CA – Pixar Art Collection Opening

Press Release:

PIXAR and Disney Fine Art are proud to announce the release of a signature series. Seventeen images hand picked by John Lasseter, one image to represent each Pixar film. Each print will be signed and numbered on archival paper and will include a Certificate of Authenticity.

Nucleus is honored to exhibit and have this collection available for the first time anywhere on Saturday, December 10, 2016 at 7:00 PM.

000_finding-doryARTISTS IN ATTENDANCE
Steve Pilcher
Dominique Louis
…more to be announced.
PIXAR COLLECTION ARTISTS
Bob Pauley
Tia Kratter
Randy Berrett
Pete Docter
Ralph Eggleston
Teddy Newton
Bill Cone
Dominique R. Louis
Lou Romano
Robert Kondo
Harley Jessup
Steve Pilcher
Ricky Nierva
Sharon Calahan
Daniel López MuñozABOUT THE COLLECTION
Computers don’t make movies. People do: the artists, editors, animators, and technical directors. People are the life behind everything that gets created at Pixar. While animated films are technically complex to make, they each begin with the simplicity of putting pencil to paper.Many people don’t realize that Pixar has almost as many artists working in traditional media-hand drawing, painting, pastels, sculpture-as they do in digital media. Most of their work takes place during the development of a project, when they are working out the story and the look of the film. The wealth of beautiful art created for each movie is rarely seen outside the studio, and the finished film sent around the world would never be possible without it.Pixar believes that a film is a contract between the filmmaker and the audience. The filmmaker offers an imagined world; the public interprets the creation. With just the right amount of realism, a film becomes perfectly believable. This belief hinges on the consistent application of the rules of the filmic world. These rules are explored and defined through concept art formats, including character studies, background paintings and color scripts just to name a few. The result is a world both new and recognizable; fictitious yet intuitively real.The Pixar Art Collection is the first time a coordinated assortment of Pixar concept art has been released, celebrating each milestone film release in Pixar’s history. The pieces were hand-picked by a select team at Pixar and represent a wide range of media, from marker to pastels to digital creation.

The Collection is a love letter to Pixar and to Pixar’s fans – to each of us who found adventure, soared through space, changed our fate and renounced capes forever. To infinity and beyond!

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Gallery Nucleus
210 East Main Street, Alhambra, CA 91801
626.458.7477

 

event image “Losing Dory” by Daniel López Muñoz ©Disney/Pixar

CA – To Pixar and Beyond Signing

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Lawrence Levy appears in conversation with Fortune Magazine technology correspondent Michael Lev-Ram at Kepler’s Books on Tuesday, November 1, 2016 at 7:30 PM. Tickets available at the link…

RSVP on Facebook!

Kepler’s Books and Magazines
1010 El Camino Real, Menlo Park, CA 94025
(650) 324-4321

CA – Art of Finding Dory Signing

Press Release:

Come hear the artists of Finding Dory share stories from behind the scenes and see their development work for the movie at Gallery Nucleus on Saturday, July 2, 2016. Bring your questions for the Q&A session and meet the artists one-on-one as they sign copies of the art book The Art of Finding Dory!

000000000-art-Finding-DoryFeatured Guests:
Steve Pilcher
more to be announced…

Event Schedule:
2:00 – 2:15 Artist Discussion Panel
3:00 – 3:30 Q & A (moderated by Ben)
3:40 – 4:00 Break
4:00 – 5:00 Book Signing

RSVP on Facebook!

Gallery Nucleus
210 East Main Street, Alhambra, CA 91801
626.458.7477

The Good Dinosaur Stampedes Home on February 23

January 22, 2016 by  
Filed under Animation, Everything Else

Good Dinosaur

Press Release:

From the Studio That Brought You “Inside Out” Comes the Hilariously Heartwarming Tale of Unlikely Friendship

 The Perfect Adventure for the Whole Family Stampedes Home On Blu-ray™ Combo Pack, Digital HD and Disney Movies Anywhere February 23

Extensive Bonus Features Include the Academy Award© Nominated Theatrical Short “Sanjay’s Super Team,” Making-of Featurettes, Deleted Scenes and More!

