On November 18-21, 2011, Creative Talent had it’s third annual CTN Animation Expo. Every year, this con seems to grow more and more. With big companies, artists, and big names in the animation industry, this is THE show to go to if you are involved with the animation industry and want to break in. From portfolio reviews, to insightful panels, and even just soaking in the ambience and drawing with other artists in the lobby, CTN is full of creative talent that is waiting to be the next big name in animation. I highly recommend anyone interested going into the field to come out and experience this awesome show. And one big tip I heard throughout the weekend: No one will hire you if you don’t show your stuff. Post it on blogs, get your portfolio out there, make yourself seen. All it takes is one chance. And now, onto some pictures from this weekend:
The Cartoon Art Museum welcomes award-winning animator Bill Plympton for a screening of his animation and a live drawing demonstration on Tuesday, July 26, 2011. Each attendee will receive a free signed drawing courtesy of Mr. Plympton. Plympton will present his feature-in-progress Cheatin’ and a brand new video created for “Weird Al” Yankovic, as well as other surprises.
Seating for this event is limited. Tickets for this event are available for $10, and can be purchased through Guestlist Ticketing.
For more information about Bill Plympton, please visit his website.
About Bill Plympton:
Bill Plympton eschewed a career in the high-paying but soul-crushing Hollywood animation industry to explore his own creativity as an independent animator. Twice-nominated for an Oscar, he personally hand draws every frame of his work. Regarded as the hardest working animator in the business, Plympton has been called “mischievous, mordant, analytical, and ceaselessly imaginative” by The New York Times and simply as “God” by The Simpsons creator Matt Groening.
Cartoon Art Museum
655 Mission St, San Francisco, CA 94105
Bill Plympton appears on Friday, July 23rd from 7 to 10 PM at Chuck Jones Gallery.
The Chuck Jones Gallery is pleased to introduce original artwork from Mr. Plympton’s soon-to-be-released animation feature film as well as original drawings from his animated shorts featuring his iconic DOG characters
Mr. Plympton will be dedicating artwork purchased the night of the event.*
For more information and to RSVP (by July 15) please call 888-294-9880 or via email:
*Some restrictions may apply, contact your consultant for more details.
Chuck Jones Gallery
232 5th Avenue, San Diego, CA
Ralph Bakshi will return to Animazing Gallery in SoHo for a reception where his altogether new series of fine art paintings will be debuted in an exhibition entitled The Streets. This bold series of mixed-media construction/paintings was inspired by the gritty and colorful neighborhoods of Bakshi’s youth in lower Manhattan and Brooklyn.
MoCCA, New York’s Museum of Comic and Cartoon Art, and Bill Plympton will present a lifetime achievement award to Mr. Bakshi at the opening reception on Friday, March 19th, from 6-9PM (by invitation). A public meet and greet reception takes place on Saturday March 20th, 2-5PM. Admission is free and open to the public. Exhibition runs through May 15th. Animazing Gallery is located at 54 Greene Street at Broome in SoHo. Hours of operation are Mon-Sat 10AM-7PM and Sun 11AM-6PM. For more information log onto www.animazing.com or call 212-226-7374.
Throughout an artistic career spanning more than half a century, Ralph Bakshi’s secret passion has always been fine art. Although he has become a renowned film director, Bakshi has remained a sedulously dedicated self-taught painter, and this body of work is as sophisticated as his films are outrageous. The Artist has created multi-media pieces that are emotionally layered works, and clearly a departure from his past figurative works. Bakshi builds up his surfaces with elements of wood, nails, and other found objects. The artist deconstructs the sculptural elements at some point during the process, and then uses the ravaged sculpture as a canvas, continuing to paint and repaint the accumulating textures, going deeper and deeper into what he thinks he sees. In this ongoing process of building up and taking away, Ralph transforms his reality into sculptured abstraction. Inspired by every single memory of his life in Lower Manhattan and Brooklyn, the Artist produces work that is as gritty, colorful, and dynamic as New York. Bakshi’s paintings are derived from a lifetime of loving the artistic peeling of the paint on old Brownsville walls; the play of sunlight on their surfaces that changed them every few minutes. These paintings are the closest thing to realism that Ralph can imagine, although they appear to be abstract.
Ralph Bakshi is a legend in the world animation. His controversial and cutting edge films have secured a place in the historical archives of many museums, including the Whitney and MoMA, because they raised a generation’s social consciousness with the raw, creative and artistic genius that was larger than life on the big screen. Bakshi was raised in the Brownsville area of Brooklyn, and displayed artistic talent before he was old enough to go to school. Graduating high school with an unprecedented “Award in Cartooning,” at eighteen years old Bakshi was given an entry level position at the Terrytoons animation studio. He promoted himself quickly to animator by commandeering an empty desk, and by the time he was 28, Bakshi was Creative Director of the studio. He created shows like Mighty Mouse, Heckle & Jeckle, Deputy Dawg, and later Spider-Man for Paramount Studios. After this, Bakshi produced his first theatrical animated feature, a down-and-dirty X-rated adaptation of Robert Crumb’s “underground” comic strip Fritz the Cat. Bakshi’s next feature, Heavy Traffic was even more outrageous, but won acclaim from both film and art critics. Next was Coonskin, a savage attack on Hollywood racial stereotypes. In 1977, Bakshi released Wizards, then Lord of the Rings. In 1980 he animated jazz music with American Pop, and afterwards Hey, Good Lookin’; a nostalgic glance at 1950s street gangs. After Fire and Ice in 1983, Bakshi retreated to his studio, painting every day for nearly 10 years, before resurfacing in 1987 with the brilliant TV series of Mighty Mouse, directed by Bakshi’s protÃ©gÃ©, John Kricfalusi (of Ren & Stimpy fame). In 1992, Bakshi returned to the Big Screen with Cool World, a combination of animation and live action starring Brad Pitt and the voice of Kim Basinger, among others.
ABOUT ANIMAZING GALLERY | Since 1984, Animazing Gallery has showcased a unique collection of original and limited edition works, including animation, great American illustration art & fine art that indulges the senses and emotions with color, playfulness and beauty. For more information about Animazing in New York or France visit animazing.com.
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Animazing Gallery, SoHo | 54 Greene St. NY, NY 10013 | 212.226.7374