United States Military Honors Comic Book Legends Stan Lee And Joe Sinnott At Rhode Island Comic Con
Providence, Rhode Island – On Veterans Day, representatives of the United States Army and Navy, along with chapters of the American Legion, the Marine Corps League, and Texas State Guard, surprised comic book icons Stan Lee and Joe Sinnott with military accolades.
Awards of appreciation and recognition were presented to Mr. Lee, 93, who served as a Sergeant in the US Army Signal Corps during World War II, at his VIP panel Friday night. Army Captain James R. Whitney, Navy Chief Petty Officer Kurt Anderson, their respective staffs and several former US Service members, imparted the honors.
Army Staff Sergeant Joshua Mitchell tendered an American flag to Mr. Lee at the request of Major General Anthony C. Funkhouser. The flag was flown in his honor on the occasion of Veterans Day “for his faithful service to our Nation as a United States Soldier during World War II.” MG Funkhouser is the Commanding General, Center for Initial Military Training, US Army Training and Doctrine Command, Fort Eustis, VA.
“Next to my marriage and the birth of my daughter. This is the most sensational moment in my life. I will never forget this…” Stated a very emotional Mr. Lee, “It is such an honor which I’m sure I don’t deserve.”
Mr. Sinnott’s awards were handed out at a dinner attended by his family, friends and fans later on that evening. His flag was presented on behalf of MG Funkhouser who bestowed the title of “SEABEE For Life” to the sailor, 90.
After his older brother Sgt. Jack Sinnott, was tragically killed in action in France, Mr. Sinnott joined the US Navy Seabees shortly after his 18th birthday. He served in the bloody World War II Battle of Okinawa rising to the rank of Machinist Mate 3rd Class.
As restaurant patrons applauded with a standing ovation, the legendary artist who created thousands of comics for over sixty years, humbly confessed, “I’m speechless, I really am. This is just unbelievable. One of the greatest honors I’ve ever had. Thank You!”
In addition to the flags, certificates, challenge coins, plaques and “swagger sticks” of appreciation were also awarded to both veterans. “They got me mixed up with someone else” Mr. Lee said in disbelief. “But I can’t thank you enough and I will never forget this moment… We have the greatest military in the whole world.”
As uniformed service members past and present presented arms to a saluting Mr. Lee, he exclaimed to the teary-eyed audience, “If someone isn’t filming this, I’ll never talk to you again!”
Comic-Con International has photo galleries for each day of WonderCon 2016.
Overheard on an Atlanta street corner:
“Look at that person with blue hair.”
“No, over there.”
“Oh, I see.”
“Cool, isn’t it?”
“Yeah. What other place can you say, ‘No, the other person with blue hair.”
The “place,” of course, was DragonCon. September 2-5. I have been for the last six years, but this year was special: the 30th anniversary. It started in two downtown hotels, Hyatt and Marriott. The Hilton was added later, then the Sheraton and Westin. When five hotels were not enough space, the vendors were moved into the AmericasMart, a four-building, seven-million-square-foot trade show monolith. This year, AmericasMart became the new home of two other DragonCon mainstays, tabletop gaming (formerly in the Hilton) and Comic and Pop Artist Alley (neé the Hyatt)—evidence that DragonCon, despite its venerability, is still figuring things out. Perhaps that is how it became venerable: refusing to be complacent.
And more growth is on the way. Some programming was held on Thursday this year, and according to media director Dan Carroll, we will see Thursday “full-time real soon.” My colleague Michaela McPherson has written about shifts in the Saturday morning parade. This was the inaugural year for the Dragon Awards, a fan-driven awards program to “recognize the creators of science fiction and fantasy in books, comic books, games and filmed entertainment,” according to a press release. (Awards results are located here.) Attendance grew this year as it does every year, with over 77,000 showing up–and, in some cases, suiting up–for the weekend. These attendees walked (Walk to End Lupus Now), gave blood (about 6,000 units), raised money ($98,000 for the Atlanta Center for Self-Sufficiency through auctions, karaoke, a lip-synch battle, and other events), and enjoyed the 400+ actors, artists, writers, and other guests who formed the convention’s foundation.
I was excited about one guest I had never seen at DragonCon, or any convention: Christopher Paolini, author of the four-volume Inheritance Cycle. Paolini wrote the first volume, Eragon, the story of a farm boy who protects a dragon egg from an evil king, when he was a teenager. His parents self-published the book, and for a year, Paolini promoted it himself at libraries, book shows, and other events. In 2002, the book came to the attention of the publisher Alfred A. Knopf, which re-released the book a year later. This led to three other books, the last one appearing in 2011.
On Friday night, Paolini was one of several panelists for a discussion of self-publishing. The other panelists were freelance writer/editor Jaym Gates, editor Dayna Linton, Baen Books publisher Toni Weisskopf, writer Chris Kennedy, and Todd McCaffrey, son of Anne McCaffrey and custodian of her Pern universe, to which he has contributed several volumes. Some highlights from the panel:
- McCaffrey: The biggest mistake in self-publishing is to “think you can do everything yourself.”
- Eragon was a family project. Paolini’s father, who had press experience, designed the book. Paolini drew the cover and the maps. They borrowed money to finance the printing (the first 50 copies were cut wrong). He dressed in medieval costume and made presentations to schools, libraries, and bookstores. Sold maybe 15 books at a time. Two chain bookstores rejected him, saying the novel was “not commercially viable.”