 

SYNOPSIS: From the innovative minds of Disney•Pixar comes a hilariously heartwarming adventure about the power of confronting and overcoming your fears and discovering who you are meant to be.

The Good Dinosaur asks the question: What if the asteroid that forever changed life on Earth missed the planet completely, and giant dinosaurs never became extinct? In this epic journey into the world of dinosaurs, an apatosaurus named Arlo makes an unlikely human friend. While traveling through a harsh and mysterious landscape, Arlo learns the power of confronting his fears and discovers what he is truly capable of.

Bring home this original story full of humor, heart, action and imagination, perfect for the whole family!

CAST:  Raymond Ochoa (NBC’s “The Night Shift,” TNT’s “Rizzoli & Isles,” “Disney’s A Christmas Carol”) as Arlo; Jeffrey Wright (“The Hunger Games: Mockingjay – Parts I & II”, HBO’s “Boardwalk Empire”) as Arlo’s wise Poppa; Frances McDormand (HBO’s “Olive Kitteridge,” “Fargo”) as Arlo’s strong Momma; Marcus Scribner (ABC’s “black•ish”) as Arlo’s brother, Buck; Jack Bright (“Monsters University”) as Spot; Steve Zahn (“Captain Fantastic,” “Ridiculous Six,” “Rescue Dawn,” “Mad Dogs”) as a fearless pterodactyl named Thunderclap; A.J. Buckley (TNT’s “Murder in the First,” FX’s “Justified”) as teen T-Rex Nash; Anna Paquin (HBO’s “True Blood”) as Nash’s tenacious sister, Ramsey; Sam Elliott (FX’s “Justified,” “I’ll See You In My Dreams,” “Grandma”) as T-Rex patriarch Butch

DIRECTOR: Peter Sohn (Short – “Partly Cloudy”)

PRODUCER: Denise Ream (“Cars 2,” “Up”)

EXEC. PRODUCERS: John Lasseter (“Inside Out”), Lee Unkrich (“Monsters University”) and Andrew Stanton (“Inside Out”)

ORIGINAL CONCEPT AND DEVELOPMENT:  Bob Peterson

STORY: Peter Sohn, Erik Benson, Meg LeFauve, Kelsey Mann and Bob Peterson

SCREENPLAY BY: Meg LeFauve (“Inside Out”)

MUSIC: Academy Award®-winning film composer Mychael Danna (“Life of Pi”) and Emmy®-nominated composer Jeff Danna (“Tyrant”)

RELEASE DATE: February 23, 2016

PRODUCTS: Digital HD, Disney Movies Anywhere (DMA), Blu-ray 3D, Blu-ray Combo Pack, DVD and On-Demand

BONUS: Digital HD*, Blu-ray Combo Pack & Disney Movies Anywhere (DMA)

THEATRICAL SHORT – Sanjay’s Super Team – Sanjay loves the world of cartoons and comics, while his father tries to draw him into his Hindu traditions. Reluctance quickly turns into awe-inspiring adventure as the boy embarks on an amazing journey, returning with a new perspective they can both embrace.

TRUE LIES ABOUT DINOSAURS – We know – it’s preposterous to think Apatosaurs spoke English. Learn more about what separates the fictional dinosaurs of “The Good Dinosaur“ from what scientists know about real dinosaurs.

RECYCLOSAURUS – Pixar takes creative competition seriously. Maybe a little too seriously. Watch as “The Good Dinosaur” crew competes to see which department can create the best dinosaur ever…using only discarded items from the studio’s “free table.”

