Writer Vito Delsante appears at Barnes & Noble on Saturday July 23, 2016 at 5:00 PM to sign Stray: Who Killed the Doberman?
Barnes & Noble – Gardiner Manor Mall
842 Sunrise Highway, Bay Shore, NY 11706
Freddie Prinze Jr. signs his new cookbook BACK TO THE KITCHEN at Vroman’s Bookstore on Saturday, June 11, 2016 at 3:00 PM.
Most people know Freddie Prinze Jr. from movies (“She’s All That, Scooby Doo, Star Wars Rebels”) and as one half of beloved Hollywood power couple with Sarah Michelle Gellar. But to family, friends, and co-stars he’s always been a terrific father and skilled home cook who prepares delicious meals for his family every night. Freddie grew up in New Mexico cooking with his mother and eating dishes with a ton of flavor and spice from his Puerto Rican heritage. His eggs come New Mexico style, served with from-scratch biscuits and green-chile gravy. His tacos are the real deal: soft tortillas, homemade salsa, filled with steak layered with quick-pickled cucumbers, or spicy fish dressed with watermelon and thai chiles. Now in this family-focused cookbook, Freddie teaches fans to cook his mainstays, the recipes that he makes on even the busiest weeknights, as well as more luxurious date night meals.
Those wishing to get books signed will be asked to purchase at least one copy of the author’s most recent title from Vroman’s. For each purchased copy of the newest title, customers may bring up to three copies from home to be signed. This policy applies to all Vroman’s Bookstore events unless otherwise noted. Save your Vroman’s receipt; it will be checked when you enter the signing line.
695 E. Colorado Blvd Pasadena, CA 91101
Freddie Prinze Jr. signs his new cookbook Back to the Kitchen at Barnes & Noble on Thursday, June 9, 2016 at 7:00 PM.
Most people know Freddie Prinze, Jr. from movies (She’s All That, Scooby-Doo, Star Wars Rebels) and as one half of beloved Hollywood power couple with Sarah Michelle Gellar. But to family, friends, and co-stars he’s always been a terrific father and skilled home cook who prepares delicious meals for his family every night
With personal family photos from Freddie and Sarah’s beautiful LA home and Freddie’s hilarious stories about the life of an actor, husband, and father in Hollywood, Back to the Kitchen shares more than just recipes. It’s an inside look at a beloved movie and TV personality who has acted, cooked, and eaten his way around the world. Join Freddie Prinze, Jr. for this Special Event and book signing.
This is a wristbanded event.
A wristband will be issued to customers who purchase
BACK TO THE KITCHEN from Barnes & Noble at The Grove beginning June 9th at 9am
• Limit 1 wristband per book
Barnes & Noble – The Grove
189 The Grove Dr, Ste K 30, Los Angeles, California 90036
Back in 2011, John sent me an email that read, “Son, look at this.” John and I have called each other “son” for twenty years. It’s our oldest invention, the stone tools of our friendship. His email included a link to a convention called DragonCon, which I was unfamiliar with. “We should go to this to watch all the freaks,” he went on. “We’d have the time of our lives!”
We went to DragonCon that year, plus the next two. In 2014, John was unavailable, so I took my wife and daughter, who went with me again this year, marking my fifth Labor Day weekend spent in Atlanta, Georgia.
* * *
DragonCon has been held in the Dogwood City since 1986, when it was started by a science fiction and gaming group, the Dragon Alliance of Gamers and Role-Players (DAGR). From the outset, it was different. In an era when most conventions focused on a single universe (Star Wars, Star Trek, Doctor Who) or medium (comics, games, science fiction), DragonCon was founded as a multi-genre convention, and it has remained one ever since.
That first gathering drew 1,400 fans and featured some surprisingly renowned guests: Robert Asprin, Lynn Abbey, Michael Moorcock, and the band Blue Öyster Cult. Attendance grew every year, doubling in some years. By 1995, it was at 14,000. It topped 40,000 in 2010, and in 2015, just five years later, over 65,000 were expected. Heck, there are now more volunteers (2,300+) than inaugural attendees!