- Gates: “Readers and writers have different ideas of what works.” This led to a vigorous discussion of the value of editing. It’s the biggest difference between professional publishing and self-publishing (a view echoed by this Slate article). Writers know their own story, but editors are storehouses of stories. They understand the market, and what will appeal to readers. Thus, they can guide the author, helping to bring out his/her voice. As Gates said, “it is the editor’s job to help the writer say what he/she wants to say in the best way.”
- Paolini was skeptical of the wisdom of a beginning writer paying for editorial services, but the other panelists–I won’t say they shouted him down, but they were unified in saying that it would be money well spent. Paolini did agree on the worth of an editor, saying an editor “can fix bad writing. They can’t fix a bad story.” Bottom line: the author has a job, and the editor has a job. Good books result when each person does their job.
- McCaffrey talked about “hybrid authors”–authors who write for traditional publishers and do some self-publishing. Here is a good discussion of this type of writer. The panel agreed that the hybrid approach is the best, blending the advantages of self-publishing (speed; flexibility; more profit per sale) with the comfort of traditional publishing (editorial, design, and marketing services; bulk sales; multi-book deals; advances against royalties). More authors are taking this approach, which is new in the history of publishing. According to Weisskopf, the “received wisdom” used to be that, if you self-publish, you’ve “tainted the waters and will never get a traditional contract.” The panel agreed that this is no longer the case.
- On traditional contracts: beware the predators. Gates brought up two blog posts by John Scalzi (here and here), who has always been an advocate of authorial self-interest, about Hydra, an imprint of Random House with shockingly bad contract terms. The panel’s message: don’t be so desperate to publish that you’ll sign anything.
All the growth in DragonCon has brought some irritation. At 2:30 on Friday afternoon, the vendor room in the AmericasMart reached capacity and was shut down. I have never experienced that at a convention (I read about it happening a couple of years ago at the Rhode Island Comic-Con). The room was open an hour or so later, I think–I didn’t wait around to find out–so it wasn’t a disastrous inconvenience. But I did find myself wondering, is there no building in Atlanta large enough to handle DragonCon?
The lines in the hotels were certainly longer than ever. I waited nearly two hours to buy Saturday-only badges for members of my party. (It is useless to buy these in advance because DragonCon mails you a card that you have to redeem on-site for a badge.) There may be no space to do this, but I would love to see registration expanded. Or split into two buildings. Why do one-day badges have to be claimed on site? Why can’t they be mailed? One thing is for sure: a single ballroom in the basement of the Sheraton is inadequate for the thousands upon thousands of people who opt for one-day badges.
DragonCon is a study in lines. Walking around the sidewalks, you’ll often see a line with no discernible beginning snaking into an unmarked side door. It’s like a speakeasy line. If you ask someone what they’re waiting for, they respond without confusion, but what if they’re wrong? What if the real purpose of the queue has been miscommunicated all the way down, so that someone who thinks they’re waiting for William Shatner’s photo op is actually in line for the blood bank?
It isn’t that hard to form a line, after all. My wife and I did it for Chris Paolini’s Sunday autograph session, which was scheduled for 2:30. Jim Butcher had started signing in the same room at 1:00. His line was capped at 1:30, and we knew that people looking for Paolini would start showing up soon. So we stood a few feet behind the last person for Jim Butcher and declared it the Start of the Line. Within minutes, a hundred people were standing behind us, and when a DragonCon staffer came along and legitimized us, I felt like Saul Alinsky.
If you have never been to DragonCon, you need to go. It is not the largest convention in the U.S., but it is unique, being spread across five Atlanta hotels. I have often wondered why it doesn’t move to the Georgia International Convention Center or the Georgia World Congress Center. It may need to, especially when attendance reaches 100,000, as I believe it will. But I hope DragonCon doesn’t move. I love the atmosphere of hotel-based conventions. There are other hotels in downtown Atlanta, and maybe DragonCon will incorporate those. Whatever happens, I look forward to many more years of attending this convention, which was my first and will always be one of the best.
Cinderella, Wonder Woman, and an assassin walked into a bar. Sounds like the beginning of a bad joke. Actually, it was the first day of DragonCon 2016.
DragonCon is one of the largest conventions in the Southeast. This was my third year, but my first as a journalist. Even as a veteran convention goer, you really never know what to expect, especially for a place such as this. With over 75,000 attendees, it’s hard to find the same cosplayer twice, and it’s easy to lose your companions, like the Doctor loses Rose in every episode.
This is especially true of the Saturday morning parade. Several streets in downtown Atlanta are blocked off, and the sidewalks are covered in Disney Princesses, Deadpools, and Batmans (Batmen?) all converging together. It’s one of the few places you can see the Punisher pull Bullseye out of the street to prevent him from being run over by Doc Brown’s DeLorean. Until recently, people could register to be in the parade up until the day before. It has grown so popular, however, that last year registration for the 3,200 slots closed in August. This year, registration closed on March 1st. Also, for the first time, the parade was broadcasted on the CW Network. One of the best things about this parade is the fact that they have a specific place for just the Deadpools to roam, and it’s certainly one of the most popular cosplays done in any convention I have been to.