THE FILMMAKERS’ JOURNEY – Finding your way from an idea to a film takes a lot of exploration. Director Peter Sohn and his fellow filmmakers talk about the challenging, inspiring, and unexpectedly emotional experience of making “The Good Dinosaur.”

EVERY PART OF THE DINOSAUR – The filmmakers talk about the special animation challenges of “The Good Dinosaur” – including figuring out how to animate a dinosaur who’s really a boy, and a boy who’s got the spirit of a dog.

FOLLOWING THE T-REX TRAIL – Follow the filmmakers as they travel to a working cattle ranch and meet the McKays, a close-knit family whose work ethic, generosity, and stories inspired the T-Rex ranchers of the film.

COMMENTARY – Commentary from director Peter Sohn, story supervisor Kelsey Mann, supervising animator Mike Venturini, director of photography/lighting Sharon Calahan, and supervising technical director Sanjay Bakshi.

DINO BITES – Montage of original animated pieces produced to promote “The Good Dinosaur.”

HIDE AND SEEK – A short animated clip produced to promote “The Good Dinosaur.”

DELETED SCENES

o   The Attack  – An idyllic introduction to the family farm is cut short when a savage predator attacks the newborn Arlo. With an introduction by Director Peter Sohn.

o   Building the Silo – An admiring Arlo is thrilled to follow along as his father builds a silo for the family farm. With an introduction by Director Peter Sohn.

o   Waiting for Poppa – Arlo awaits the return of his beloved father on a stormy night, only to be greeted with tragic news. With an introduction by Director Peter Sohn.

 

Blu-ray 3D & DVD:

  • THEATRICAL SHORT – Sanjay’s Super Team

Digital Exclusive:

JUST LISTEN – Trace the development of the unique soundscape of “The Good Dinosaur,” from the wilds of British Columbia as Sound Designer Craig Berkey collects sounds, to the recording studio where Jeff and Mychael Danna use instruments from around the world to create the music.

*Digital bonus offerings may vary by retailer               

 

FEATURE RUN TIME:      Approximately 93 min.

RATING:                               Feature Film: PG in U.S.; PG in CE; G in CF

ASPECT RATIO:                 Blu-ray Feature Film = 1080p High Definition / 2.39:1

                                                DVD Feature Film = 2.39:1

AUDIO:                                 Blu-ray = 7.1 DTS

DVD = 5.1 Dolby

LANGUAGES:                      English, French & Spanish

SUBTITLES:                        English SDH, French & Spanish

SOCIAL MEDIA:            Facebook: https://www.facebook.com/PixarTheGoodDinosaur

Twitter: https://twitter.com/TheGoodDinosaur

Instagram:  https://instagram.com/thegooddinosaur/

ABOUT DISNEY MOVIES ANYWHERE (DMA):

Disney Movies Anywhere (DMA) is an engaging and family-friendly cloud-based digital movie service that makes it simple to buy your favorite Disney, Pixar, Marvel and Star Wars movies once and watch them anywhere.  With DMA you can explore Disney’s library of over 450 eligible digital movies, discover hours of new and exclusive short-form content, and watch your digital movies from the comfort of the living room or across multiple mobile devices.  Using the free DMA apps and website, you can connect your DMA account with participating providers including iTunes, Amazon Video, VUDU, Microsoft Movies and TV and Google Play and unlock access to your eligible movie collections across platforms and devices –  iPhone, iPad, iPod Touch, Apple TV/Airplay, Amazon’s Fire tablets, Fire TV and Fire TV Stick,Microsoft Movies and TV service on Windows and Microsoft Xbox devices, Android mobile and tablet devices and Android TV, Chromecast and the Roku platform.  In addition, you can redeem Digital Copy codes found in Disney, Pixar and Marvel Blu-rays and DVDs, as well as earn Disney Movie Rewards points with every digital purchase.

ABOUT THE WALT DISNEY STUDIOS:

For over 90 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; Lucasfilm; and Touchstone Pictures, the banner under which live-action films from DreamWorks Studios are distributed. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!.

