Boston Comic Con is thrilled to host celebrated creator FRANK MILLER in a rare convention appearance. Not only is this his only appearance in New England, but it’s also one of his only remaining appearances in the US this year.
This is an amazing opportunity for fans to meet one of the industry’s most significant talents. Miller’s seminal work on Batman and Daredevil redefined both characters and influenced an entire generation of creators. His independent titles Sin City and 300 have both been adapted to films.
Frank is appearing on Friday, August 12 only.
There are three special Frank Miller VIP Packages available each with unique art and autograph guarantee benefits. Click the link for further details.
Plus, Frank will be conducting two one-hour public signings with autographs available on a first-come, first-served basis.
Frank Miller is one of the most celebrated creators in comic book history, noted for combining film noir and manga influences in his comic art creations. Beginning with his run on Marvel’s Daredevil, during which he created the popular ninja assassin Elektra, Miller ushered in a darker, grittier vision of superheroes which paved the way for more mature themes to be explored in comic book form. His seminal work on Batman with The Dark Knight Returns and Year One continues to influence creators today and is sets the stages for the most recent films. His independent titles Sin City and 300 have both been adapted to movies, with Miller co-directing the latter alongside Robert Rodriguez. Most recently Miller has worked on All-Star Batman and Robin and currently is co-writing the third installment of Dark Knight Returns.
He joins a guest artist list of well over 80 of the world’s most talented comic book creators – a portfolio unmatched by any other comic book convention, in New England or elsewhere including Sam Kieth, Jae Lee, John Cassaday, Erik Larsen, Terry Dodson, Mike Allred, Greg Capullo, Adam Hughes, Arthur Adams, Amanda Conner, David Lloyd, Jimmy Palmiotti, Phil Jimenez, Scott Snyder, Mark Waid, Bernie Wrightson, Stan Sakai, and many more!
Media guests include William Shatner (Star Trek), Karen Gillan (Guardians of the Galaxy), Jenna Coleman (Doctor Who), Karl Urban (Star Trek Beyond), Ben McKenzie (Gotham), John Barrowman (Arrow), Ciara Renee (Legends of Tomorrow), Robbie Amell (The Flash), Caity Lotz (Legends of Tomorrow), and more. Check the website for full details on exciting events!
About Boston Comic Con:
The Boston Comic Con is a 100% independently run comic book show committed to bringing the biggest and best comic creators to New England. Run by fans for fans, Boston Comic Con is not affiliated with any other convention tour or corporate interests. Hosting over 120,000 square feet of vendors selling comic books, toys, posters, trading cards, and other pop culture memorabilia, this is a destination event for geeks of any stripe. This year’s convention will be held Friday August 12th, Saturday August 13th, and Sunday August 14th at the Seaport World Trade Center, 200 Seaport Blvd, Boston, MA 02210. For more information please go to our website at www.bostoncomiccon.com and follow us on Twitter (@BostonComicCon) and Facebook!
Writer/artist Phil Hester appears at Kowabunga Comics on Saturday, July 2nd at 1:00 PM to celebrate the release of Deathstroke Annual #2!
Phillip Hester has been writing and drawing comics for nearly three decades, beginning while still a student at the University of Iowa. After a toiling in the world of black and white indie comics, he broke into the mainstream with a long run as artist of DC’s Swamp Thing with writer Mark Millar. At nearly the same time he wrote and drew the Eisner Award nominated series The Wretch. In 2001 Phil drew Kevin Smith’s revival of Green Arrow with long time inker Ande Parks, also for DC. He wrote the original graphic novel The Coffin with artist Mike Huddleston, which was optioned for a feature film by James Cameron. At Image Comics he created Firebreather with artist Andy Kuhn, which became an Emmy-winning animated television feature for Cartoon Network.
His work, as both artist and writer, has been featured in hundreds of comics from nearly every major American publisher and includes runs on such titles as The Darkness, Wonder Woman, Ant-Man, Ultimate Marvel Team-Up, Nightwing, Invincible Universe, Batman Beyond, The Flash: Season Zero, The Thrilling Adventure Hour: Beyond Belief, Deathstroke, and his current Image project Mythic with artist John McCrea. Phil lives in rural Iowa with his family.
102 N Main St, Oconomowoc, WI 53066
Visit Destiny City Comics on Saturday, July 16, 2016 at 2:00 PM to meet graphic artist Jeffrey Veregge whose work combines commercial art with local Native American design influences. Comics with Veregge’s covers like Red Wolf #1 and the controversial Captain America Steve Rogers #1 Hip Hop variant will be available.
