PIXAR and Disney Fine Art are proud to announce the release of a signature series. Seventeen images hand picked by John Lasseter, one image to represent each Pixar film. Each print will be signed and numbered on archival paper and will include a Certificate of Authenticity.
Nucleus is honored to exhibit and have this collection available for the first time anywhere on Saturday, December 10, 2016 at 7:00 PM.
…more to be announced.
Dominique R. Louis
Daniel López MuñozABOUT THE COLLECTION
Computers don’t make movies. People do: the artists, editors, animators, and technical directors. People are the life behind everything that gets created at Pixar. While animated films are technically complex to make, they each begin with the simplicity of putting pencil to paper.Many people don’t realize that Pixar has almost as many artists working in traditional media-hand drawing, painting, pastels, sculpture-as they do in digital media. Most of their work takes place during the development of a project, when they are working out the story and the look of the film. The wealth of beautiful art created for each movie is rarely seen outside the studio, and the finished film sent around the world would never be possible without it.Pixar believes that a film is a contract between the filmmaker and the audience. The filmmaker offers an imagined world; the public interprets the creation. With just the right amount of realism, a film becomes perfectly believable. This belief hinges on the consistent application of the rules of the filmic world. These rules are explored and defined through concept art formats, including character studies, background paintings and color scripts just to name a few. The result is a world both new and recognizable; fictitious yet intuitively real.The Pixar Art Collection is the first time a coordinated assortment of Pixar concept art has been released, celebrating each milestone film release in Pixar’s history. The pieces were hand-picked by a select team at Pixar and represent a wide range of media, from marker to pastels to digital creation.
The Collection is a love letter to Pixar and to Pixar’s fans – to each of us who found adventure, soared through space, changed our fate and renounced capes forever. To infinity and beyond!
210 East Main Street, Alhambra, CA 91801
event image “Losing Dory” by Daniel López Muñoz ©Disney/Pixar
Gallery Nucleus welcomes the artists of Disney’s latest animated film Moana. Join us on Saturday December 3rd from 2:00 – 5:00 pm to hear the artists & animators share stories from behind the scenes and see their development work on the movie. Bring your questions for the Q&A session and meet the artists one-on-one as they sign copies of The Art of Moana book!
In addition, Griselda Sastrawinata will also be signing her illustrated Little Golden Book of Moana. You don’t want to miss this!
2:00 – 3:00 Artist Discussion Panel
3:00 – 3:30 Q & A (moderated by Ben)
3:40 – 4:00 Break
4:00 – 5:00 Book Signing
For more information on the artists, please click on their names to link to their website!
Pre-sale tickets will be sold via EVENTBRITE starting Saturday Nov. 19 8AM (PST). For information please click HERE.
VIP Admission – Guaranteed entrance and seating in the first 4 rows. No waiting in line for entrance. Will be first to line up to get items signed. Limited to 2 tickets per person per purchase
General Admission – Guaranteed entrance. First come first serve seating, standing room available. Limited to 4 tickets per person per purchase
- Tickets will go on sale 8:00 AM (PST) Saturday November 19th.
- VIP & General Admission Pre-sale ticket holders are guaranteed entrance.
- Non-ticket holders ARE NOT guaranteed entrance if the event is sold out. We have a limited capacity in the gallery and cannot guarantee entrance for non-ticket holders.
- People who purchase an Unsigned book along with their admission ticket on Eventbrite can pick up their book in store on the day of the event.
- Due to time constraints, each attendee is allowed only 1 signing item per person. Artists will not be doing sketches.
- If you do not purchase a book from us for signing, and you bring your own book, then an outside signing fee of $10 will be charged at the door.
- ALL SALES ARE FINAL. No refunds will be given if you cannot make the event.
210 East Main Street, Alhambra, CA 91801
Come hear the artists of Finding Dory share stories from behind the scenes and see their development work for the movie at Gallery Nucleus on Saturday, July 2, 2016. Bring your questions for the Q&A session and meet the artists one-on-one as they sign copies of the art book The Art of Finding Dory!
more to be announced…
2:00 – 2:15 Artist Discussion Panel
3:00 – 3:30 Q & A (moderated by Ben)
3:40 – 4:00 Break
4:00 – 5:00 Book Signing
210 East Main Street, Alhambra, CA 91801
A few years ago, when I was still in high school, a person who liked anime was made fun of for it. My school had a manga/book club, and the entire group was often ridiculed by jocks who wouldn’t know good writing if it were mixed in their protein shakes. Despite this, I grew to love the art form, and when I learned that there were whole conventions devoted to it, I begged my dad to take me to one. Surprisingly, he agreed.
