Greg Rucka, Tom King, Benjamin Percy, Robert Venditti, and Joshua Williamson appear at Barnes & Noble on Saturday January 21, 2017 at 7:30 PM to sign the DC REBIRTH OMNIBUS!
Barnes & Noble – Edgewood Retail District
1217 Caroline Street at Moreland Ave, Atlanta, GA 30307
Artist Afua Richardson appears at My Parents’ Basement to sign Black Panther: World of Wakanda #2 on Wednesday, December 21, 2016 from 6:00 to 8:00 PM!
Afua Richardson is best known for her work in the award winning , and politically potent Top Cow mini series entitled Genius. She has recently been noted as a “Woman of Marvel” with Covers for Captain Marvel and Captain America. But her long client list includes DC, Vertigo, and Image Comics and most recently All-Star Batman with Scott Snyder and a new series Blade the Hunter for Marvel Comics. In addition to being a visual artist, she is a writer, mentor, graphic designer, activist, singer, songwriter, voice actor, musician. As recipient for the Nina Simone award , she has been called a “Modern-day renaissance woman” and a “Jane of All trades”.
My Parents’ Basement
22 N Avondale Rd, Avondale Estates, GA 30002
Congressman John Lewis appears at Barnes & Noble on Thursday December 15, 2016 at 7:00 PM to sign copies of his National Book Award winning MARCH!
Barnes & Noble
2900 Peachtree Road NE Suite 310, Atlanta, GA 30305
Warren Ellis is the award-winning writer of graphic novels like TRANSMETROPOLITAN, FELL, MINISTRY OF SPACE and PLANETARY, and the author of the NYT-bestselling GUN MACHINE and the “underground classic” novel CROOKED LITTLE VEIN. The movie RED is based on his graphic novel of the same name.
Eagle Eye Book Shop
2076 N Decatur Rd, Decatur, GA 30033
Nick Offerman (Parks & Recreation’s Ron Swanson) returns to Atlanta on Wednesday, October 19th at 7:00 PM for an evening of fun, frolic, and woodworking wisdom at the Ferst Center.
This is a ticketed event. Tickets are $45 and include a signed, first edition of Nick Offerman’s latest book, GOOD CLEAN FUN. Tickets are available online and at A Cappella Books.
Author, actor, and humorist Nick Offerman charmed audiences as the disgruntled libertarian Ron Swanson in NBC’s “Parks and Recreation.” Then his books, PADDLE YOUR OWN CANOE and GUMPTION, revealed the man to be not unlike the character: a back-to-the-basics woodworker with well-groomed facial hair and a penchant for patriotism. GOOD CLEAN FUN: MISADVENTURES IN SAWDUST AT OFFERMAN WORKSHOP, is Offerman’s latest book, and it at long last offers the opportunity to peek inside the woodshop where the man puts his good ol’ American values to work. Inside it, we meet Offerman’s “ragtag crew of champions,” learn projects for every skill level, sneak a peek at “wood porn,” and, of course, gain humorous insight into woodworking in modern America from the mustachioed man himself.
Ferst Center for the Arts – Georgia Tech
349 Ferst Drive NW, Atlanta, GA 30332
Overheard on an Atlanta street corner:
“Look at that person with blue hair.”
“No, over there.”
“Oh, I see.”
“Cool, isn’t it?”
“Yeah. What other place can you say, ‘No, the other person with blue hair.”
The “place,” of course, was DragonCon. September 2-5. I have been for the last six years, but this year was special: the 30th anniversary. It started in two downtown hotels, Hyatt and Marriott. The Hilton was added later, then the Sheraton and Westin. When five hotels were not enough space, the vendors were moved into the AmericasMart, a four-building, seven-million-square-foot trade show monolith. This year, AmericasMart became the new home of two other DragonCon mainstays, tabletop gaming (formerly in the Hilton) and Comic and Pop Artist Alley (neé the Hyatt)—evidence that DragonCon, despite its venerability, is still figuring things out. Perhaps that is how it became venerable: refusing to be complacent.
And more growth is on the way. Some programming was held on Thursday this year, and according to media director Dan Carroll, we will see Thursday “full-time real soon.” My colleague Michaela McPherson has written about shifts in the Saturday morning parade. This was the inaugural year for the Dragon Awards, a fan-driven awards program to “recognize the creators of science fiction and fantasy in books, comic books, games and filmed entertainment,” according to a press release. (Awards results are located here.) Attendance grew this year as it does every year, with over 77,000 showing up–and, in some cases, suiting up–for the weekend. These attendees walked (Walk to End Lupus Now), gave blood (about 6,000 units), raised money ($98,000 for the Atlanta Center for Self-Sufficiency through auctions, karaoke, a lip-synch battle, and other events), and enjoyed the 400+ actors, artists, writers, and other guests who formed the convention’s foundation.