Most gatherings of that size take place in convention centers, but DragonCon is still hotel-based. Initially confined to the Piedmont Plaza, it now swamps five four-star venues: the Hilton, Hyatt Regency, Marriott Marquis, Sheraton, and Westin. Vendor booths are located in a sixth building, the AmericasMart. Over 3,000 hours of programming are spread among those hotels, divided into fortysomething tracks. Tracks such as comics and Tolkien are the DNA of DragonCon. Others like podcasting, Whedon Universe, and filking are newer. The curriculum is always changing, always improving, according to Dan Carroll, DragonCon’s director of media. The alternate history track, for example, was added seven years ago when a panel on the topic was planned for 400 people. Over 3,000 showed up.
I went to one panel this year. Cacophonously titled “Legendary SW Authors Talk Mythos,” it featured four writers—Rebecca Moesta, Timothy Zahn, Michael Stackpole, and Kevin J. Anderson—who have totaled no fewer than 50 Star Wars novels. To call these authors “legendary” carries a double meaning, as their works, like others of the Star Wars Expanded Universe, are no longer canon thanks to a 2014 Lucasfilm decree. (This article describes the new continuity in detail.)
The authors talked about this decision, not to bellyache but to explain that it isn’t the degradation most fans seem to think. They knew from the start that they were scribblers, hired to tell tales from someone else’s world. They didn’t feel betrayed; they felt lucky for the opportunities. After all, it isn’t just any world—it is Star Wars, one of the best worlds in this, or any, universe. Besides, there is nothing to stop Lucasfilm from taking their work—say, Michael Stackpole’s X-Wing books—and turning it into a separate movie or TV series, a possibility hinted at during last year’s San Diego Comic-Con.
The panelists discussed other topics, including their tastes in stories (westerns, Doc Savage, Edgar Rice Burroughs, and fortuitously, romances like Gone with the Wind), what influenced them as writers, and how they collaborate. It was a fascinating colloquy despite the feebleness of the moderator, a supposed Star Wars blogger whose questions were rambling and confused the panelists. One question had already been answered by Stackpole, and after the moderator asked it, Kevin J. Anderson said, “Mike, you want to run through that again?” The moderator smiled, turned to the audience, and said, “Never mind. We’ll take your questions now.”
* * *
One of the biggest attractions of DragonCon is the Walk of Fame, where all the TV, movie, gaming, and other guests interact with fans. Over 400 guests attended this year, a few of them household names: Stephen Amell, John Barrowman, Katie Cassidy, Karen Gillan, Nichelle Nichols, and Edward James Olmos. I wanted to interview some guests, a process DragonCon manages better than most conventions. Reporters who are granted press passes must be separately approved for interviews. These approvals are based on the size of their media outlets. Once I got my approval, I could request interviews with up to ten guests.
With over 500 interview requests for 114 slots (according to Samantha Douglas, the interview coordinator), not every reporter approved for interviews actually gets one. Imagine my surprise when I was offered two: one with Sylvester McCoy, who played the Seventh Doctor on Dr. Who, and one with Caroll Spinney, who played Big Bird and Oscar the Grouch on Sesame Street. The interviews were actually press conferences held in one of the Marriott meeting rooms. About twelve reporters were at each one. Most represented nerd-news sites like ConventionScene, though I also saw CNN and Georgia Public Broadcasting.
Through no fault of DragonCon, the press conferences were disasters. After we waited thirty minutes for Sylvester McCoy, someone came in to say that he was cancelling. His panel had run long, and because he was leaving that afternoon, there was no time to reschedule. Carol Spinney was over an hour late (he simply forgot) and stayed only about ten minutes. Here is a bit of what he had to say:
Reporter: I heard in other interviews that you based Big Bird on a four-year-old child. Over the years, have you had to adjust your characterization of that four-year-old child version of Big Bird based on the generations?
