S. Clay Wilson Benefit Bash August 22
Concludes San Francisco Underground Comix Exhibition
6 to 8 pm, Saturday August 22, 2009
Electric Works, 130 8th Street, San Francisco, CA
Following a packed and rowdy opening night last month, San Francisco’s Electric Works gallery has excited and intrigued locals and tourists with “The Cresting Wave: The San Francisco Underground Comix Experience,” a group exhibition featuring San Francisco’s Underground Comix artists from the Sixties to the Eighties. Although the artwork is available for purchase through November, the show closes Saturday, August 22nd with an All-Star Benefit Bash benefitting local cartooning legend S. Clay Wilson, who faces a long recovery from serious injuries. All are invited to join artists and fans in a raucous celebration featuring the E-Z Blues sound of The Dave Walker Band, refreshments, a raffle and a silent auction, from 6 to 8 pm that evening.
Artists included in “The Cresting Wave”are Mark Bode, Vaughn Bode, Guy Colwell, R. Crumb, Jay Kinney, Paul Mavrides, Dan O’Neill, Trina Robbins, Spain Rodriguez, Gilbert Shelton, Larry Todd, Randy Vogel, and S. Clay Wilson. Culling work from private collectors and the artists themselves, guest curator, Underground Comix writer, publisher and historian, Dan Fogel, has amassed important work from each artist that spans personal drawings, well-known comix pieces, including covers and original comps, as well as other rare ephemera from the heyday of the San Francisco scene. An illustrated price list is available for download from the gallery’s website.
In addition to offering exclusive signed and numbered prints by many of the exhibition’s artists, Electric Works is pleased to announce a new limited edition “jam print” by Mark Bode, Jay Kinney, Paul Mavrides, Spain Rodriguez, Randy Vogel, and S. Clay Wilson. This 24â€³ x 18â€³ piece is printed in an edition of 40, with archival inks on acid-free paper. The price is $100 per print. The original artwork for the print will be auctioned off. All proceeds go to the S. Clay Wilson Special Needs Trust. The prints may be ordered here.
The gallery’s bookstore is currently stocked with hundreds of Underground Comix and graphic novels, from rare first printings to the latest editions, merchandise, and memorabilia.
To become a sponsor of the Wilson Benefit Bash and/or the “jam print”, please contact Dan Fogel at email@example.com
“The Cresting Wave: San Francisco Underground Comix Experience”
July 10 — August 22, 2009
Artists Reception 6-8 pm, Friday July 10th
130 8th Street
San Francisco, CA
415 626 5496
Electric Works is pleased to present “The Cresting Wave: The San Francisco Underground Comix Experience,” a group exhibition featuring Underground Comix artists from San Francisco, from the mid-’60’s to the late ’80’s. Artists included are Mark Bode, Vaughn Bode, Guy Colwell, R. Crumb, Jay Kinney, Paul Mavrides, Dan O’Neill, Trina Robbins, Spain Rodriguez, Gilbert Shelton, Larry Todd, Randy Vogel, and S. Clay Wilson. Culling work from private collectors and the artists themselves, guest curator, Underground Comix writer, publisher and historian, Dan Fogel, has amassed important work from each artist that spans personal drawings, well-known comix pieces, including covers and original comps, as well as other rare ephemera from the heyday of the San Francisco scene.
San Francisco was the birthplace of the Underground Comix scene in the mid 1960’s: nowhere else on the planet was there such an concentration of talent, vision, and production. In a relatively short time, the artists who coalesced in the Bay Area changed the face of popular culture forever. Taking on issues of politics, race, sexuality, drugs, the counterculture of the time, and intellectual property, these artists were able to push the bounds of propriety, “decency” and imagery more drastically than in any other medium of the era.
Complementing the robust gallery show, Electric Works will feature many other important pieces by the artist which will be available for viewing during the course of the exhibition in our flat files. In addition, Electric Works will be publishing limited edition prints, mini-prints, and a collaborative “jam” print featuring many of the artists in the exhibition, proceeds of which will benefit the S. Clay Wilson Special Needs Trust, benefiting their friend, who is recovering from serious injuries.
” Five years later? Six? It seems like a lifetime . . . the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark — that place where the wave finally broke and rolled back.” — Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream, 1971.