Anime conventions were smaller then, including my first, Ichibancon 2012, which was held at a tiny hotel in Charlotte, NC. I originally went with two friends to meet none other than Vic Mignogna, who was–and remains to this day–my favorite voice actor. We stood in his autograph line for about 30 minutes, and when I finally got to his table, I said “Hi” in a talking-to-your-crush-for-the-first-time voice.
Now, five years later, I’m still going to that same convention. It was held this year over New Year’s Day weekend at Embassy Suites Hotel in Concord. Comparing this year’s Ichibancon to the one in 2012 is like comparing the inside of the TARDIS to the inside of my closet. Over 5,000 attendees pre-registered this year, which doesn’t include those who bought a badge on-site. I don’t think 5,000 people even knew about it in in 2012. The cosplayers were awesome. I saw anime, Marvel, and DC characters, plus assorted Pokemon and pop culture figures (the guy dressed as John Cena was meme-tastic). One group of cosplayers was from Undertale, a video game that just came out, which was impressive in its immediacy and quality. Dozens of panels were scheduled on just about any nerdy topic you could imagine, even for Homestuck, the webcomic created in 2009 by Andrew Hussie. The gamers had their own room: dozens of PlayStations and Nintendos (and I don’t mean Nintendogs) projected onto the walls. There was even a TARDIS bouncy house for all the children. I didn’t see the cosplay contest, but I’m sure it was fabulous, especially since, for the first year, a $500 prize was available for first place (this would probably cover the cost of half an automail leg).
Speaking of automail, I got a chance to talk to my five-years-ago idol, Vic Mignogna. Vic is the Johnny Depp of anime. Other voice actors were there, including several members of the cast of Durarara!! (Saki Mikajima, Kasuka Heiwajima, Seiji Yagiri, and Saburo Togusa), whom you don’t see often. But Vic was clearly the biggest draw: one girl came all the way from New Jersey to meet him.
After seeing him a dozen or more times over the years, I felt more relaxed than that initial time. Here is what we discussed.
Me: As Edward Elric, you’re very emotional and over the top. Then you recently switched to playing Kasuka on Durarara!! who is emotionless with a very emotional brother. What was that like?
Vic: You know, I have to tell you, I’m kind of naturally emotional and expressive with my voice. Then, when I was doing Durarara!!, started, and they asked me, can you take the emotion out of it? Can you make it flatter? I’m thinking, it’s pretty flat already. So, yeah, that was a big change.
Me: How long have you been doing conventions?
Vic: Wow. Honestly, maybe a total of thirteen years.
Me: How did you get started?
Vic: Well, I got started in voice acting sixteen or seventeen years ago, and I didn’t know anything about conventions. In fact, there weren’t any at the time. Then, a few years into my career, I saw Monica Rial, and she said to me, “Hey, do you want to go to an anime convention?” I was like, “A what? They have conventions?” I went to Star Trek conventions when I was a little boy, but I had never been to an anime convention. So I went as a guest to one in Ohio, in Columbus, and I was just blown away. I couldn’t believe that there were these wall scrolls with my characters on it and pencil boards and plushies. I had no idea this stuff existed. That was the first one I went to, and of course it ramped up since then.
Me: I’ve also seen you at conventions like DragonCon that are not strictly anime conventions. Talk about the difference between those.
Vic: Anime conventions are very special in and of themselves. There is a real strong sense of community because everybody is there because they love this one specific genre of entertainment. Multicultural, pop culture conventions are more of something for everyone. It’s nice to have an anime presence there, but they don’t typically have the same feeling, a sense of family that you get at an anime convention. I suppose it would probably be the same for any convention that pertains to one thing. If you went to a Supernatural convention, it’s a little more focused. But I enjoy pop culture conventions, mostly because I’m a big sci-fi fan myself, so it’s a real pleasure to get to meet other sci-fi actors that I’m a fan of.
Me: Who is your favorite celebrity you’ve ever met?
Vic: Oh, Bill Shatner, of course. I’ve loved Captain Kirk since I was a little boy. [Want to see Vic as a little boy? Click here.] And you know, when I was young, I used to go to Star Trek conventions, and he is the only one of the original cast I never got to meet. Now, to literally be represented by the same manager who represents Bill, we get booked into conventions together, and we’ve gotten to have dinner together and travel a little bit and hang out, so it’s a real privilege.