CA – Art of The Good Dinosaur Signing

0000-good-dinosaur

Press Release:

Pixar is back with their brand new animated film The Good Dinosaur!  An unusual take on the relationship between a Dinosaur and his human, Pixar explores a world where we ask the questions, “What if the asteroid missed? What would happen if dinosaurs were not extinct?” We follow our main dinosaur, Arlo, who makes a treacherous journey with his human friend and learns to confront his fears. Arlo finds strength within himself and finds out what he is truly capable of.

Come hear the artists share stories from behind the scenes and see their development work for the movie at Gallery Nucleus on Saturday December 5, 2015.  Bring your questions for the Q&A session and meet the artists one-on-one as they sign copies of the new Art of The Good Dinosaur.

In addition, one of our signing artists Noah Klocek will also be signing his children’s book Cloud Country. Published by Pixar Animation Artist Showcase, Cloud Country is about a little cloudlet dreamer named Gale.

Featured Artists:
Noah Klocek – Concept Artist

…and more to be announced

Event Schedule:

2:00 – 3:00 pm Panel Presentation
3:00 – 3:30 pm Q&A
4:00 – 5:00 pm Signing

$10 Admission at the door or FREE w/ purchase of the The Art of Good Dinosaur or Cloud Country books (100 seats only, standing room also available).

Outside books will be subject to a $10 fee.

Front Row Reserved Seats available $20. (does not guarantee availability of book for “seats only” option)

  • Waives admission fee.
  • Guaranteed seat in the first 2 rows, only 20 seats available.
  • No need to wait in line or get to the event early just to get a good seat.
  • Comes with a free bottle of water.
  • Guaranteed first in line during the artist signing time.

More info and ticket are available at the link…

RSVP on Facebook!

Gallery Nucleus
210 East Main Street, Alhambra, CA 91801
626.458.7477

NYC – Icons of Animation Exhibit

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soi

Press Release:

The Society of Illustrators celebrates the work of four iconic illustrators- Peter de Sève, William Joyce, Carlos Nine, and Bill Plympton – with an exhibit featuring the original illustrations from numerous movies and shorts.

film screening and panel will take place on Thursday, June 5th at the Academy Theater at Lighthouse Guild, and an Opening Reception will take place on Friday, June 6th at. 6:30 pm

 

About the Artists

Peter de Sève:
Peter de Sève’s illustration and character designs are known throughout the world. His work spans three decades and various media, including magazines, books, print and televised advertising, animated feature films and magazines. Best recognized for his many New Yorker covers and his character designs for the three blockbuster Ice Age movies (“Scrat” is now an international icon), de Sève has also contributed to such films as Mulan, A Bug’s Life, Tarzan, and Finding Nemo.

His many distinctions include the prestigious Hamilton King Award from the Society of Illustrators, a Clio Award for a Nike television commercial, a Spectrum Annual of Fantastic Art gold medal, a Soleil d’Or award from the Festival BD Sollies-Ville in France, and a Visual Effects Society Award nomination for outstanding animated character design for Ice Age: Dawn of the Dinosaurs.

Peter was honored with an Emmy Award for Outstanding Character Design for his work on Sesame Street’s Abby Cadabby’s Flying Fairy School. He has received three Annie Award nominations for Character Design in a Feature Production, the most recent for his work on Arthur Christmas.

Peter lives in Brooklyn, NY, with his wife Randall (with whom he recently collaborated on his first children’s book, The Duchess of Whimsy) and their two daughters, Paulina and Fia.

William Joyce:
William Joyce has achieved world-wide recognition as an author, illustrator and pioneer in the digital and animation industry.