And then of course, due to the new movie that came out recently, Suicide Squad, my colleague, Anthony Aycock, and I were curious to see just how many Harley Quinns and Jokers there were, but only from that movie. We counted a total of ninety-one Margot Robbie Harley Quinns and nineteen Jared Leto Jokers. Most of the Harleys were in her usual outfit, complete with the shirt that says “Daddy’s Lil’ Monster,” but we noticed some variations. One Harley was wearing the prison uniform from the beginning of the movie, a few were wearing the “stripper” Harley outfit, and then there were a couple that had dressed as Harleen Quinzel, the pre-Harley Quinn – long white lab coat, no nonsense blond bun, and leading a prisoner Joker with a makeshift leash. I also saw one Charlie Quinn, a male Harley with “Mommy’s Lil’ Monster” scrawled on his pecs. I suppose one reason that there were more Harleys than Jokers is because most people seemed to have had a distaste for Leto’s portrayal of him. It might be because I was a fan of 30 Seconds to Mars far before the movie was even thought of, but I actually quite enjoyed it. One criticism I have though is that we didn’t see much into the abusive relationship, and now most couples who are unfamiliar with the characters are thinking “OMG hashtag relationship goals!”
One of the most popular areas of DragonCon is the Walk of Fame, which is overflowing with beloved actors of the traditional and voice kind. A few of my favorites were Carlos Valdes (Cisco from the CW TV show The Flash), Jason Isaacs (Lucius Malfoy, Commander Zhao, and Captain Hook), Nolan North (voice of Deadpool in the Deadpool video game, Nathan Drake from Uncharted, and Desmond Miles from the Assassin’s Creed series), and of course William Shatner (you already know who this is).
We stood in line for Nolan North (who was tardy to the party), and ended up talking to his agent for a while. She told us that voice actors usually make around $900 per four hours of work plus residuals (i.e., they get paid each time the episode they were in is broadcast). Anime voice actors make a lot less, roughly $65 per hour. Most conventions guarantee their celebrities a certain amount of money. For example Lana Parrilla of Once Upon a Time gets $10,000 per convention. If her autograph sales fall short of that, the convention makes up the difference. DragonCon, however, does not make guarantees like that. Not even for ol’ Bill Shatner. I found this fascinating, especially how undervalued anime voice actors are. I expect that to change, however, as anime becomes more mainstream.
Finally, Nolan arrived, and I managed to speak to him as he was signing a Deadpool Pop figure for me (I am not a nerd, I swear). Interviews are not allowed in the Walk of Fame, but I wanted to ask him a couple of questions out of my own curiosity. He was so friendly and engaging that it might as well have been an interview.
My first question was what he thought of Ryan Reynolds stealing the spotlight for Deadpool. He said, “There is no spotlight. Ryan does a terrific job, but I do have an idea for a cameo for the next movie. Deadpool is chasing someone, fires a gun, blows a hole in the wall, and behind the wall, I’m standing there wearing headphones, recording Deadpool’s voice for a video game. And Ryan looks at me and says, ‘You sound nothing like me’ and shoots me.” Nolan went on to say how funny Ryan is on Twitter, and I second that since I stalk him too.
My second question was how Nolan felt about the Assassin’s Creed movie coming out in December. He replied, “I’m a big fan of Michael Fassbender [co-producer and star of the movie]. What I like about it is that it will be an original take on the story. It won’t just be the game translated into the movie. The game is the inspiration for a unique movie.”
I stood there with Nolan so long that his agent started clearing her throat—thank goodness I didn’t have a third question—but it was interesting getting his perspective. As a fan of the Assassin’s Creed franchise, I was a bit tentative to see the movie, but after hearing Mister Desmond Miles himself praise it, I have a bit more hope for how it will turn out. Oh, and when I got his autograph on Friday, it was only $20, but two days later, he was charging $40. Way to up your game, North.
Are you thinking about going to DragonCon? Here are five morsels of advice:
- Bring all the money you have plus what you can bum from your parents and what you can earn by selling a kidney. I’m not saying stuff is overpriced; you’ll just want to buy it all.
- Prepare to stand in line for an hour and a half, feet tired, arms dragging the floor, just to be told to come back later after the actor’s friggin’ panel (I’m looking at you, Carlos Valdes).
- The hotels in downtown Atlanta fill up fast, but don’t worry: you can stay outside the city and just take the MARTA in. It’s quick and cheap. But don’t let the homeless guys take your money—you need it for the autographs and the plushies and the posters and . . . you get the idea.
- Prepare to walk. I know a lot of you like to wear heels everywhere. Don’t. You will not be able to feel anything beyond the blisters that will begin to appear after just the first day.
- Have fun, but not so much it’ll land you in Erewhon.
Now have a look at these pix from DragonCon 2016 . . .
I know many of you are asking: who in the name of J. Jonah Jameson’s sideburns is John Stover? In fact, you have met him before. He introduced me to DragonCon in 2011. In 2014, he was my boon companion in Mouse-town for Spooky Empire. In 2015, we took a break from Florida to stay a few miles from the oldest Baptist church in America (founded in 1638) for Rhode Island Comic Con. This year, over the July 4 weekend, we were back in the Sunshine State for another convention new to me: Florida Supercon
John and I have been tight since eleventh grade, when he transferred to my high school midyear, walked into my Spanish class, and took the only available seat—next to me. Twenty-eight years later, we have seen each other through four divorces (two each), five weddings (I lead 3-2), a knot of children (my 2 step, his 3 bio), the near death of his first son, new jobs, new homes, graduate degrees, and a Playboy bunny ex-girlfriend (his, wouldn’t you know). Spooky Empire and Rhode Island were new to me, and I’m glad I could experience them with John.