Me: Have you had to suppress the urge to squeal like a fangirl?
Vic: All the time. All the time. [Laughs.] I want to respect him and not turn into one of those fanboys he’s dealt with for forty years.
Me: I read on your Wikipedia page that you were once a law enforcement officer.
Vic: I was. Right after college, my mom, who lives on the eastern shore of Maryland, was very good friends with the chief of police in the city where she lived. She always used to brag to him about her son who was a moral, ethical, upstanding member of the community. And so he said, well, I’d like to have someone like that on the police force. I didn’t have any plans right after college, so I went back there and went through the police training and became a cop for two years. It was never a career move. I enjoyed it a lot, but it isn’t something I want to do forever.
Me: It takes a special person to do that job.
Vic: It does. And to deal with the darker side of humanity so much of your life, always having to enforce the laws and deal with people breaking the rules can make a person very cynical and depressed.
Me: I have a copy of your Gospel of John CD. What was the genesis [see what I did there?] of that project?
Vic: Actually, it’s kind of interesting. I was at a convention, and a mother came up to me and said, “My daughter loves your work. She could sit and listen to you for hours. She loves your voice. You could read the phone book and she would listen to it.” I thought, what a nice thing to say. Then I thought, maybe not the phone book, but what if I were to record something of more importance and give it away. So I went home and recorded the Gospel of John and used a contemporary translation and played the piano underneath it to make it easy to listen to. I put a lot of money into it myself to get all the discs pressed, and now I give it away at conventions because what better thing to give to fans of my work than something that is very precious to me?
Me: Do you have plans to do more books?
Vic: I would love to, but it takes a lot of time, and to be honest, I don’t know what book I would do. There aren’t a lot of books of the Bible that stand by themselves, that tell the whole story. If you’re gonna get one chance to tell someone the story of Jesus, why he came, what he did, his ministry, his rising again, all of that, it’s all pretty self-contained in the Gospel of John. So I don’t know what book I would do, and it’s very time-consuming. I don’t have a lot of time, especially now with the Star Trek series I’m doing.
Me: So the Star Trek series is still going well?
Vic: Oh yeah. Bigger than ever. We just finished shooting episode six. Popularity is growing, and viewership is growing. At the risk of sounding partial, it’s fantastic. It looks and feels and sounds exactly like the original series. We have managed to continue the original series in every way, so you feel like you’re watching episodes that were never broadcast.
Me: But they’re all original stories.
Vic: Oh yes. From the recreation of the sets to the lighting, costumes, make-up, story, music, editing, characters—everything. No amount of description can prepare you for the quality. And it’s free. Just go to startrekcontinues.com. The first episode is wonderful, and the second is better than the first, and the third is better than the second. They just get better and better
Me: Last question. What is it like dealing with all the fangirls who are much younger than you?
Vic: Well, it’s kind of funny because, if I were half my age, I would be flattered. But I really look at it more like a father looking at younger people and going, Man, if I can give some joy to this person, if I can make them feel special about themselves, because so many of these kids are struggling with who they are and their place in the world and their security and self-esteem. I feel as if I have been given an opportunity to be an encouragement, somebody that they look up to and notices them and compliments them and puts his arms around them and gives them a big hug and engages with them. I think that’s very important. I didn’t used to realize how important that is, and over the years, with all the emails and letters I’ve gotten and interactions I’ve had at conventions, I’ve come to realize that God has put me here for a very specific purpose, and that is to bring encouragement and love and kindness and support to a lot of people who are at a very sensitive crossroads in their lives.
Of course, everyone has their criticisms no matter how much they enjoy something, and Ichibancon was not without flaws. For one thing, it needs a larger venue. There were lines to get into the dealer room and artist alley, and some of the panels were standing room only. Parking was ridiculous. I squeezed my car in next to a dumpster, and I saw people walking over from car dealerships and other hotels. According to one staff member, however, the only place large enough to expand to is the Charlotte Convention Center, whose surrounding hotels are much more expensive–$240 a night or more. Anime conventions are largely attended by teenagers, who don’t have much money (and spend what they do have on Call of Duty).