In February 2012, he won an Academy Award for The Fantastic Flying Books of Mr. Morris Lessmore, an animated short film about the curative powers of story. In the past two years, he has also written seven hard copy Simon & Schuster children’s books including The Fantastic Flying Books of Mr. Morris Lessmore, The Guardians of Childhood book series: The Man in the Moon, The Sandman: Story of Sanderson Mansnoozie, Nicholas St. North and the Battle of the Nightmare King, E. Aster Bunnymund and the Warrior Eggs at the Earth’s Core! And Toothania: Queen of the Tooth Fairy Armies.

Named by Newsweek magazine as “One of the 100 people to watch in the new millennium”, William has been heavily involved in the world of digital animation from its full-scale inception at Pixar Animation. His projects have been produced by nearly every major film studio including Disney, Twentieth Century Fox and DreamWorks Animation. His feature films include Rise of the Guardians, Robots and Meet the Robinsons and his television series George Shrinks and Rolie Polie Olie for which he won three Emmy Awards.

Additionally, he is the writer, producer, and production designer on the Blue Sky Studios feature film, Epic, inspired by his book The Leaf Men and the Brave Good Bugs.

Carlos Nine:
Carlos Nine is a renowned illustrator, comics author, painter, sculptor, animation film writer, and author of several books. His works have been published in Argentina, Italy, Spain, France, Belgium, Great Britain, Germany, U.S.A., Brazil, Taiwan and Hong Kong.

He was awarded awarded on several occasions the Silver Clio in Illustration (Clio Awards, New York, 1993), the Caran D’Ache award for best illustrator (Rome, Italy, 1995), the Prix de l’Ecole Supérieure de l’image (France, 2001) and the First Prize at the Angoulême Festival (France, 2001). He has published books and held exhibitions in numerous countries. He has been invited to give seminars, workshops, and courses in his country and in France.

He has also worked for several magazines and journals, including Le Monde (Paris), The New Yorker (USA), Noticas, Humor, and the newspapers La Nación and Clarín.

Bill Plympton
Mr. Plympton is considered the King of Indie Animation, and is the only person to hand draw an entire animated feature film. Born and raised in Portland, Oregon, he graduated from Portland State University in Graphic Design. Bill moved to New York City in 1968 and began his career creating cartoons for publications such as New York Times, National Lampoon, Playboy and Screw.

In 1987, he was nominated for an Oscar® for his animated short Your Face. In 2005, Bill received another Oscar® nomination, this time for his short Guard Dog. Push Comes to Shove won the prestigious Cannes 1991 Palme d’Or; and in 2001, another short film, Eat, won the Grand Prize for Short Films in Cannes Critics’ Week.

After producing many shorts that appeared on MTV and Spike and Mike’s, he turned his talent to feature films. Since 1991, he’s made 10 feature films. 7 of them, The Tune, Mondo Plympton, I Married A Strange Person, Mutant Aliens, Hair High, Idiots and Angels, and Cheatin’, are all animated features.

Bill Plympton has also collaborated with Kanye West and Weird Al Yankovic in a number of music videos and book projects. In 2006, he received the Winsor McCay Lifetime Achievement Award from The Annie Awards.

Society of Illustrators
128 East 63rd Street, New York, NY 10065
212-838-2560

CA – Pixar Animation Studios Tour

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Press Release:

incredible1The Cartoon Art Museum, the only museum in the western United States dedicated to all forms of cartoons and comics, is delighted to host its tenth annual benefit at Pixar Animation Studios on Saturday, May 17, 2014, from 2 to 8 p.m. Beginning with the 1986 release of its iconic short film Luxo Jr. to last year’s box office hit Monsters University, Pixar has charmed the world with its incredible computer animated creations. This year, we welcome you to experience the magic of Pixar up close and personal at the studio’s Emeryville home.