I was excited about one guest I had never seen at DragonCon, or any convention: Christopher Paolini, author of the four-volume Inheritance Cycle. Paolini wrote the first volume, Eragon, the story of a farm boy who protects a dragon egg from an evil king, when he was a teenager. His parents self-published the book, and for a year, Paolini promoted it himself at libraries, book shows, and other events. In 2002, the book came to the attention of the publisher Alfred A. Knopf, which re-released the book a year later. This led to three other books, the last one appearing in 2011.
On Friday night, Paolini was one of several panelists for a discussion of self-publishing. The other panelists were freelance writer/editor Jaym Gates, editor Dayna Linton, Baen Books publisher Toni Weisskopf, writer Chris Kennedy, and Todd McCaffrey, son of Anne McCaffrey and custodian of her Pern universe, to which he has contributed several volumes. Some highlights from the panel:
- McCaffrey: The biggest mistake in self-publishing is to “think you can do everything yourself.”
- Eragon was a family project. Paolini’s father, who had press experience, designed the book. Paolini drew the cover and the maps. They borrowed money to finance the printing (the first 50 copies were cut wrong). He dressed in medieval costume and made presentations to schools, libraries, and bookstores. Sold maybe 15 books at a time. Two chain bookstores rejected him, saying the novel was “not commercially viable.”
- Gates: “Readers and writers have different ideas of what works.” This led to a vigorous discussion of the value of editing. It’s the biggest difference between professional publishing and self-publishing (a view echoed by this Slate article). Writers know their own story, but editors are storehouses of stories. They understand the market, and what will appeal to readers. Thus, they can guide the author, helping to bring out his/her voice. As Gates said, “it is the editor’s job to help the writer say what he/she wants to say in the best way.”
- Paolini was skeptical of the wisdom of a beginning writer paying for editorial services, but the other panelists–I won’t say they shouted him down, but they were unified in saying that it would be money well spent. Paolini did agree on the worth of an editor, saying an editor “can fix bad writing. They can’t fix a bad story.” Bottom line: the author has a job, and the editor has a job. Good books result when each person does their job.
- McCaffrey talked about “hybrid authors”–authors who write for traditional publishers and do some self-publishing. Here is a good discussion of this type of writer. The panel agreed that the hybrid approach is the best, blending the advantages of self-publishing (speed; flexibility; more profit per sale) with the comfort of traditional publishing (editorial, design, and marketing services; bulk sales; multi-book deals; advances against royalties). More authors are taking this approach, which is new in the history of publishing. According to Weisskopf, the “received wisdom” used to be that, if you self-publish, you’ve “tainted the waters and will never get a traditional contract.” The panel agreed that this is no longer the case.
- On traditional contracts: beware the predators. Gates brought up two blog posts by John Scalzi (here and here), who has always been an advocate of authorial self-interest, about Hydra, an imprint of Random House with shockingly bad contract terms. The panel’s message: don’t be so desperate to publish that you’ll sign anything.
All the growth in DragonCon has brought some irritation. At 2:30 on Friday afternoon, the vendor room in the AmericasMart reached capacity and was shut down. I have never experienced that at a convention (I read about it happening a couple of years ago at the Rhode Island Comic-Con). The room was open an hour or so later, I think–I didn’t wait around to find out–so it wasn’t a disastrous inconvenience. But I did find myself wondering, is there no building in Atlanta large enough to handle DragonCon?
The lines in the hotels were certainly longer than ever. I waited nearly two hours to buy Saturday-only badges for members of my party. (It is useless to buy these in advance because DragonCon mails you a card that you have to redeem on-site for a badge.) There may be no space to do this, but I would love to see registration expanded. Or split into two buildings. Why do one-day badges have to be claimed on site? Why can’t they be mailed? One thing is for sure: a single ballroom in the basement of the Sheraton is inadequate for the thousands upon thousands of people who opt for one-day badges.
DragonCon is a study in lines. Walking around the sidewalks, you’ll often see a line with no discernible beginning snaking into an unmarked side door. It’s like a speakeasy line. If you ask someone what they’re waiting for, they respond without confusion, but what if they’re wrong? What if the real purpose of the queue has been miscommunicated all the way down, so that someone who thinks they’re waiting for William Shatner’s photo op is actually in line for the blood bank?