It was clear from artist alley and the dealer room that neither of them was “juried.” Some conventions judge vendors’ merchandise ahead of time and then make decisions on who gets a slot. This is done to make sure there is enough variety and quality in the room. Ichibancon, it seems, didn’t do this because there was a lot of repetition in both areas. Merchandise was mostly plushies, posters, and wall scrolls. There was no manga, and I saw only one dealer selling comic-related stuff (usually, there are more).
Even with all these negative things going on in the convention, that is no reason for the muggles to boycott this convention (I saw a picketer in the parking lot). In fact, I believe that this convention is the perfect one for any anime convention newbies.
Indy is coming back!
Disney just announced that Steven Spielberg and Harrison Ford will return to one of their most famous franchises as Indiana Jones 5 opens on July 19, 2019.
“Indiana Jones is one of the greatest heroes in cinematic history, and we can’t wait to bring him back to the screen in 2019,” said Alan Horn, Chairman, The Walt Disney Studios, in a news release. “It’s rare to have such a perfect combination of director, producers, actor and role, and we couldn’t be more excited to embark on this adventure with Harrison and Steven.”
Follow the original story here!
From the Studio That Brought You “Inside Out” Comes the Hilariously Heartwarming Tale of Unlikely Friendship
The Perfect Adventure for the Whole Family Stampedes Home On Blu-ray™ Combo Pack, Digital HD and Disney Movies Anywhere February 23
Extensive Bonus Features Include the Academy Award© Nominated Theatrical Short “Sanjay’s Super Team,” Making-of Featurettes, Deleted Scenes and More!
SYNOPSIS: From the innovative minds of Disney•Pixar comes a hilariously heartwarming adventure about the power of confronting and overcoming your fears and discovering who you are meant to be.
The Good Dinosaur asks the question: What if the asteroid that forever changed life on Earth missed the planet completely, and giant dinosaurs never became extinct? In this epic journey into the world of dinosaurs, an apatosaurus named Arlo makes an unlikely human friend. While traveling through a harsh and mysterious landscape, Arlo learns the power of confronting his fears and discovers what he is truly capable of.
Bring home this original story full of humor, heart, action and imagination, perfect for the whole family!
CAST: Raymond Ochoa (NBC’s “The Night Shift,” TNT’s “Rizzoli & Isles,” “Disney’s A Christmas Carol”) as Arlo; Jeffrey Wright (“The Hunger Games: Mockingjay – Parts I & II”, HBO’s “Boardwalk Empire”) as Arlo’s wise Poppa; Frances McDormand (HBO’s “Olive Kitteridge,” “Fargo”) as Arlo’s strong Momma; Marcus Scribner (ABC’s “black•ish”) as Arlo’s brother, Buck; Jack Bright (“Monsters University”) as Spot; Steve Zahn (“Captain Fantastic,” “Ridiculous Six,” “Rescue Dawn,” “Mad Dogs”) as a fearless pterodactyl named Thunderclap; A.J. Buckley (TNT’s “Murder in the First,” FX’s “Justified”) as teen T-Rex Nash; Anna Paquin (HBO’s “True Blood”) as Nash’s tenacious sister, Ramsey; Sam Elliott (FX’s “Justified,” “I’ll See You In My Dreams,” “Grandma”) as T-Rex patriarch Butch
DIRECTOR: Peter Sohn (Short – “Partly Cloudy”)
PRODUCER: Denise Ream (“Cars 2,” “Up”)
EXEC. PRODUCERS: John Lasseter (“Inside Out”), Lee Unkrich (“Monsters University”) and Andrew Stanton (“Inside Out”)
ORIGINAL CONCEPT AND DEVELOPMENT: Bob Peterson
STORY: Peter Sohn, Erik Benson, Meg LeFauve, Kelsey Mann and Bob Peterson
SCREENPLAY BY: Meg LeFauve (“Inside Out”)
MUSIC: Academy Award®-winning film composer Mychael Danna (“Life of Pi”) and Emmy®-nominated composer Jeff Danna (“Tyrant”)
RELEASE DATE: February 23, 2016
PRODUCTS: Digital HD, Disney Movies Anywhere (DMA), Blu-ray 3D, Blu-ray Combo Pack, DVD and On-Demand
BONUS: Digital HD*, Blu-ray Combo Pack & Disney Movies Anywhere (DMA)
THEATRICAL SHORT – Sanjay’s Super Team – Sanjay loves the world of cartoons and comics, while his father tries to draw him into his Hindu traditions. Reluctance quickly turns into awe-inspiring adventure as the boy embarks on an amazing journey, returning with a new perspective they can both embrace.