Guests may tour the studio’s main gallery and view pre-production artwork from Monsters University. In addition, Pixar artists will be on hand conducting drawing demonstrations. You may purchase special Pixar apparel and merchandise at the Studio Store as well as bid on original and signed art by Pixar animators and other auction prizes. The event also features a 10th anniversary celebration of the Academy Award-winning feature The Incredibles with several of the film’s creators in the studio’s state-of-the-art theater hosted by Dr. Michael B. Johnson (Pixarian and CAM board member), who will lead a Q&A session with the filmmakers in the Steve Jobs Theater, including:

Brad Bird, Writer & Director

Mark Andrews, Head of Story

Tony Fucile, Supervising Animator

Andrew Jimenez, Director of Photography

Ted Mathot, Storyboard Artist

• Kevin O’Brien, Storyboard Artist

Please note: Guests are confirmed, however, an unexpected cancellation is always possible.

The event also features light snacks, treats, and will conclude with a wine and dessert reception by the Luxo Cafe staff with a live auction of a variety of original art and signed memorabilia.

Tickets are $500 per person, $450 for members of the Cartoon Art Museum. (Become a museum member and save!)

Purchase one discounted ticket with a Senior/Student Membership, up to two with an Individual Membership, up to four with a Family Membership, up to six with a Friend Membership, and seven or more with a Patron, Sponsor and Benefactor Memberships.) Reserved rows for ten are available for $4,500. Availability for this level is limited.

Register for tickets at the link…

Doors open at 2 p.m. with the presentation starting at 4 p.m. in the Steve Jobs Theater.

Please note: The Cartoon Art Museum strives to create an enjoyable experience all attendees—given the nature of the theater presentation and the gracious donation of time by the presenters, we will maintain a zero-tolerance policy regarding disturbances during this portion of the program. Anyone causing a disruption (i.e. loud or crying children, talking outside of the Q&A portion, texting) will be given one warning. A second incident will result in the individual being asked to leave the studio. For this reason the presentation is not recommended for children under the age of four. Thank you for your understanding.

If you are visiting San Francisco and looking for a hotel, our partner the St. Regis Hotel, is offering a discounted rate for attendees of the event, click on the link for the discount offer.

Pixar Animation Studios is located in Emeryville, California. Free parking is available on site. For more information, call 415-227-8666, ext. 300. To purchase tickets online, visit cartoonart.org. Tickets will not be sold at the door. Tickets are transferable, but nonrefundable.

SF – Up Director Speaks

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Pete Docter, Academy Award–winning director of Up and Monsters, Inc., and Disney historian Don Peri co-host this talk about the role of the animation director on Saturday March 1st from 3:00 – 4:30 pm at the Walt Disney Family Museum. Learn about the host of talented  artists who  worked as Disney directors on productions ranging from early silent shorts to the feature films of today and how their role evolved during Walt’s lifetime and beyond. Key directors from Disney’s storied past are highlighted.

Walt Disney Family Museum
104 Montgomery Street, San Francisco, CA 94129

SF – Searle In America Exhibition

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siaPress Release:

The Cartoon Art Museum celebrates the life and art of Ronald Searle with Aardman/Pixar story artist Matt Jones, a lifelong Searle fan and longtime publisher of the Ronald Searle Tribute blog, with a special presentation on Saturday, February 22, 2014, from 6:00-9:00pm. Jones will discuss Searle’s artwork and his legacy, and will discuss his forthcoming Searle-related projects during a slideshow presentation at 7:00pm. Searle fans will have the opportunity to view the exhibition prior to Jones’s lecture, and a catalog signing will immediately follow his presentation.

Tickets for this reception are $10, and Cartoon Art Museum members will receive free admission for themselves and a guest. The deluxe ticket package is $30, and includes the full-color 96-page catalog featuring all of the Ronald Searle artwork featured in the Searle in America exhibition as well as dozens of Searle tribute pieces rendered by today’s top animators and illustrators. Advance sale tickets can be purchased here…

Matt Jones’s Curatorial Statement:

“Ronald Searle is known primarily as the creator of the wicked schoolgirls of St. Trinians and later his series of humorous books on cats and their foibles. The general public in the U.K., Europe and the U.S. hold these books dear, but to the artist they were merely ‘what sold’ and paid the bills. He even ‘killed off’ the St. Trinians’ girls in their last book in 1957; the year of his first visit to America. A household name in Great Britain, Searle would crack the American magazine illustration market under the guidance of his New York art agent, John Locke.