Destiny City Comics
218 St Helens Ave, Tacoma, WA 98402
Time Inc.’s Entertainment Weekly Launches Con-X, a New Interactive Fan Experience at Comic-Con International San Diego July 21-24, 2016
Presented in Association with Comic-Con International, EW’s Con-X Offers Fans an Immersive and Unique Destination
NEW YORK–(BUSINESS WIRE)–Time Inc.’s (NYSE:TIME) Entertainment Weekly announced today the launch of Entertainment Weekly’s Con-X, a new unique experiential oasis for Comic-Con fans at this summer’s Comic-Con International in San Diego, July 21-24, 2016. Over the past nine years, Entertainment Weekly has exploded throughout the Comic-Con scene, establishing its footprint across all platforms including print, digital, video, radio, and social media. The launch of Entertainment Weekly’s Con-X solidifies the brand’s “fan-first” approach, collaborating directly with Comic-Con International to offer Comic-Con attendees the experience they’ve been craving – an immersive fan destination designed to provide an environment where fans can relax, refresh and recharge while complementing their Comic-Con experience. EW’s Con-X welcomes fans to create (custom, limited edition t-shirts and photo opportunities), participate in trivia events, compare and repair costumes, relax in shaded green outdoor areas, refresh with food and beverage and recharge with the hundreds of available device charging terminals. In addition, a full concert production stage will feature spectacular nightly entertainment. Reinforcing its position as the ultimate authority at Comic-Con, Entertainment Weekly’s Con-X will provide badge holders access to an engaging, customized experience designed on a large scale exclusively for the passionate fandom that descends on San Diego for Comic-Con International.
EW’s Con-X will be located at Embarcadero Marina Park North, one of the most beautiful, prime locations in downtown San Diego. EW’s Con-X will consist of a multi-function stage surrounded by an activation environment featuring a wide variety of fan-focused activities. The EW Con-X site will accommodate badge-holding attendees with entrance allowed on a first-come, first-served basis.
“Fans are the beating heart of Comic-Con and we’re thrilled to be able to offer this incredible experience for them,” says Henry Goldblatt, Editor of Entertainment Weekly. “With fan-focused content during the day and an epic after-party atmosphere at night, EW’s Con-X will be the place to be.”
ABOUT ENTERTAINMENT WEEKLY
Entertainment Weekly is your all-access pass to Hollywood’s most creative minds and most fascinating stars. The magazine was launched by Time Inc. in 1990 and is America’s leading consumer publication in the entertainment category, with a guaranteed circulation rate base of 1.5 million and a combined audience of almost 28 million loyal, engaged fans. Each day, EW.com publishes a myriad of featured stories, blog posts, TV-recaps, original videos, film reviews and photo galleries. In April 2015, the PEOPLE/Entertainment Weekly Network reached #1 in its competitive set with 56.4 million unique visitors and during the same month, EW.com desktop, tablet and mobile growth hit an all-time high of 19.9 million combined unique visitors. Entertainment Weekly is the first to know about the best in entertainment. With sharp insight, unparalleled access and a trusted voice, EW keeps readers plugged into pop culture. This is where the buzz begins.
Entertainment Weekly is also available on the iPhone®, iPad®, Apple News App, NOOK Color™, HP Touchpad, Kindle Fire, Next Issue, and select Android™ devices. On social media, join the Entertainment Weekly community on Facebook, Twitter, Instagram,Pinterest, Tumblr and Google +.
About Time Inc.
Time Inc. (NYSE:TIME) is one of the world’s leading media companies, with a monthly global print audience of over 120 million and worldwide digital properties that attract more than 150 million visitors each month, including over 60 websites. Our influential brands include People, Sports Illustrated, InStyle, Time, Real Simple, and Southern Living, as well as more than 50 diverse titles in the United Kingdom.
Remember high school, when we had to read several “classics” of literature? The Scarlet Letter, Moby-Dick, A Tale of Two Cities—you know the ones. These books were classics because they broke new ground, doing things that had not been done before.
God, were they boring! They were books only a professor could love. I was reminded of such books when I watched The Witch, Robert Eggers’s tale of an unlucky girl suspected of witchcraft. Critics have loved the film, giving it 91%, 83 out of 100, 3½ stars, etc. Stephen King tweeted the movie “scared the hell out of” him. It did well at the box office, grossing nearly $40 million on a $1 million budget, but that may be because audiences were expecting The Blair Witch Project redux. I suspect that DVD and Blu-ray sales will be more modest. Film students may study this movie for years to come—it is visually gorgeous and technically advanced—but I doubt it will maintain a larger following.