TRUE LIES ABOUT DINOSAURS – We know – it’s preposterous to think Apatosaurs spoke English. Learn more about what separates the fictional dinosaurs of “The Good Dinosaur“ from what scientists know about real dinosaurs.
RECYCLOSAURUS – Pixar takes creative competition seriously. Maybe a little too seriously. Watch as “The Good Dinosaur” crew competes to see which department can create the best dinosaur ever…using only discarded items from the studio’s “free table.”
THE FILMMAKERS’ JOURNEY – Finding your way from an idea to a film takes a lot of exploration. Director Peter Sohn and his fellow filmmakers talk about the challenging, inspiring, and unexpectedly emotional experience of making “The Good Dinosaur.”
EVERY PART OF THE DINOSAUR – The filmmakers talk about the special animation challenges of “The Good Dinosaur” – including figuring out how to animate a dinosaur who’s really a boy, and a boy who’s got the spirit of a dog.
FOLLOWING THE T-REX TRAIL – Follow the filmmakers as they travel to a working cattle ranch and meet the McKays, a close-knit family whose work ethic, generosity, and stories inspired the T-Rex ranchers of the film.
COMMENTARY – Commentary from director Peter Sohn, story supervisor Kelsey Mann, supervising animator Mike Venturini, director of photography/lighting Sharon Calahan, and supervising technical director Sanjay Bakshi.
DINO BITES – Montage of original animated pieces produced to promote “The Good Dinosaur.”
HIDE AND SEEK – A short animated clip produced to promote “The Good Dinosaur.”
o The Attack – An idyllic introduction to the family farm is cut short when a savage predator attacks the newborn Arlo. With an introduction by Director Peter Sohn.
o Building the Silo – An admiring Arlo is thrilled to follow along as his father builds a silo for the family farm. With an introduction by Director Peter Sohn.
o Waiting for Poppa – Arlo awaits the return of his beloved father on a stormy night, only to be greeted with tragic news. With an introduction by Director Peter Sohn.
Blu-ray 3D & DVD:
- THEATRICAL SHORT – Sanjay’s Super Team
JUST LISTEN – Trace the development of the unique soundscape of “The Good Dinosaur,” from the wilds of British Columbia as Sound Designer Craig Berkey collects sounds, to the recording studio where Jeff and Mychael Danna use instruments from around the world to create the music.
*Digital bonus offerings may vary by retailer
FEATURE RUN TIME: Approximately 93 min.
RATING: Feature Film: PG in U.S.; PG in CE; G in CF
ASPECT RATIO: Blu-ray Feature Film = 1080p High Definition / 2.39:1
DVD Feature Film = 2.39:1
AUDIO: Blu-ray = 7.1 DTS
DVD = 5.1 Dolby
LANGUAGES: English, French & Spanish
SUBTITLES: English SDH, French & Spanish
SOCIAL MEDIA: Facebook: https://www.facebook.com/PixarTheGoodDinosaur
ABOUT DISNEY MOVIES ANYWHERE (DMA):
Disney Movies Anywhere (DMA) is an engaging and family-friendly cloud-based digital movie service that makes it simple to buy your favorite Disney, Pixar, Marvel and Star Wars movies once and watch them anywhere. With DMA you can explore Disney’s library of over 450 eligible digital movies, discover hours of new and exclusive short-form content, and watch your digital movies from the comfort of the living room or across multiple mobile devices. Using the free DMA apps and website, you can connect your DMA account with participating providers including iTunes, Amazon Video, VUDU, Microsoft Movies and TV and Google Play and unlock access to your eligible movie collections across platforms and devices – iPhone, iPad, iPod Touch, Apple TV/Airplay, Amazon’s Fire tablets, Fire TV and Fire TV Stick,Microsoft Movies and TV service on Windows and Microsoft Xbox devices, Android mobile and tablet devices and Android TV, Chromecast and the Roku platform. In addition, you can redeem Digital Copy codes found in Disney, Pixar and Marvel Blu-rays and DVDs, as well as earn Disney Movie Rewards points with every digital purchase.
ABOUT THE WALT DISNEY STUDIOS:
For over 90 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; Lucasfilm; and Touchstone Pictures, the banner under which live-action films from DreamWorks Studios are distributed. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!.
In celebration of Star Wars: The Force Awakens, Lucasfilm and HP proudly present “Art Awakens.”
