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Massachusetts Independent Comics Expo hosts its first two-day show on September 28-29, 2013 at in Porter Square, Cambridge, MA! The event is a joint project between the Boston Comics Roundtable, an independent arts collective, and the Art Institute of Boston at Lesley University; MICE puts a focus on the art of making comics and connects local creators with local audience. They will also run a number of workshops for children and adults, as well as panel discussions on the craft and relevance of the comics form. MICE is for anyone of any age who wants to discover new comics, learn more about the medium of comics, or is interested in making their own. Sunday is Kids Day, featuring workshops for the young cartoonist.
MICE 2013 is pleased to welcome eight comic creators to our show as our special guests: Chris Duffy, George O’Connor, Josh Neufeld, Lucy Knisley, Maris Wicks, Mike Cavallaro, Nick Abadzis, and R. Sikoryak. They will appear at their tables in the exhibition area, as well as at various panels and workshops over the weekend.
Plus MICE features 150 exhibitors including Alison Wilgus, Bob Flynn, Braden Lamb, Cathy Leamy, Colleen AF Venable, David Marshall, E. J. Barnes, Ellen Crenshaw, Emmy Cicierega, Jennie Wood, Ming Doyle, Nate Bellegarde, Renee Kurilla, Sean Wang, Shelli Paroline, Stephanie Yue, Tim Finn, Zack Giallongo, and many more!
View the exhibitor list and full schedule (TBA) at the website: www.micexpo.org
The Massachusetts Independent Comics Expo has released their Panel and Workshop Schedule for 2012
12:00PM – 12:50PM
2:30PM – 3:20PM
3:30PM – 4:20PM
11:00AM – 11:50AM
Health, illness, and the physical body are major themes in many graphic novels (such as Cancer Vixen, Epileptic, and Stitches). Doctors, patients, and health educators are getting involved with comics as teaching tools and as a method of self-expression and exploring physical and mental conditions.
Moderator: Cathy Leamy Panelists: Kriota Willberg, LB Lee, Paige Warren.
12:00PM – 12:50PM
You have your first paid drawing gig … now what? A panel of working cartoonists discuss the challenges and rewards of drawing for a living in the fields of comics, illustration and animation. Topics will include how to balance creativity and professionalism, what to expect in various fields of employment, and some helpful anecdotes from the artists’ careers.
Moderator: Zack Giallongo Panelists: Shelli Paroline (artist, Kaboom! Studios), Keith Zulawnik (artist, Fablevision), Renee Kurilla (artist, Fablevision, Simon & Schuster), Ming Doyle (artist, Marvel, IDW)
1:00PM – 2:15PM
For twenty years, stylistic chameleon R. Sikoryak has been producing literary adaptations in comics form that parody the tics and tropes of classic cartoons; these are collected in Masterpiece Comics (Drawn and Quarterly). He will discuss his work and process, as well as his varied freelance career for Nickelodeon, The New Yorker, The Daily Show, and much more, in a special slideshow presentation.
2:30PM – 3:20PM
3:30PM – 4:20PM
Religion intersects comics and comics intersect religion in a multitude of ways. Enter into a discussion with regional comics creators and scholars on the promise and the peril of these engagements. Moderator A. David Lewis asks the panel whether comics is just another medium and religion just another topic — or whether the two are innately bound to each other.
Moderator: A. David Lewis Panelists: Charles Schneeflock Snow, Box Brown, David Wolkin
4:30PM – 5:20PM
Artists who use “fine arts” techniques to make comics… artists who use comics techniques to make “fine art” …an art gallery director who hangs comic art on her gallery’s walls… What are the boundaries between fine arts and comics? Are there any? Should there be any? Whatever the answers may be, we’ll look at and discuss some fine comics art and some comical fine art.
Moderator: Tim Finn Panelists: Doug De Rocher, EJ Barnes, Adrienne Nunez, Ansis Purins, Raul Gonzalez, Cathi Chang
Boston Comics Roundtable (BCR) and the Art Institute of Boston (AIB) are proud to announce the third annual Massachusetts Independent Comics Expo (MICE). MICE is Boston’s only show dedicated to alternative comics, ‘zines, and web comics. The 2012 expo features talented regional cartoonists, including Ignatz Award-winning Box Brown (Everything Dies), veteran comics parodist Robert Sikoryak (Masterpiece Comics), and 100 more indie artists on the rise.
With free admission, MICE 2012 is a great opportunity for anyone interested in the local independent comics scene to get a first-hand look at thousands of unusual, entertaining and interesting comics, as well as meet the creators. Over 100 comics artists and small publishers will be exhibiting. The show will include demonstrations with professional artists and panel discussions on topics central to comics and an exhibit of original art.
“There’s so much exciting work being done in independent comics these days, but it’s a rare opportunity to be able to see such a great sampling of it one place,” said Dan Mazur, a MICE organizer. “The great thing about a show like MICE is that so many local creators get to gather together and connect with their fans, and with potential readers.”
The popularity of last year’s show was reflected in the fact that exhibitor tables for MICE 2012 sold out within three hours of going on sale online.