Held in Miami, Supercon is the largest comic book, anime, cosplay, sci-fi, fantasy, video gaming & pop culture convention in South Florida, according to Instagram. Over 51,000 people attended in 2015, and it seemed this year’s total would surpass that. Four-day passes had sold out weeks before, and Saturday-only passes were gone by Friday afternoon. Unlike smaller conventions, which tend to be held in hotels, this one was at the Miami Beach Convention Center. I am biased toward hotels for their intimacy (Michaela McPherson discusses this in her Anime Fan Fest article), but except for DragonCon, which is unique, shows of 50,000+ people need the vastness of a convention center.
They need this vastness for, among other things, effective line operation. There were some major celebrities at this convention: William Shatner, Henry Winkler, Ben McKenzie, and some members of the Deadpool cast. Lines were long, but they never felt crowded or unruly. (For line management, it doesn’t get much worse than the George R.R. Martin debacle at ConCarolinas 2014.) I don’t mind the waiting part of being in line. You learn a lot by talking to other attendees. One couple talked about how accessible the mega-celebrities are at San Diego Comic-Con. The year they went, they were waiting to get into a panel when Ian McKellan showed up and started mingling. Another guy said he waited in Stan Lee’s signing line at Mega Con for five hours. Why? Stan was a no-show for the morning session—his M.O., according to the guy.
And sometimes cool things happen in line. Henry Winkler stood in front of his signing table, and he occasionally walked to the end of the line, shaking hands and thanking people for their patience. (Of course, if he didn’t take these breaks, there wouldn’t be such a need for patience.) Once, he stopped to perform a magic trick for a group of kids. John and I went to Henry’s Q&A, which was held in an honest-to-goodness theater next to the convention center. From the moment Henry stepped on stage, he owned it. I had read before that Henry was dyslexic, but I didn’t realize how problematic that was for him. He said that, academically, he was in the bottom 3% of the United States. He can’t spell and isn’t good at math. In high school, he took geometry four times, finally passing with a D.
But he had wanted to act since he was seven years old, and he found a way to do it. How? Tenacity and gratitude: “two words I live by.” Both traits power his lifelong advocacy for literacy and education. “If you have trouble in school,” he said, “it has nothing to do with how smart you are”—good advice from a man who overcame his obstacles. He has a new show coming out on August 23 called Better Late Than Never. He lauded the cast and writing of Arrested Development, and of course, he talked about being the Fonz, whom he based on Sylvester Stallone’s character from Lords of Flatbush. “One of the things I brought to the Fonz,” he said, “was loyalty to my friends,” which was why Fonz was always watching out for Richie, Ralph, and Potsie. Fonz was the anti-bully, at a time when bullying was becoming an epidemic. And when someone asked him about working with the late Robin Williams on Happy Days, he gushed for five minutes about Williams’s brilliance. The next person asked about Ron Howard and got this response: “Ron Howard looks like a loaf of Wonder Bread.” He didn’t say “Ayyyyyy” after that line, but it was implied.
What else can I tell you about Supercon? Actually, I’ll let John Stover tell you in his words. John and I have been to a lot of conventions together, and he tends to give thoughtful feedback on things.
Me: Tell me about a couple of the panels you attended.
John: Okay. I attended a tap dance show which was based on video games such as The Legend of Zelda. Link was the lead, and there were about 6-7 other tap dancers.
Me: Were they children performers?
John: No, I’d say late teens or early 20s. It was set to music inspired by video games. I watched about 15 minutes of the hour and decided that was enough. Then I went to watch a short film which was part of the short film festival. It was okay. You know how those are. Some of them are good, some are mediocre.
Me: The one I watched with you, Attack of the Killer Donuts, was worse than mediocre.
Me: Thirty minutes of my life I won’t get back.
John: I stuck my head into one session that had something to do with light saber technology [actual title: The Lightsaber Combat Global Movement and How to Participate]. That was a little over my head.
Me: It turned up the nerd factor. That’s like the people who teach themselves to speak Klingon or Elvish. They are immersed.
John: Yes. That is one reason why I liked this convention more than any of the others we’ve attended. I like the breakout sessions. Those to me give it a more local feel. They are organized by local fans, and I feel like there is more enthusiasm and more energy in the convention when that happens.
Me: As opposed to, say, Wizard World conventions, which are more commercial.
John: Yes. This is not a bunch of experts. It’s local fans volunteering their time for the thing they love.
Me: So you would recommend Florida Supercon?
Me: What does someone need to know before coming here?
John: Don’t be a fuddy-duddy. At least buy a nerd-related T-shirt at Target or something. We made that mistake for the first few years. I was looking this weekend at all the people not dressed up or even wearing a T-shirt, and I thought, get some enthusiasm. I would also recommend wearing comfortable shoes. But that’s what I liked about the panels. Whenever you get tired of walking, just find one that interests you or that you want to learn about.
Me: I liked the eating choices. Often, in conventions held in a convention center, there is only one restaurant, the convention center snack bar. This one had several food courts with Papa John’s Pizza, a Chinese place, a taco place, a French place, gyros, barbecue. There were lots of options for dining—all overpriced but lots of options.