It isn’t that hard to form a line, after all. My wife and I did it for Chris Paolini’s Sunday autograph session, which was scheduled for 2:30. Jim Butcher had started signing in the same room at 1:00. His line was capped at 1:30, and we knew that people looking for Paolini would start showing up soon. So we stood a few feet behind the last person for Jim Butcher and declared it the Start of the Line. Within minutes, a hundred people were standing behind us, and when a DragonCon staffer came along and legitimized us, I felt like Saul Alinsky.
If you have never been to DragonCon, you need to go. It is not the largest convention in the U.S., but it is unique, being spread across five Atlanta hotels. I have often wondered why it doesn’t move to the Georgia International Convention Center or the Georgia World Congress Center. It may need to, especially when attendance reaches 100,000, as I believe it will. But I hope DragonCon doesn’t move. I love the atmosphere of hotel-based conventions. There are other hotels in downtown Atlanta, and maybe DragonCon will incorporate those. Whatever happens, I look forward to many more years of attending this convention, which was my first and will always be one of the best.
Cinderella, Wonder Woman, and an assassin walked into a bar. Sounds like the beginning of a bad joke. Actually, it was the first day of DragonCon 2016.
DragonCon is one of the largest conventions in the Southeast. This was my third year, but my first as a journalist. Even as a veteran convention goer, you really never know what to expect, especially for a place such as this. With over 75,000 attendees, it’s hard to find the same cosplayer twice, and it’s easy to lose your companions, like the Doctor loses Rose in every episode.
This is especially true of the Saturday morning parade. Several streets in downtown Atlanta are blocked off, and the sidewalks are covered in Disney Princesses, Deadpools, and Batmans (Batmen?) all converging together. It’s one of the few places you can see the Punisher pull Bullseye out of the street to prevent him from being run over by Doc Brown’s DeLorean. Until recently, people could register to be in the parade up until the day before. It has grown so popular, however, that last year registration for the 3,200 slots closed in August. This year, registration closed on March 1st. Also, for the first time, the parade was broadcasted on the CW Network. One of the best things about this parade is the fact that they have a specific place for just the Deadpools to roam, and it’s certainly one of the most popular cosplays done in any convention I have been to.
And then of course, due to the new movie that came out recently, Suicide Squad, my colleague, Anthony Aycock, and I were curious to see just how many Harley Quinns and Jokers there were, but only from that movie. We counted a total of ninety-one Margot Robbie Harley Quinns and nineteen Jared Leto Jokers. Most of the Harleys were in her usual outfit, complete with the shirt that says “Daddy’s Lil’ Monster,” but we noticed some variations. One Harley was wearing the prison uniform from the beginning of the movie, a few were wearing the “stripper” Harley outfit, and then there were a couple that had dressed as Harleen Quinzel, the pre-Harley Quinn – long white lab coat, no nonsense blond bun, and leading a prisoner Joker with a makeshift leash. I also saw one Charlie Quinn, a male Harley with “Mommy’s Lil’ Monster” scrawled on his pecs. I suppose one reason that there were more Harleys than Jokers is because most people seemed to have had a distaste for Leto’s portrayal of him. It might be because I was a fan of 30 Seconds to Mars far before the movie was even thought of, but I actually quite enjoyed it. One criticism I have though is that we didn’t see much into the abusive relationship, and now most couples who are unfamiliar with the characters are thinking “OMG hashtag relationship goals!”
One of the most popular areas of DragonCon is the Walk of Fame, which is overflowing with beloved actors of the traditional and voice kind. A few of my favorites were Carlos Valdes (Cisco from the CW TV show The Flash), Jason Isaacs (Lucius Malfoy, Commander Zhao, and Captain Hook), Nolan North (voice of Deadpool in the Deadpool video game, Nathan Drake from Uncharted, and Desmond Miles from the Assassin’s Creed series), and of course William Shatner (you already know who this is).
We stood in line for Nolan North (who was tardy to the party), and ended up talking to his agent for a while. She told us that voice actors usually make around $900 per four hours of work plus residuals (i.e., they get paid each time the episode they were in is broadcast). Anime voice actors make a lot less, roughly $65 per hour. Most conventions guarantee their celebrities a certain amount of money. For example Lana Parrilla of Once Upon a Time gets $10,000 per convention. If her autograph sales fall short of that, the convention makes up the difference. DragonCon, however, does not make guarantees like that. Not even for ol’ Bill Shatner. I found this fascinating, especially how undervalued anime voice actors are. I expect that to change, however, as anime becomes more mainstream.