Spinney: Actually, initially, since I decided Big Bird could not read or write, he was four-and-a-half. Then I had to go up to six. And now he has been six for years. He is a precocious child of six. He travels by himself with a dog. And he went to China, somehow. I don’t know how he got tickets. I think it’s just fun playing him as a kind of wide-eyed child. I get letters all the time from children saying, “Big Bird, you’re my best friend. Please come and play with me.” One said, “How about next Thursday?”
Reporter: When the movie [Follow That Bird, 1985] came out, Big Bird had already been around for a while, and a whole generation of children had been watching him and relating to him as a friend, and kids really felt that their friend had been kidnapped. Were you expecting Big Bird to connect to a whole country of children at that deep of a level?
Spinney: I didn’t really know what to expect. When Jim Henson hired me, we were both puppeteers. I would do whatever characters needed performing, but by the third year, with Big Bird, I was so busy. They tried to have me continue doing the incidental stuff too, but one day, Big Bird was in almost all the scenes, and I had to keep taking a taxi up and down Broadway [performing as different characters in different scenes], so one day I said, “Let’s not play this game anymore.” On the fourth year, I said I was busy enough that we needed more puppeteers. So we got some more.
Reporter: I saw that you visited the Center for Puppetry Arts yesterday. Can you talk about what you saw and did there?
Spinney: Well, the museum is going to open by November. They have so many things to display. I saw the place where they are building and repairing puppets, a lot of the Henson puppets that are worn-out. Some of the material has decayed. It has turned to powder. The only puppet I ever created myself is one that has gone to pieces. It was Bruno, who carried Oscar’s trash can around. There were fake arms going to Bruno’s shoulders, and my hands were inside. Oscar would come up and try to boss him around, but Bruno would not be bossed. I designed Bruno so that my head was in his head. I could see out through where the bags under his eyes would be. He looked like a Bert-type puppet. That way, we could get Oscar out on stage for concert tours. I asked a couple of years ago why we don’t use Bruno in shows anymore. He doesn’t exist. He has turned to powder. I asked why they don’t make a new one. It would cost $20,000, so good-bye, Bruno.
Reporter: You are an animator as well. Are you planning on making any future animations?
Spinney: Not really. After four years of doing it in Boston, I kind of got tired of it. I was glad it didn’t have to be my permanent career. I was hired by Disney Studios to be an animator, though I didn’t take the job. This was 1957, and the pay was only $56 a week for the first two years. I decided I’d try for something different, so I did. Walt [Disney] actually walked into the room during my interview. I never actually got to speak to him. I had always had a bucket list of three people I would like to meet: Andrew Wyeth, who I spent an afternoon with once and his son Jamie; Walt Disney—at least I was in the same room with him, and I turned his company down; and the other one was Jim Henson, who personally hired me. So I guess I accomplished all those.
* * *
Suppose you are thinking of going to DragonCon in 2016, which will be its 30th anniversary. What do you need to know?
- Book early. Tickets are plentiful, but the hotels fill up fast. The marketing manager at the Hyatt told me that it takes fifteen minutes to sell his 1,250 guest rooms for DragonCon weekend.
- Prepare to wait. You will wait for autographs. You will wait for panels. You will wait for the Heroes & Villains ball or the DragonCon Burlesque or panels with the biggest celebrities. Heck, you will wait for an elevator or a restroom. Get used to it.
- Pay in cash. I have a dream that someday the DragonCon decision-makers will realize they need to mail pre-paid badges. What’s the point of buying online when you have to pick them up in-person? This means 65,000 people standing in line. Yes, registration starts on Thursday, but this benefits only those who buy a weekend pass. Those who want a one-day pass on Saturday can only buy it on Saturday and must pick it up on-site, even if they paid online. You may as well pay for a one-day on-site, and if you do, pay cash. The cash line is terribly shorter and faster than the credit card line.
- Account for the parade. A highlight of the weekend is the Saturday parade, which starts at 10:00am and stretches through downtown. Over 80,000 people show up to watch, making it the second largest parade in the state of Georgia (the first is the Savannah St. Patrick’s Day Parade). Along the parade route, every inch of sidewalk bears a geeky gawker. It’s like a Marvel mosh pit, so plan accordingly. I heard one woman complaining that she had missed her Saturday morning photo op (which she had paid for) because she could not reach the hotel through the throng.