John: The biggest food court could have had more tables, though. Did you see that?
Me: Yeah. It had a huge open floor with nothing on it where they could have put in more tables.
John: I liked how, at the photo op area, there was a schedule of all the photo ops for each day with prices. There was a big screen monitor with a spreadsheet listing them all. Too often, it is hard to know when the photo ops are scheduled and how much they cost. It might be printed in the program, but then you have to dig that out and flip through it. Here, the information was right up on the screen, so I appreciated the organization.
The whole convention was well organized, in fact. I saw few signs rescheduling things, and as far as I know, only three guests cancelled: Jerry Lawler, Karl Urban, and Arthur Darvill. I liked the extended dealer room hours: until 8:00pm on Friday and Saturday. And the cosplays were among the best I’ve seen. I guess my only disappointment was the schedule on the web site, which was not a single printable sheet. Each day had its own web site page. There was a convention app, but my antediluvian Android is not app-friendly, meaning I had to rely on the web site—not good for a place where 50,000+ were soaking up the Wi-Fi.
I agree with John: Florida Supercon is terrific, well-organized and fun. Despite its size, it is not unwieldy. We’ve all attended conventions that were too much for their staff, but this is not one of them. Check out the pix below for more fun!
Check out all the great videos we saw coming out of the 2016 San Diego Comic-Con. More will be added here as we come across them.
The voice actors of Batman: The Killing Joke spoke to the media at San Diego Comic Con 2016, and Convention Scene’s own Richard Oh was there!
Inkwell Awards 2016 Winners Announced
(New Bedford, MA/USA—June 22, 2016) The Inkwell Awards has released the names of the winners of its ninth annual awards for excellence in the art form of comic book inking. As before, nominees were chosen by a separate and independent nomination committee. Voting via live ballot at the non-profit advocacy’s website ran from April 15-30. One winner was chosen in each of five categories based on American-based interior comic-book work cover-dated 2015.
Separately, the Inkwells selected internally the two recipients of the annual Joe Sinnott Hall of Fame Award and the Special Recognition Award (SRA) category. Winners were contacted and some invited guests were present to receive their trophies at North Carolina’s Heroes Con, the host show for the Inkwells, for the sixth live ceremony on Friday, June 17. Winners and nominees are listed below, along with the percentage of vote received, where applicable.
FAVORITE INKER: Joe Prado (24.5%)
(Batman ’66 The Lost Episode; Cyborg [DC Comics]). Other nominees: Wade von Grawbadger (23.7), Scott Hanna (22%), Danny Miki (20.4%) and Karl Kesel (9.4%).
MOST-ADAPTABLE INKER: Walden Wong (26.8%)
(Earth 2: World’s End; Justice League Dark [DC]; Wolverines; A-Force [Marvel]).Other nominees: Norm Rapmund (20.2%), Scott Hanna (18.3%), Jonathan Glapion (14.4%), Wade von Grawbadger (12.8%) and Jay Leisten (7.5%).
PROPS (inker deserving of more attention): Wade Von Grawbadger (22.6%)
(All-New Captain America; Spider-Man [Marvel]; Justice League of America; Legends of the Dark Knight [DC]; Astro City [Vertigo/DC]).
Other nominees: Eber Ferreira (20.5%), Danny Miki (13.5%), Juan Vlasco (10.8%), Mark Irwin (9.8%), Jonathan Glapion (9.4%), Stefano Gaudiano (8.4%) and Sean Parsons (5.1%).
S.P.A.M.I. (Small Press and Mainstream Independent): Stefano Gaudiano (37%)
(The Walking Dead, Manifest Destiny [Image]). Other nominees: Jordi Tarragona (17.6%), Cliff Rathburn (16.6%), Ryan Winn (16.6%) and Rich Koslowski (12.2%).
ALL-IN-ONE (pencilling and inking together): Jason Fabok (37%)
(Justice League[DC]). Other nominees: Fiona Staples (17.7%), Erik Larsen (13.7%), Franchesco Francavilla (9.6%), Terry Moore (8.2%), Paul Gulacy (8.0%) and Ben Dewey (5.8%).
THE SPECIAL RECOGNITION AWARD: Vince Colletta. Other nominees: Allen Milgrom, Jack Abel (tie for runner-up), Violet Barclay (aka Valerie Smith), Gary Martin and Dave Simons.
THE JOE SINNOTT HALL OF FAME: Frank Giacoia and Josef Rubenstein. Other nominees: Bob McLeod and Jerry Ordway (tie for runner-up), Dan Adkins, John Beatty and Ernie Chan (aka Chua).
Joe Sinnott, the award’s namesake and first recipient, made a statement in April regarding this year’s inductees:
“I was quite pleased to hear that the Inkwell Awards has selected two very deserving inkers into the Hall of Fame class of 2016: Frank Giacoia and Jose Rubinstein.
Frank was a fabulous inker and a good friend of mine, who left us much too soon. It was always a pleasure meeting up with Frank at shows and spending time with him. Frank’s smooth, thick line graced the pages of virtually every Marvel title. I really enjoyed Frank’s inking over Jack Kirby on Captain America. Like myself, we pretty much inked the Marvel Universe.
Joe is an outstanding inker and portrait artist as well.
