. Heck, you will wait for an elevator or a restroom. Get used to it.
- Pay in cash. I have a dream that someday the DragonCon decision-makers will realize they need to mail pre-paid badges. What’s the point of buying online when you have to pick them up in-person? This means 65,000 people standing in line. Yes, registration starts on Thursday, but this benefits only those who buy a weekend pass. Those who want a one-day pass on Saturday can only buy it on Saturday and must pick it up on-site, even if they paid online. You may as well pay for a one-day on-site, and if you do, pay cash. The cash line is terribly shorter and faster than the credit card line.
- Account for the parade. A highlight of the weekend is the Saturday parade, which starts at 10:00am and stretches through downtown. Over 80,000 people show up to watch, making it the second largest parade in the state of Georgia (the first is the Savannah St. Patrick’s Day Parade). Along the parade route, every inch of sidewalk bears a geeky gawker. It’s like a Marvel mosh pit, so plan accordingly. I heard one woman complaining that she had missed her Saturday morning photo op (which she had paid for) because she could not reach the hotel through the throng.
- Schedules are bunk. The program you are handed at registration contains a detailed schedule for the entire weekend. It is outdated the moment it is printed. There is a smartphone app that is kept current, but even it is not omniscient. For example, when I entered the Walk of Fame on Saturday, I saw a handwritten sign taped above Karen Gillan’s booth announcing that she would arrive on Sunday. DC Comics luminary George Perez left at 1:00pm on Saturday, and that was announced only when his signing line was cut off at noon. And I’ve already mentioned the press conference bloopers. Bottom line: No one can manage a convention of this heft flawlessly, so be flexible. Don’t have a meltdown when something goes awry.
- Take care of yourself. Dan Carroll calls DragonCon an “immersive experience.” This can be dreadful if you don’t manage it. He told me about an attendee some years back, a diabetic, who fainted during a session in the gaming room. She told the EMT who restored her that she hadn’t eaten in two hours. “When did you last eat?” the EMT asked. “Around 2:00,” the woman answered. The EMT looked at her and said, “Honey, it’s now 11:00.”
Six buildings. 65,000 attendees. 2,400 volunteers. A $55 million economic impact. You may have attended conventions in the past, but none compares to DragonCon, one of the United States’ largest and most venerable. Nowhere is this more evident than in the cosplays, which are more sumptuous than those you’ll see anywhere. Check them out for yourself below. Maybe I’ll see you there next year, when I plan to be dressed like this.
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Gotham City’s underworld, circa 1925
I didn’t want trouble, but these guys brought it. Big trouble.
George Lucas’s first casting attempt
Here’s Sam. Where’s Dean?
It’s always hot in Georgia in early September. Some people respond by practically going nude.
Who you gonna call? Sorry, wrong ghostbusters.
Maybe Mystery Inc. was looking for these guys. I found them instead.
I went to DragonCon looking for a life-size Barbie doll. Here it is.
This was a ood cosplay . . . I mean, a good cosplay.
An impromptu Muppet Show breaks out.
I found a baby once. Then this guy took him from me.
Preach it, Deadpool. Preach it.
Want to know what 3,000+ cosplayers in a parade look like? Here’s a glimpse.
Want to know what happens when my wife and daughter spend an entire weekend together? Here’s a glimpse.
Barnes & Noble
5183 Montclair Plaza Lane, Montclair, CA 91763
Mark Waid (Daredevil, Princess Leia), Art Baltazar (Itty Bitty Hellboy, Tiny Titans), Franco (Itty Bitty Mask, Tiny Titans), Christy Blanch (The Damnation of Charlie Wormwood), James Tynion IV (Batman Eternal, Memetic), and Michael Dialynas (The Woods) appear at the grand opening of Aw Yeah Comics’ new store on Saturday, October 3, 2015!
Aw Yeah Comics
313 Halstead Ave, Harrison, NY 10528
Ian Doescher appears at Powell’s City of Books on Friday, September 11, 2015 at 7:00 PM to sign his new book William Shakespeare’s Tragedy of the Sith’s Revenge!
Powell’s City of Books
3415 SW Cedar Hills Blvd. Beaverton, OR 97005
Writer Greg Rucka (Star Wars: Smuggler’s Run, Lazarus, Queen & Country) signs at Gabi’s Olympic Cards & Comics on Tuesday, September 8, 2015 at 6:00 PM to sign STAR WARS: SHATTERED EMPIRE #1! The comic does not release until September 9th, so you can come in and meet Greg, get your book signed, but you have to wait until Wednesday to pick it up!
Gabi’s Olympic Cards & Comics
4230 Pacific Ave SE, Lacey, WA 98503
Alexandra Bracken, Tom Angleberger, and Adam Gidwitz appear at Books of Wonder on Saturday, October 10, 2015 from 1:00 – 3:00 pm!