- Schedules are bunk. The program you are handed at registration contains a detailed schedule for the entire weekend. It is outdated the moment it is printed. There is a smartphone app that is kept current, but even it is not omniscient. For example, when I entered the Walk of Fame on Saturday, I saw a handwritten sign taped above Karen Gillan’s booth announcing that she would arrive on Sunday. DC Comics luminary George Perez left at 1:00pm on Saturday, and that was announced only when his signing line was cut off at noon. And I’ve already mentioned the press conference bloopers. Bottom line: No one can manage a convention of this heft flawlessly, so be flexible. Don’t have a meltdown when something goes awry.
- Take care of yourself. Dan Carroll calls DragonCon an “immersive experience.” This can be dreadful if you don’t manage it. He told me about an attendee some years back, a diabetic, who fainted during a session in the gaming room. She told the EMT who restored her that she hadn’t eaten in two hours. “When did you last eat?” the EMT asked. “Around 2:00,” the woman answered. The EMT looked at her and said, “Honey, it’s now 11:00.”
Six buildings. 65,000 attendees. 2,400 volunteers. A $55 million economic impact. You may have attended conventions in the past, but none compares to DragonCon, one of the United States’ largest and most venerable. Nowhere is this more evident than in the cosplays, which are more sumptuous than those you’ll see anywhere. Check them out for yourself below. Maybe I’ll see you there next year, when I plan to be dressed like this.
* * *
Gotham City’s underworld, circa 1925
I didn’t want trouble, but these guys brought it. Big trouble.
George Lucas’s first casting attempt
Here’s Sam. Where’s Dean?
It’s always hot in Georgia in early September. Some people respond by practically going nude.
Who you gonna call? Sorry, wrong ghostbusters.
Maybe Mystery Inc. was looking for these guys. I found them instead.
I went to DragonCon looking for a life-size Barbie doll. Here it is.
This was a ood cosplay . . . I mean, a good cosplay.
An impromptu Muppet Show breaks out.
I found a baby once. Then this guy took him from me.
Preach it, Deadpool. Preach it.
Want to know what 3,000+ cosplayers in a parade look like? Here’s a glimpse.
Want to know what happens when my wife and daughter spend an entire weekend together? Here’s a glimpse.
Writer Vito Delsante and artist Khary Randolph appear at JHU Comic Books on
Wednesday January 28, 2015 Wednesday, February 18, 2015 from 6:00-8:00 PM!
JHU Comic Books is proud to welcome back one of our prestigious alumni, Vito Delsante (Savage Tales, Scooby Doo, World War Mob), to our comic book campus to celebrate the launch of Stray, his new creator owned title with Action Lab Entertainment.
Joining him is Khary Randolph (Tech Jacket, Teen Titans, Justice League Beyond 2.0) who’s limited-edition variant cover will also be available for sale and signing!
Come through and witness the birth of a new hero for a new year!
*Purchase of Stray #1 required to participate is signing event.
JHU Comic Books MANHATTAN
32 East 32nd Street, New York, NY 10016
Director and co-writer James Gunn visits Amoeba Hollywood to sign copies of MARVEL’s “Guardians Of The Galaxy” release on Friday, December 12 at 5:00 pm.
Signing will be limited to the first 200 people to purchase it at Amoeba Hollywood on Blu-ray, 3D Blu-ray or DVD beginning on December 9th at 10:30am.
Limit of 2 copies per person for the signing. Must have receipt and attached signing ticket to attend signing on 12/12.
From Marvel, the studio that launched the epic franchises of “Iron Man,” “Thor,” “Captain America” and “Marvel’s The Avengers,” comes an unlikely new team—the “Guardians of the Galaxy.” The Marvel Cinematic Universe expands into the cosmos when brash space adventurer Peter Quill steals a coveted orb and becomes the object of a relentless bounty hunt. To evade his enemies, Quill forges an uneasy truce with Rocket, a gun-toting raccoon; Groot, a tree-like humanoid; the deadly assassin Gamora; and the revenge-driven Drax. But when Quill discovers the true power of the orb, he must rally his ragtag band of misfits for a desperate battle that will decide the fate of the galaxy. Featuring amazing new characters and exclusive bonus features, this must-own blockbuster will have you hooked on a feeling… of pure adrenaline!