“Art Awakens” is an exciting new program for Star Wars fans old and new, across the country to revitalize creativity by “Bending the Rules” of the Force, themed around a galaxy far, far away.
“Art Awakens” kicks off August 11th with the launch of a two-month-long nationwide fan art competition across the US. Amateur artists can submit theirStar Wars: The Force Awakens inspired art on ArtAwakens.com for a chance to be featured in an upcoming professional art exhibit later in the year.
Additionally, coming this November to Gallery 1988 in Los Angeles is a three-day Star Wars: The Force Awakens art exhibit featuring top professional and emerging contemporary artists. All new original pieces will be auctioned off in the name of Star Wars: Force for Change to benefit UNICEF Kid Power, which gives kids the power to save lives. By getting active with the UNICEF Kid Power band, kids earn points which unlock food packets for malnourished children around the world.
Five lucky winners of the Star Wars: The Force Awakens Fan Art Contest, chosen by a judging committee that includes members from Disney, Lucasfilm and the legendary visual effects house Industrial Light & Magic, will have their art featured in the professional gallery exhibit. The winners will also have the opportunity to be flown out to Los Angeles to attend the VIP opening night, among other prizes from HP.
Additionally, an HP “Bend the Rules” Award will be granted to one of the five grand prize winners upon completion of a questionnaire with the highest score in the Innovative Use of Technology category. The HP “Bend the Rules” Award winner will receive an HP Notebook Computer to help them push the boundaries of art and creativity. Get more details at the link…
Just released on Tuesday, Disney’s classic animated film 101 Dalmatians is now available in on Blu-ray™, Digital HD, Disney Movies Anywhere, DVD and On-Demand. This new Diamond Edition includes several new bonus features.
I was supplied with a review copy and was very impressed. I wasn’t sure how the animation would hold up in the Blu-ray format. I don’t know if they did a lot of clean-up or not, but it was gorgeous!
Based on the 1956 book by Dodie Smith, the story of 101 Dalmatians still holds up. One of Disney’s most fiendish villains, Cruella De Vil, loves fur coats and wants to make one made up of the skins of Dalmatian puppies. We find our way into the story first through songwriter Roger and his adult Dalmatian Pongo. Pongo sets about to find a mate for Roger and succeeds in bringing Roger together with Anita, an owner of a female Dalmatian Perdita. It’s love all around, and Perdita soon gives birth to a little of pups. When Roger and Anita rebuff Cruella’s offers to buy the puppies, she decides to not take no for an answer the excitement kicks in. At times, the movie might actually be a bit intense for the truly young as the puppies do encounter their share of peril.
Did you know that 101 Dalmatians was the highest grossing movie of 1961? Or that it was the first Disney animated film to use a contemporary setting? There is a lot of fascinating info in the bonus features. Traditionally, the animation process started with sketches by artists that were then inked over by other artists onto sheets of acetate. The making of 101 Dalmatians came at a critical time for the animation department after Sleeping Beauty failed to be a big money-maker. Looking for ways to cut costs, 101 Dalmatians became the first full-length animated movie to make extensive use of a Xerox machine to take the original sketches straight to the acetate sheets. Although that resulted in a lot of inkers losing their jobs, the primary artists were thrilled that their original drawings were being realized on the screen for the first time.
Here are some clips from the special features:
I definitely think that this package of 101 Dalmatians would make for a worthy addition to your collection.