Star Wars Reads Day is back! The fourth annual celebration of reading and a galaxy far, far away will storm bookstores worldwide on October 10. And we are thrilled to invite one and all to meet and hear from NY Times bestselling author ALEXANDRA BRACKEN author of The Princess, The Scoundrel, and the Farm Boy, a captivating retelling of Star Wars: A New Hope like you’ve never experienced before; NY Times bestselling author Adam Gidwitz delivers So You Want to be a Jedi?,his thrilling retelling of Star Wars: The Empire Strikes Back; and NY Times bestselling author Tom Angleberger delivers Beware the Power of the Dark Side!, an engrossing retelling of Star Wars: Return of the Jedi.
Books of Wonder
18 West 18th Street, New York, NY 10011
Brad Meltzer and Judd Winick appear at Books & Books on Saturday, September 19, 2015 at 7:00 PM!
A joint evening with #1 New York Times bestselling author Brad Meltzer and Award winning cartoonist and critically acclaimed comic book writer Judd Winick discussing their new releases.
ABOUT THE BOOKS
We can all be heroes. That’s the inspiring message of this New York Times Bestselling picture book biography series from historian and author Brad Meltzer
I am Helen Keller: When Helen Keller was very young, she got a rare disease that made her deaf and blind. Suddenly, she couldn’t see or hear at all, and it was hard for her to communicate with anyone. But when she was six years old, she met someone who change her life forever: her teacher, Annie Sullivan. With Miss Sullivan’s help, Helen learned how to speak sign language and read Braille. Armed with the ability to express herself, Helen grew up to be come a social activist, leading the fight for people with disabilities and so many other causes.
Introducing HILO—a funny, action-packed, full-color new middle-grade graphic novel series that Bone creator Jeff Smith calls “delightful.”
Hilo Book 1: The Boy Who Crashed to Earth: D.J. and his friend Gina are totally normal kids. But that was before a mysterious boy came crashing down from the sky! Hilo doesn’t know where he came from, or what he’s doing on Earth. (Or why going to school in only your underwear is a bad idea!) . . . But what if Hilo wasn’t the only thing to fall to our planet? Can the trio unlock the secrets of his past? Can Hilo survive a day at school? And are D.J. and Gina ready to save the world? HILO is Calvin and Hobbes meets Big Nate and is just right for fans of Bone and comic books as well as laugh-out-loud school adventures like Jedi Academy and Wimpy Kid!
ABOUT THE AUTHORS:
Brad Meltzer is the author of the #1 New York Times bestsellers The Inner Circle, The Book of Fate, and six other bestselling thrillers. His nonfiction books, Heroes for My Son and Heroes for My Daughter, were also New York Times bestsellers. He is the host of the History Channel series Brad Meltzer’s Decoded and the Eisner Award-winning writer of Justice League of America. A graduate of the University of Michigan and Columbia Law School, he currently lives in Florida. You can find much more about him at www.BradMeltzer.com. You can also see what he’s doing right now at Facebook.com/bradmeltzer and Twitter.com/bradmeltzer.
Judd Winick grew up on Long Island, where he spent countless hours doodling, reading X-Men comics and the newspaper strip Bloom County, and watching Loony Tunes. Today, Judd lives in San Francisco with his wife, Pam Ling; their two kids; and their cats, Chaka and Sleestak. When Judd isn’t collecting far more action figures and vinyl toys than a normal adult, he is a screenwriter and an award-winning cartoonist. Judd has scripted issues of the bestselling comic series, including Batman, Green Lantern, Green Arrow, Justice League, and Star Wars, and has also been head writer on the Hulu network’s animated series, The Awesomes. Judd also appeared as a cast member of MTV’s The Real World: San Francisco and is the author of the highly acclaimed graphic novel Pedro and Me, about his Real World roommate and friend, AIDS activist Pedro Zamora. Visit Judd and Hilo online at www.juddwinick.com
Books & Books
265 Aragon Ave, Coral Gables, FL 33134
Author R.A. Salvatore appears at Barnes & Noble on Wednesday September 23, 2015 at 7:00 PM for the release of his new book, Archmage. R.A. Salvatore will be here to sign copies of his books as well as do a Q&A. Archmage will be released on September 1. This is a wristband event. Please see a bookseller for more details.
About this author
R.A. Salvatore is the New York Times best-selling author of more than forty novels, including the popular Forgotten Realms series The Legend of Drizzt. He’s an avid gamer, father of three, and loyal citizen of Red Sox Nation.
Barnes & Noble
5183 Montclair Plaza Lane, Montclair, CA 91763
R. A. Salvatore appears at Mysterious Galaxy Books on Friday, September 18th from 7:30 PM!
Join us for a night of magic, fantasy, and adventure as we welcome bestselling author R.A. Salvatore once again to Mysterious Galaxy! His latest novel Archmage centers on our favorite drow, Drizzt who must face the challenge of the dark elves of Menzoberranzan. The powerful Archmage Gromph plans to call on demonic forces from the deepest reaches of the Abyss, and unleash a disaster even the Underdark could never have prepared for.
Mysterious Galaxy Books
5943 Balboa Avenue, San Diego, CA 92111