Finally, Nolan arrived, and I managed to speak to him as he was signing a Deadpool Pop figure for me (I am not a nerd, I swear). Interviews are not allowed in the Walk of Fame, but I wanted to ask him a couple of questions out of my own curiosity. He was so friendly and engaging that it might as well have been an interview.
My first question was what he thought of Ryan Reynolds stealing the spotlight for Deadpool. He said, “There is no spotlight. Ryan does a terrific job, but I do have an idea for a cameo for the next movie. Deadpool is chasing someone, fires a gun, blows a hole in the wall, and behind the wall, I’m standing there wearing headphones, recording Deadpool’s voice for a video game. And Ryan looks at me and says, ‘You sound nothing like me’ and shoots me.” Nolan went on to say how funny Ryan is on Twitter, and I second that since I stalk him too.
My second question was how Nolan felt about the Assassin’s Creed movie coming out in December. He replied, “I’m a big fan of Michael Fassbender [co-producer and star of the movie]. What I like about it is that it will be an original take on the story. It won’t just be the game translated into the movie. The game is the inspiration for a unique movie.”
I stood there with Nolan so long that his agent started clearing her throat—thank goodness I didn’t have a third question—but it was interesting getting his perspective. As a fan of the Assassin’s Creed franchise, I was a bit tentative to see the movie, but after hearing Mister Desmond Miles himself praise it, I have a bit more hope for how it will turn out. Oh, and when I got his autograph on Friday, it was only $20, but two days later, he was charging $40. Way to up your game, North.
Are you thinking about going to DragonCon? Here are five morsels of advice:
- Bring all the money you have plus what you can bum from your parents and what you can earn by selling a kidney. I’m not saying stuff is overpriced; you’ll just want to buy it all.
- Prepare to stand in line for an hour and a half, feet tired, arms dragging the floor, just to be told to come back later after the actor’s friggin’ panel (I’m looking at you, Carlos Valdes).
- The hotels in downtown Atlanta fill up fast, but don’t worry: you can stay outside the city and just take the MARTA in. It’s quick and cheap. But don’t let the homeless guys take your money—you need it for the autographs and the plushies and the posters and . . . you get the idea.
- Prepare to walk. I know a lot of you like to wear heels everywhere. Don’t. You will not be able to feel anything beyond the blisters that will begin to appear after just the first day.
- Have fun, but not so much it’ll land you in Erewhon.
Now have a look at these pix from DragonCon 2016 . . .
Congressman John Lewis, an American icon and one of the key figures of the civil rights movement, joins co-writer Andrew Aydin and artist Nate Powell to bring the lessons of history to vivid life for a new generation, urgently relevant for today’s world. Congressman Lewis will appear for a signing at the Norcross Cultural Arts Center on Sunday, October 23, 2016 from 3:00 – 5:00 PM! Copies of all three volumes of MARCH will be available from Eagle Eye Books.
Norcross Cultural Arts & Community Center
10 College Street, Norcross, GA 30071
Cartoonist Box Brown, the author who brought you the Andre The Giant graphic novel, does it again with the game Tetris! He will talk about his new book and have a conversation with Games and Comedy editor for Paste Magazine, Garrett Martin, at Eagle Eye Book Shop on Friday, October 14, 2016 at 7:00 PM.
Eagle Eye Book Shop
2076 N Decatur Rd, Decatur, GA 30033
Patrick McDonnell (creator of Mutts) appears at the Athens-Clarke County Library on Thursday, October 6, 2016 at 6:30 PM to sign his new book Tek: The Modern Cave Boy!
From a beloved, bestselling Caldecott Honor recipient comes a hilarious reminder of how technology can take us backward … all the way to the times of prehistoric man!
Tek is a cave boy in love with tech. His tablet, video games, phone, and TV keep him deep in his cave, glued to his devices, day in and day out. He never sees his friends or family, and his ability to communicate has devolved to just one word: “UGH”! Can anyone convince Tek to unplug and come outside into the big, beautiful world?
In addition to an imaginative and totally relatable story, ‘Tek’ also offers a distinctive design — including a tablet-shaped cover and a password “screen” — that’s sure to pique the interest of even the wariest young readers.
Athens-Clarke County Library
2025 Baxter St, Athens, GA 30606