Cast: Rod Taylor (Inglorious Bastards, The Birds) as Pongo, J. Pat O’Malley (The Jungle Book, Alice in Wonderland) as Jasper and Betty Lou Gerson (The Fly, Cats Don’t Dance) as Cruella de Vil
Producer: Walt Disney
Directors: Wolfgang Reitherman, Hamilton S. Luske and Clyde Geronimi
Writers: Story by Bill Peet. Based on the book “101 Dalmatians” by Dodie Smith
Release Date: February 10, 2015 (Direct Prebook: 12/16; Distributor Prebook: 12/30)
Product SKUs: Digital HD & SD, Blu-ray Combo Pack, Disney Movies Anywhere & On-Demand
New Bonus Features: All New Short – The Further Adventures of Thunderbolt
Walt Disney Presents “The Best Doggoned Dog in the World” (1961 Version)
Dalmatians 101: Hosted by Cameron Boyce (Disney Channel’s “The Descendants”)
Plus a Selection of Classic Bonus Features
Ratings: G in US & Canada (bonus materials are not rated)
Feature Run Time: Approximately 79 Minutes
Aspect Ratio: 1:33:1
Audio: Blu-ray: 7.1 DTS-HDMA / 1.0 Dolby Digital (English); 5.1 DTS-HDHR (French) & 5.1 Dolby Digital (Spanish)
Languages: English, French and Spanish
Subtitles: English (ESL/SDH), French and Spanish
Stay connected with the latest news and information about ”101 Dalmatians”:
- “Like” us on Facebook: https://www.facebook.com/Disney101Dalmatians
- Check out our Website and Mobile Site: http://www.disney.com/101dalmatians
- Visit www.Disneymoviesanywhere.com and download the DMA App at: http://di.sn/ttI
ABOUT DISNEY MOVIES ANYWHERE (DMA):
Disney Movies Anywhere (DMA) is a cloud-based digital movie service that offers a hassle-free way for consumers to buy, watch, and manage Disney digital content across platforms and devices via the easy-to-use DMA app or at DisneyMoviesAnywhere.com. A DMA-eligible digital title purchased from an iTunes-connected account or redeemed in DMA will be accessible in a user’s DMA and iTunes lockers. There are currently over 400 films from Disney’s rich history available through DMA for streaming and download, including Disney Branded Animation, Disney Live-Action, Pixar, and Marvel titles, along with exclusive, original content. For more information or to redeem Digital Copy codes to build your library and earn Disney Movie Rewards Points for digital purchases, visit http://www.disneymoviesanywhere.com.
ABOUT THE WALT DISNEY STUDIOS:
For 90 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; Lucasfilm; and Touchstone Pictures, the banner under which live-action films from DreamWorks Studios are distributed. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!
Forbidden Planet is,thrilled to offer the rare opportunity to meet Zach Parrish, Head of Animation at Walt Disney Animation Studios, at our London Megastore on Friday 13th February at 6:00pm.
Animation fans will be able to meet and chat to Zach about his work on the BAFTA and Academy-Award® nominated BIG HERO 6. Zach will be signing copies of ‘The Art of Big Hero 6’ and we’ll have free, signed BIG HERO 6 posters to give away!
Zach Parrish oversaw the artists charged with creating the movement, emotion and physical performance of the characters in BIG HERO 6. His team included five animation supervisors and 85 animators. He joined Walt Disney Animation Studios in 2010 as a character animator for the hit feature “Tangled” before serving as animation supervisor for 2012’s big-screen comedy “Wreck-It Ralph”.
BIG HERO 6 is in UK cinemas now. The film has received widespread audience and critical acclaim with glowing global reviews following its world premiere at the Tokyo Film Festival and #1 US launch.
Forbidden Planet London Megastore
179 Shaftesbury Avenue, London, WC2H 8JR
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Scott Watanabe, Victoria Ying, Shiyoon Kim, Lorelay Bove, Kevin Nelson, Paul Briggs, and Kendelle Hoyer appear at Gallery Nucleus on Saturday November 15, 2014 from 2:00 – 5:00 PM!
Walt Disney Animation Studios’ Big Hero 6 is the story of Hiro Hamada, a brilliant robotics prodigy who must foil a criminal plot that threatens to destroy the fast-paced, high-tech city of San Fransokyo. This new title in our popular The Art of series, published to coincide with the movie’s U.S. release, features concept art from the film’s creation—including sketches, storyboards, maquette sculpts, colorscripts, and much more—illuminated by quotes and interviews with the film’s creators. Fans will love the behind-the-scenes insights into Disney’s newest action comedy adventure.
Come see rare behind the scenes artwork by artists from the production design, storyboard, and visual development teams.
Bring your questions for the Q&A session and meet the artists one-on-one as they sign copies of the new Art of Big Hero 6.
$5 Admission at the door or FREE w/ purchase of the Art of Big Hero 6 book (about 75 seats available, standing room also available).
Outside books will be subject to a $10 fee.
Scott Watanabe – Art Director, Environments
Victoria Ying – VisDev, Environments
Shiyoon Kim – Character Designer
Lorelay Bove – VisDev, Characters
Kevin Nelson – VisDev Artist
Paul Briggs – Head of Story
Kendelle Hoyer – Story Artist
2:00 – 3:00 pm Panel Presentation
3:00 – 3:30 pm Q&A
4:00 – 5:00 pm Signing
210 East Main Street, Alhambra, CA 91801