I absolutely am honored by the great job he did in capturing my likeness for the cover of the 2nd Annual Joe Sinnott Inking Challenge. I once pencilled a piece that Joe inked for The Official Handbook of the Marvel Universe Index collection. At that time Joe was doing all these Marvel Universe books and he told me that he had actually worked on more Marvel characters than I had. Joe also did some great background inks on the Superman Vs. Spider-Man Treasury Edition that I inked over John Buscema.
It is wonderful that Frank and Joe are the recipients of the 2016 Joe Sinnott Hall of Fame Award. These two superb artists make the already great list of Hall of Famers even more elite.
Thank you to the Inkwell’s committee for electing them, and thanks to everyone for their continued support of the Inkwell Awards.
In cooperation with Special Inkwell Ambassador and award-winning author J. David Spurlock, the ceremony kicked off with a special appearance by industry legend Jim Steranko who discussed the artform of comic-book inking, his related experiences in the medium, and its artists, including Joe Sinnott and Frank Giacoia. Inkwell Awards founder and director Bob Almond acted as both ceremony host and presenter, joined by hostess “Ms. Inkwell,” as portrayed by Holly Black. Artist Breno Tamura accepted Joe Prado’s award as a pre-recorded video of Prado’s acceptance speech was played. Guest speaker, artist-writer Mike Grell, spoke for Rubinstein. Writer Todd Dezago spoke for Giacoia, and statements from their respective families, including for Vince Colletta, were read. Silver Inkwell trophies were presented to three nomination committee members who served five years: Michele Witchipoo, Bob Bretall and Johnny B. Gerardy. All acceptance statements from the winners can be found in the “Results” section of the Inkwell Awards’ website in the near future.
The Inkwell Awards is the only existing, official 501(c)3 non-profit organization whose mission is to educate and promote the art form of comic-book inking, as well as annually recognize and award the best ink artists and their work. The organization is overseen by a committee of industry professionals and assisted by various professional ambassadors and contributors. They sponsor the Dave Simons Inkwell Memorial Scholarship Fund for the Kubert School and host the Joe Sinnott Hall of Fame Award.
Record Crowds Indulged Their Inner Geek at Puerto Rico Comic Con 2016
The Annual Event Showcased Top Names From Hollywood, Comics, Animation, Video Games, and Other Areas of the Entertainment World
SAN JUAN, PUERTO RICO–(May 24, 2016) – Well over 40,000 fans from all over the world indulged their passion for pop culture, entertainment and fun-under-the-Caribbean sun at Puerto Rico Comic Comic Con (PRCC) this past weekend, May 20-22 The three-day event, which just wrapped up its 14th year, featured a slate of entertainment industry guests, covering the gamut from television and film, to videogames, collectibles, anime, cosplay and more.
“Based on what we are hearing from our fans, special guests, exhibitors and retailers, this year’s Con was a success by all measures. We are extremely grateful to everyone for having helped Puerto Rico Comic Con become the region’s largest and most important entertainment event, and look forward to even bigger and better experiences in the years ahead,” said Ricardo Carrion, executive producer of PRCC.
Something for everyone. From science fiction and fantasy, to Japanese animation, independent art, videogame, TV, movies, and memorabilia, Puerto Rico Comic Con had something for everyone. Conventiongoers not only roamed the main exhibition hall of the Puerto Rico Convention Center decked out in their favorite cosplay, visiting the hundreds of exhibitor booths. They also took in engaging Q&A panels with their favorite artists, as well as photos and autographs, including Lana Parrilla, who is of Puerto Rican descent and best known for her portrayal of Regina Mills/Evil Queen in the ABC-TV series “Once Upon a Time”; and Lyndsy Fonseca, famous for her roles in both “Kick-Ass” movies and TV’s “Marvel’s Agent Carter” and “How I Met Your Mother”.
Fans also couldn’t get enough of Puerto Rico Comic Con’s other marquee guests, which included veteran comic book artist John Romita, Jr., PRCC’s first Guest of Honor; Jessica Nigri, international cosplayer and model; comic book artist and five-time Eisner Award winner Eric Powell, creator of “The Goon” series; voice actress Laura Bailey (“Silent Hill,” “Final Fantasy XIII”); voice actor Travis Willingham (“Fullmetal Alchemist”); Deborah Philips and Kerrigan Mahan (“Mighty Morphin Power Rangers”); international cosplayer LeeAnna Vamp, and official Star Wars novelist Claudia Gray.
A Con in Paradise. Each year people from all over the Americas come to Puerto Rico Comic Con, as the event stands out from other cons for its idyllic location. The island of Puerto Rico is a Caribbean paradise featuring a year-round tropical climate. As a U.S. territory, no passport is required for travel from the U.S. mainland. Couple that with entertainment geekdom over three days, and it’s a win-win situation for fans. Convention goers often turn their stay into a mini vacation, given Puerto Rico’s colorful culture, cuisine, history, natural wonders and beaches.
For more information: prcomiccon.com and PRComicCon on Facebook, Twitter, Instagram and Snap Chat.
Conceived in 2002, Puerto Rico Comic Con has grown exponentially over the years, with 30% year-over-year growth during the past six years. It is one of the top 20 cons in North America.