James Gunn Biography:
James Gunn was born and raised in St. Louis, Missouri in a large Irish Catholic family. At the age of twelve he began his filmmaking career making a zombie movie with an eight-millimeter camera and an actor, his brother Sean.
Thirty years later, Gunn went on to write and direct the record-breaking Marvel blockbuster film Guardians of the Galaxy, which had the biggest August opening weekend of all-time, earning $94 million at the domestic box office. Having grossed over $700 million at the worldwide box office to date, the Marvel feature is the second highest grossing film of 2014 and has spent five weekends atop the box office, more than any other Marvel film. Guardians has not only been a massive financial success, it also garnered impressive reviews from top film critics around the world, cemented with stellar performances from Chris Pratt, Zoe Saldana, Bradley Cooper, Vin Diesel, Dave Bautista, Glenn Close, and Benicio Del Toro. Also featured in the film is his brother Sean, who played Kraglin, and was the on-set Rocket Raccoon. Knowing what an important part music plays in a movie, Gunn personally chose every song on the Guardians of the Galaxy soundtrack. The album, which featured pop songs from the 1960’s & 70’s, was highly praised by critics as being a secondary character in the film and is the first soundtrack comprised entirely of previously released songs to ever reach the No. 1 spot on the Billboard charts. Even prior to its release, the film garnered so much positive buzz and faith among Marvel executives that a sequel was greenlit weeks before it’s opening. The Guardians of the Galaxy sequel is slated for summer 2017 with Gunn attached to write and direct.
Gunn also wrote and directed the independent feature film, SUPER, starring Rainn Wilson, Ellen Page, Liv Tyler, and Kevin Bacon. It is the dark, comedic tale of a disturbed man who dresses up as a superhero to save his ex-wife from her drug-dealing new boyfriend. SUPER was an official selection at the Toronto Film Festival, was picked up by IFC Films, and is IFC’s top selling film ever on On Demand.
Gunn’s love for the comedy and horror genres coalesced in the humorous horror film Slither, released by Universal in 2006. Gunn wrote the film, which was his feature-film directorial debut, and stars Nathan Fillion and Elizabeth Banks. The film is currently featured on Rotten Tomatoes as one of the “Top Ten All–Time Best Reviewed Horror Films.” It was named “The Best Horror film of 2006” by Rue Morgue Magazine, and Gunn won a Saturn Award and a Fangoria Chainsaw Award for his work on the film.
Gunn also wrote the live action Scooby-Doo movie which grossed over $300 million worldwide and in March of 2004, he became the first screenwriter in history to write back-to-back #1-for-the-weekend box office hits, with the critically-acclaimed, re-imagined Dawn of the Dead on March 19, 2004 and Scooby-Doo 2: Monsters Unleashed on March 26, 2004.
Gunn got his start in the industry while attending Columbia University. He applied for a part-time job filing papers at famed B-movie studios Troma Entertainment, and was paid $150 to write the screenplay for the feature Tromeo & Juliet instead. In 1997, Tromeo became a cult hit, playing in theaters around the world, including over a year of midnight screenings in Los Angeles.
Gunn left Troma to write and star (along with Rob Lowe, Thomas Haden-Church, and Jamie Kennedy) in the 2000 feature film, The Specials, about a group of superheroes on their day off. In the same year, Bloomsbury Press released Gunn’s critically acclaimed novel The Toy Collector, the story of a hospital orderly who sells drugs to finance his escalating toy collecting addiction. He also wrote, with Lloyd Kaufman, the non-fiction book All I Need to Know About Filmmaking I Learned from the Toxic Avenger, currently in its fifth printing.