MICE will present a day-long slate of panel discussions and creative workshops, on topics including Comics and Medicine, Comics and the Art World, Comics and Religion, Injury-avoiding Exercises for Artists, and others.
Another new wrinkle for MICE this year is the addition of the NECAC (New England Comic Arts in the Classroom) Symposium, as an associated event. NECAC is an organization that promotes the use of comics as an educational tool in K-16 classrooms. The symposium will be a three-hour event, offering workshops and discussions specifically aimed toward educators. It will be held on the same morning as MICE, and in the same building, creating a unique synergy between a creator-focused and educator-focused approaches to the art of comics.
MICE occurs on September 29 at Lesley University in Cambridge, MA. For more information, please visit www.masscomics.com.
ABOUT BOSTON COMICS ROUNDTABLE
Boston Comics Roundtable draws local cartoonists and writers to collaborate, workshop and socialize since 2006. BCR publishes Inbound, an anthology of Boston-area independent comics, Outbound, a science-fiction comics anthology, and the horror anthology, Hellbound. Visit bostoncomicsroundtable.com for more information.
ABOUT THE ART INSTITUTE BOSTON / LESLEY UNIVERSITY
The Art Institute of Boston at Lesley University is a college of visual arts offering the Bachelor of Fine Arts degree, the two-year Advanced Professional Certificate, and the low residency Master of Fine Arts degree. In addition, continuing and professional education, intensive workshops, and pre-college courses are all available.
ABOUT R. SIKORYAK
MICE 2012 Guest of Honor R. Sikoryak’s cartoons and illustrations have appeared in The New Yorker, Nickelodeon Magazine, Drawn & Quarterly, Raw, Fortune, Esquire, GQ, among many other publications, and on The Daily Show with Jon Stewart. He is the author of the graphic novel Masterpiece Comics (Drawn & Quarterly), and the co-author, with Michael Smith, of The Seduction of Mike (Fantagraphics), a comic book funded by the NEA. He was awarded an Artist’s Fellowship from The New York Foundation for the Arts for his comics adaptations of classic literature. He is in the Speakers Program of the New York Council of the Humanities. In his spare time, he creates performances, slide shows, and animation for downtown theater and independent films.
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R. Sikoryak and Bill Kartalopoulos in Conversation at the Museum of Comic and Cartoon Art
Thursday, July 15, 7 PM
Admission: $5 | Free for MoCCA Members
Join MoCCA for a special conversation between Masterpiece Comics author R. Sikoryak, and Bill Kartalopoulos, curator of the current exhibit R. Sikoryak: How Classics and Cartoons Collide. Sikoryak will reveal his intensive working process and will discuss the history of parody and adaptation in comics. This live conversation, illustrated with slides, will be followed by a reception to celebrate the exhibit.
Comics chameleon R. Sikoryak inventively adapts canonical Western literature using the visual styles and characters of historical American comic books and comic strips. Among his many works, Sikoryak has adapted Kafka’s The Metamorphosis in the style of Charles Schulz’s Peanuts, Emily BrontÃ«’s Wuthering Heights in the style of Tales From the Crypt, and the Book of Genesis in the style of Chic Young’s Blondie. These works have been collected in his 2009 book Masterpiece Comics (Drawn and Quarterly) and are the subject of R. Sikoryak: How Classics and Cartoons Collide.
About R. Sikoryak
R. Sikoryak’s cartoons and illustrations have appeared in The Onion, The New Yorker, Nickelodeon Magazine, Mad, Fortune, and many other publications; he’s drawn for The Daily Show with Jon Stewart and Ugly Americans. Sikoryak teaches in the illustration department at Parsons The New School for Design. Since 1997, he has presented his cartoon slide show series, Carousel, around the United States and Canada.
About Bill Kartalopoulos
Bill Kartalopoulos teaches classes about comics and illustration at Parsons The New School for Design. He is a frequent public speaker and is the programming coordinator for SPX: The Small Press Expo and the Brooklyn Comics and Graphics Festival. He writes about comics for Print Magazine, where he is a contributing editor, and reviews comics for Publishers Weekly. He is a member of the Executive Committee for the International Comic Arts Forum (ICAF), an annual academic conference devoted to comics. In 2008 he curated Kim Deitch: A Retrospective at the Museum of Comic and Cartoon Art. He lives in Brooklyn.
About Masterpiece Comics
Masterpiece Comics adapts a variety of classic literary works with the most iconic visual idioms of twentieth-century comics. Dense with exclamation marks and lurid colors, R. Sikoryak’s parodies remind us of the sensational excesses of the canon, or, if you prefer, of the economical expressiveness of classic comics from Batman to Garfield. In “Blond Eve,” Dagwood and Blondie are ejected from the Garden of Eden into their archetypal suburban home; Oscar Wilde’s Dorian Gray is reimagined as a foppish Little Nemo; and Camus’s Stranger becomes a brooding, chain-smoking Golden Age Superman. Other source material includes Dante, Shakespeare, Dostoyevsky, bubblegum wrappers, superhero comics, kid cartoons, and more.
R. Sikoryak: How Classics and Cartoons Collide
June 15 through August 29, 2010
Museum of Comic and Cartoon Art
594 Broadway, Suite 401, New York, NY 10012