I mentioned in my last article that a girl drove all the way down from New Jersey to North Carolina to Ichibancon meet Vic Mignogna, the star of Fullmetal Alchemist (he voices the main character, Edward Elric). This time, Anthony Aycock and I went to New Jersey from North Carolina to meet Aaron Dismuke, where Vic was also present. Aaron voices Edward Elric’s iron giant little brother, Alphonse. Aaron doesn’t do many conventions–mainly due to not being invited, he said–so I thought I would see him while I had the chance.
It was called Anime Fan Fest. With both Vic and Aaron as guests, plus other actors from Fullmetal Alchemist, Pokemon, and Yu-Gi-Oh, I expected it to be pretty big. However, it never seemed terribly crowded, even on Saturday afternoon. Then one of the dealers told me that this was the convention’s first year. I was immediately impressed.
The convention was held in one massive room at the Garden State Exhibition Center. Dealers (about 30), artist alley (about 10), cosplay registration, autograph sessions, and panels all took place in that one room. This layout had pros and cons. Everything was easy to find, but not everything was easy to hear. During Aaron’s Q&A, noise from the dealer area kept hitting me like Izumi Curtis’s fists.
I did hear a couple of things, though. One was Aaron talking about how his voice cracked during filming of the movie Fullmetal Alchemist: Conqueror of Shamballa. He asked to do the scene again, but director Mike McFarland told him, “No, we’ll keep that one. It shows the emotion of the character”–probably while stifling a laugh. I also heard Aaron talk about being recognized in public. Once was by a cashier at Kroger, who took a selfie with Aaron and his groceries. Another was someone who kept calling for Aaron at his parents’ house (he says he now lives off the grid). Still another was the guy in college who waited at a men’s room for Aaron to emerge and shake his hand. “You know my hands are wet,” Aaron said he told the guy. “You watched me wash them.” (Not creepy at all.)
After the Q&A, we had the pleasure of getting an interview with Aaron..
I have heard Vic talk about you falling in the booth a few times during Fullmetal Alchemist. Can you tell the story in your perspective?
Yeah, sure. Okay I was eleven whenever I started and so I was very absent minded and kind of
ADD acting, like I actually had been diagnosed. So I would like move around a lot, I had a stool and so I’d be in the booth, leaning back and picking at the walls because there’s soft soundproofing material. I destroyed those walls honestly. Like who am I kidding? It was bad. I might have even written on them at one point.
“Aaron was here”?
Yeah, I think that’s exactly what I wrote, honestly! Anyway, so yeah I was a little turd. And so I was leaning back and what I got into was this mode where I’d be leaning back and I would hear the beeps. You have three beeps and on the fourth imaginary beep is when you’d start recording your line. I was leaning back, and Mike said [Mike McFarland, director of Fullmetal Alchemist], “Alright let’s do this line.” It would go beep beep beep, and I’d go up real fast and I’d be like “Brother.” ‘Kay. And so this time I was leaning back and beep beep and I tried to lean forward but the stool like gives out. It goes the wrong way. It goes forward instead of backwards and I go backwards and it pushes me against the wall and the stool props up in the front of the booth. And so like I just end up with my legs sandwiched against my chest. And the stool like pinning me there. And the only way for me to get out myself would have been to like twist out and fall straight to the ground. And so I didn’t want to do that but I also didn’t want to admit what had happened and they had heard the sound of the stool and all the crash. That’s recorded somewhere. And so there’s this pause where Mike says “Aaron?” He looks up trying to see me but he can’t because I’m too far down. And I was just like – all I could think of – I finally realized I was going to need help. So I asked for it. A little “Help me.” He had to pull me out.
And they’ve never let you live it down.
You have mentioned before that you got into voice acting because you were related to someone who was a voice actor. Could you talk a little bit more about that?
Yeah, okay. Justin Cook is currently a director of production at Funimation, but at the time he was acting and directing a bit and he basically got the impression that I was a good reader because I was reading Lord of the Rings. I wasn’t really understanding it all, but I was reading it. And you know, I was like in third grade, I was like nine. So I was a bit above my reading level, and as a result he decided, “Why don’t I try using an actual boy who I know who I have a rapport with so he won’t be nervous for this little part of a little boy instead of using a woman. It’ll sound more authentic.” And so he did, and it ended up turning out pretty good. I felt pretty good about it. And he felt pretty good about it and so he had me do a larger part from the same show and then ultimately I started auditioning for other stuff and Alphonse was the first or second character I landed actually. And I think part of the reason they gave me that part was because there were no flaps [mouth movements for animated characters] so I didn’t have to focus too much on the mouth movements and they were able to do what they needed to to adjust. So I just had to do the acting. And I think that’s a big part of what allowed me to do that at such a young age. It wasn’t as hard as what all the other actors were having to do. So it was nice. It was like having training wheels on for my first part.
What sort of shows do you like that aren’t anime?
I like The Walking Dead, Game of Thrones. I read Game of Thrones before the series came out so I was super excited about it. I’m a big fan of Peaky Blinders, it’s a British crime show. It’s on Netflix right now. I also like westerns: Bonanza. I’m also a big fan of M*A*S*H which is so good. It has some of the best comedy ever. I have almost every episode memorized, I’ve watched it so many times. That’s what I grew up on.
Which actors would you actually ‘fangirl’ over?
Alan Alda. He plays Hawkeye [in M*A*S*H]. I forget her name, but I recently started watching Jessica Jones, and that actress is fantastic.
I love Jessica Jones. I’ve actually met David Tennant.
Oh cool, yeah! He plays Kilgrave [in Jessica Jones]. That guy’s awesome.