“He spent over a decade between the late ‘50s and late ‘60s traveling extensively on reportage assignments for the premier magazines of the day: Life, Holiday, Look, Venture, Travel & Leisure. It was a golden era of illustration, where magazines had sizable budgets to send illustrators to exotic locations and commission
substantial spreads of artwork.

“Sadly, this work is largely forgotten. Holiday magazine was not published in Europe and is virtually unheard of in the U.S., slipping into decline in the late ‘70s. Searle republished some of this work in collected editions, but the books are long out of print. The original art has languished with art editors and agents for decades, and most remain unseen since their first publication.

“Well I’ve found it! I’ve unearthed the lot. I’ve maintained a website devoted to Searle’s work since 2006 and even became acquainted with the artist himself while working in the south of France in the years preceding his death. Initially starting out of a love of his work and a desire to see more of it online, the site has become an essential database of an incredible career spanning eight decades!

“I’ve traveled far and wide myself to track down the originals, and this show at CAM gathers some of the best. From collections in the Midwest, New York, Connecticut and California, I’ve assembled a show revealing my favorite era in Searle’s career. The golden period of 1955-1965 was a decade of intense work and travel, and the art has a vitality and urgency to it energised by the artist being constantly on the go. The work is a synthesis of his acute observational style and his ability to caricature figures, crowds and architecture. Most of the work is in full color, which will be a surprise to those only familiar with his monotone cats and schoolgirls.

“This catalogue is laid out in an unorthodox manner. I wanted to present the work uncropped where possible without it being split across two pages; hence the dual portrait/landscape format.

“The show would not have been possible without the contributions of a group of cartoonist friends around the world who contributed original art to an online auction to raise the funding necessary to stage the Exhibition and put this catalogue together. This is dedicated to them, to all Searle fans and to new fans who will discover this part of his oeuvre for the first time.”

-Matt Jones, San Francisco, September 2013

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Cartoon Art Museum
655 Mission Street, San Francisco, CA 94105

SF – Sam & Max: A Look Back Exhibit

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sammaxPress Release:

The Cartoon Art Museum is pleased to present Sam and Max: A Look Back with Steve Purcell, celebrating 26-ish years with the intrepid Freelance Police on Saturday, February 1, 2014 with a series of special events from 4:00-9:00pm.

The first event will be a booksigning from 4:00-5:00pm at the Cartoon Art Museum bookstore. Purcell will sign copies of The Collected Sam & Max: Surfin’ the Highway at the Cartoon Art Museum bookstore. This event is free and open to the public.

The second event will be a guided tour of the exhibition from 6:00-7:00pm. Sam & Max creator Steve Purcell will conduct a private tour of his Cartoon Art Museum retrospective Swift and Mirthful Justice for a limited number of guests. This ticketed event is $20; CAM members will receive two-for-one admission to this event.

The third event is a reception celebrating Sam & Max from 7:00-9:00pm. Guests can meet Steve Purcell and discuss his work, view the Sam & Max exhibition, and check out the Cartoon Art Museum’s other current exhibitions, Grains of Sand: 25 Years of The Sandman and Searle In America, featuring the phenomenal illustrations of famed British cartoonist Ronald Searle. Admission to this reception is $5; CAM members will receive two-for-one admission for this event. Purcell will sign additional books and prints throughout the reception. Please note that the ticket for the guided tour also includes access to the reception that follows.

Tickets for the guided tour and the reception are available through this link, and will also be sold at the Cartoon Art Museum’s admissions desk.

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Cartoon Art Museum
655 Mission Street, San Francisco, CA 94105

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