In 2012 Gunn released his fist video game, Lollipop Chainsaw, with Suda 51 and Warner Bros, on Xbox and Playstation 3. In 2008 he created Xbox Live’s first original content, producing seven comedy shows by horror directors, and creating his own, Sparky & Mikaela. Also in 2008, Gunn hosted the reality show Scream Queens for VH1, and began writing and directing the web series James Gunn’s PG Porn for Spike.com. James Gunn’s PG Porn pairs mainstream actors and porn stars in comedy shorts. It has received over 70 million hits online, has been remade by Canal+ in France, and is one of the most profitable web series of all time.
Gunn lives in Los Angeles with his dog, Dr. Wesely Von Spears and his cat, Emily Monster. He can be found on Twitter and Instagram at @JamesGunn and on Facebook at Facebook.com/jgunn.
6400 Sunset Blvd, Los Angeles, CA 90028
Comments Off on CA – Peanuts Comic Book Signing
Atlanta-based cartoonist Robert W. Pope appears at the Charles M. Schulz Museum on Friday June 20th at 2:00 pm. For over 15 years, Pope has specialized in bringing many of our favorite animated characters to the comic book page, including Peanuts, Scooby-Doo, Bugs Bunny, Johnny Bravo, Batman and many others. Pope has contributed to several of the new Peanuts comic books and will be available to sketch, answer questions, and sign comics.
Charles M. Schulz Museum
2301 Hardies Lane, Santa Rosa, CA 95403
Comments Off on NYC – Justice League: War Panel
Christopher Gorham, “Flash”
James Tucker, Producer
Jay Oliva, Director
Andrea Romano, Dialogue Director
Additional panelists to be announced.
When the powerful Darkseid and his massive, relentless forces invade Earth, several previously unaligned superheroes—misunderstood and, in some cases, hunted by the authorities—discover that the only way to fend off the attack will be to work together as a cohesive unit. Batman, Superman, Wonder Woman, Green Lantern, Flash, Shazam, and, in his origin story, Cyborg combine their talents in an all-out battle to save the planet. Based on the 2012 graphic novel Justice League: Origin by Geoff Johns and Jim Lee, Justice League: War provides a glimpse into the world before the Justice League was created, and offers the initial animated incarnation of DC Entertainment’s “The New 52.”
The cast features Jason O’Mara (Terra Nova, Life on Mars) as Batman, Christopher Gorham (Covert Affairs) as Flash, Justin Kirk (Weeds) as Green Lantern, Shemar Moore (Criminal Minds) as Cyborg, Michelle Monaghan (Mission Impossible III, Gone Baby Gone) as Wonder Woman, Alan Tudyk (Suburgatory, Dollhouse, Serenity) as Superman, Sean Astin (The Lord of the Rings Trilogy) as Shazam, and Rocky Carroll (NCIS) as Silas Stone. On the villainous side, Steve Blum (Justice League: The Flashpoint Paradox) provides the voice of Darkseid, and Bruce Thomas (Legally Blonde, Army of Darkness) gives voice to Desaad.
Presented with Warner Bros. Home Entertainment
Paley Center Members: A limited amount of free tickets are available for Members only on a first-come, first-served basis. Please RSVP to email@example.com.
A limited number of free tickets are available for the general public. Fans wishing to receive free tickets to the New York event on January 21 must RSVP via email to JLWarNY@gmail.com.
Paley Center for Media
25 West 52 Street, New York, NY 10019
Comments Off on CA – Talkin’ Toons w/ Azula
Voice actor Rob Paulsen welcomes Grey Delisle (Azula on Avatar: The Last Airbender, Daphne on Scooby-Doo, Vicky on Fairly OddParents, and many, many more) to the Talkin’ Toons podcast at the Jon Lovitz Comedy Club on Wednesday September 18, 2012 at 8:00pm!
18 & over
Two items minimum per person
Seating First Come First Serve
All Shows Have Adult Content
Door Time: 07:15 PM
Jon Lovitz Comedy Club
1000 Universal Studios Blvd #222, Universal City, CA 91608