You said you did some directing for Funimation. What sort of skillset do you need to be a successful director?
I think that the acting and writing are both important because there comes a point where you have to know whether an actor could give you the read for a certain line or whether between the way the line was written and the flaps and their personal cadence, whether they’re capable of doing that line or whether or not it needs to be rewritten. And once you know it needs to be rewritten, it needs to be able to. So you need the writing skill to alter the line if need be. And you also need the acting experience and also the ability to describe how you need a certain read. So I found I was able to mostly harness my acting experience and be able to like use – and also my acting experience with like hearing the different directors and the way that they would direct me. So you can either give someone the read you want and see how they respond to that and you can say “No, say it like this” and then say it. Like I was a good parrot when I was an early actor. As Al I could easily say something back exactly how you had said it to me. That was a good training wheels thing. And then slowly I was able to predict what it was they were going to want and do it in the first round. Other than that, sometimes I use like little analogies. I’d say something like “Could you say that as more of a languid predator? You know, a leopard stalking its prey?” Or “Make it sound more like you dipped your hand in what you thought was a crate of berries, but instead it was acid.” Things like that. Colorful things. That sort of idea that they were pretending that happened and then get a little more of the nuance of what the line is than from just hearing where the character is coming from.
What do you do if the actor just can’t get the line right?
You either settle for what they can do or you say “Okay good, thanks,” and then you get someone else to do it. I have never had to do that. But I’ve also never had the authority to do that even on the show that I was directing. That was always Tyler’s call. He was my producer. He did the casting for me because it was my first show. So he took care of the hard parts.
How did you get started on doing conventions?
My first convention was before – okay so Anizona, which was a first year con, had me and the entire cast of – It was me, Laura Bailey, Travis Willingham, Vic Mignogna, I think Caitlin Glass – everybody was there. It was a tiny con, maybe like eight hundred people. That was my first real con. I don’t know if it’s even going anymore but I did it and I was super nervous and I was like “What am I supposed to say?” Because we were going through opening ceremonies and we were going through and everyone was like “Hey! I’m really glad to be here! My name is Travis Willingham and I play Roy Mustang.” And I didn’t even know what to say. They were all popping jokes and they were all like “What, you’re nervous?” And I was like “Yeah I’m nervous!” “Just tell them you’re nervous.” So I was like “Hey I’m Aaron, I play Al and I’m really nervous and there was a chorus of “Awwww” and uproarious applause. And I was like “That’s weird.”
Okay, one last question. What was your first experience with fangirls?
I ran from the first girl that tried to glomp [to pounce on and hug aggressively, often with a running start] me. I actually ran. She was a titan. She was really tall and she was wearing a Sailor Moon costume and I wasn’t familiar with Sailor Moon. I was only thirteen probably. Fourteen? Her friends met me first, and Vic said, “Do you know who this is? This guy is going to play Al.” And this was before Anizona. I was going to this con to get adjusted to it. It was a con in Fort Worth, my hometown. So I just went there for kicks to check out the scene and Vic happened to be there as a guest and he happened to recognize me and he told some other fans who I was and they were like, “We have to call our friend.” They called their friend and it was the 6’7 Amazon woman in a Sailor Moon outfit. She was like [bellows like a screaming fangirl]. People are like spilling to either side and it was an anime moment. I ran to the bathroom and then I slowly came back and hugged her calmly.
After the interview, Anthony and I went around the dealer room one last time when I noticed something very familiar. I am a yaoi fangirl, so I would recognize fan art from a fandom I am deeply involved in–in this case, Durarara!! What I saw was a wall scroll depicting the show’s most popular characters, Shizuo Heiwajima and Izaya Orihara, as they appeared in high school. They were embracing aggressively. The image was a popular piece of fan art. Someone had ripped it off, altered it slightly, and stuck it on a wall scroll that was now for sale.
I spoke to a very close friend, Kawaiikisshu, who is also an artist. This particular image she had seen on Zerochan.net, and I found it in other places such as tumblr. She said there are a lot of these on eBay and it is sad that work gets robbed and turned into merchandise for money. I heard the same sentiment from Irene Y. Lee, who draws the Li’l Deadpool for Marvel Comics. We saw a picture at her booth of Li’l Deadpool looking through a box of comics, which I totally do not have a T-shirt of. No one obtained Irene’s permission to make the shirt, and she receives no payment from it. I wish now I had told some of the staff what I saw because I knew it was illegal. Artists deserve all the credit and the money their art is worth. I know how I would feel if someone copied and pasted this article into their own web site and pretended that they were me. If they were me, they can buy food for my eight cats. (Disclaimer: I am not a crazy cat lady.)
Aside from copyright infringement and the need for more than one room, Anime Fan Fest was a spectacular experience. It was organized, the guests were terrific, and the staff was superb. When I interviewed Vic at Ichibancon, the staff member who was supposed to handle his schedule told me to ask him myself. Aaron’s handler, however, worked with me to create a seamless interview process.
I guess the worst part about Anime Fan Fest was the drive. In North Carolina, it had already been raining for about a week, and it did not stop until we left New Jersey, which, by the way, is the capital of RUDE. In our 24 hours in the state, we were honked at fourteen times. I haven’t been honked at fourteen times in North Carolina in my nineteen years of living.
Just kidding. I HEART New Jersey.