The movie starts promisingly. Set in New England in 1630, it is the story of a farming family, William and Katherine and their five children. (Other reviews of The Witch call them Puritans, an assumption that may not be true. They are clearly pious, but piety was not limited to any one religious group. Besides, the Great Migration, as it is called, of Puritans to New England began in earnest in 1630, the year this movie was set.) After a tiff with other settlers, William moves his family to the edge of forbidding-looking woods. Immediately, the youngest child, an infant, disappears. The family’s search for the missing boy, and its descent into anger, finger-pointing, and suspicion of demonic involvement, forms the plot for the rest of the film.
So who is the witch of the movie’s title? That would be the oldest daughter, Thomasin. We are never told her age, though she is clearly a teenager. The family first thinks a wolf took the child, but as tensions mount, this becomes a polite fiction. Thomasin was looking after her brother when he vanished, so naturally, she is doing the work of the devil. It isn’t clear what prompted the family to think Thomasin a witch, or why. We tend to imagine people of this era attributing every odd occurrence to dark magic, but surely they had a deeper cosmology than that. Not once does anyone lash out at God for allowing such tragedy, a reaction that seems at least as normal as “because witches.”
Robert Eggers, a former production and costume designer who somehow leapfrogged all other roles to direct The Witch, has been praised for the historical accuracy of the film. A note at the end states that many of the details, including dialogue, come “directly from period journals, diaries, and court records.” No doubt the scenes and wardrobes are spot-on. I wonder also whether Eggers consulted a little book called The New England Primer. Published in 1727, but no doubt circulating in oral form long before, it includes a section called “A Dialogue between Christ, a Youth, and the Devil” whose lines are similar to a prayer uttered several times in the movie: “Oh God my Lord I now begin. Oh help me and I’ll leave my sin,” etc. Whether inspired or made up, it is an excellent detail (you can hear Thomasin reciting it around the 1:55 mark of this trailer).
One thing I could have done without is the decision to have the actors speak in the archaic tongue of the early 1600s. The film is full of “thee” and “thou,” with the occasional “prithee.” One character says, “Speak, if this be pretense,” and other announces, “I’ll to the wood.” Early Modern English, which is what linguists call this time period, can feel like a different language. I had to turn on subtitles to make sure I didn’t miss stuff, a practice I hate. (Diction wasn’t the only reason. Despite setting the volume on my TV at 50, I strained to hear anything softer than a shout.) Many period pieces have not suffered from contemporary speech—Shakespeare in Love won seven Oscars without a single “thou”—so I don’t understand Eggers’s compulsion here.
Another thing I struggled to grasp was what constitutes a “witch” in Eggers’s world. Toward the end of the film, Thomasin talks to Black Phillip, the family goat. Goats have long been associated with Satan, so does that mean a witch is someone who can talk to possessed animals? No, because two of the other children claim they’ve heard the goat talk. Thomasin kills her mother, so does that mean a witch is someone who commits murder? No, it was self-defense: her mother attacked her. Thomasin seems uninterested in magic and incurious about dark forces, so it must be that she is a witch because weird things are happening. There is that limited cosmology again. Black Phillip asks Thomasin if she wants to live “deliciously,” and as far as I can tell, this vague invocation is the crux of Eggers’s witchery. What does it mean to live deliciously? Kidnap babies, I guess.
The best horror films rely on suspense, not gore, and in that way, The Witch scores big. As I watched Katherine go insane with grief, Thomasin struggle with guilt, and William become Job-like (in addition to the baby, his crops died, his wife didn’t trust him, and he watched another son die), I thought, all this plus witchcraft? But for a horror story, the evil force needs more definition. Michael Myers, Jason Voorhees, Fred Krueger—these are great horror villains because we can see them, and we know what they’re about. The Blair Witch never appears in person, but we see her stalking the three filmmakers. We hear locals talk about kids being abducted and killed. Then Josh disappears. Problems are clearly supernatural in origin. In The Witch, I never felt that William’s struggles couldn’t be explained by his living arrangements: the American wilderness in the 17th century.
In terms of extras, this Blu-ray is not packed, but it does have a few nice elements. The audio commentary features Eggers alone. I am used to commentaries featuring several cast members in an improvised dialogue, but these quickly wear thin. A director-only commentary can be more focused and insightful, which this one certainly is. There is a short (eight minutes) making-of featurette, The Witch: A Primal Folklore, that should be a bit more in-depth. Much better is the Q&A mixing cast members with a pair of experts, novelist Brunonia Barry (The Lace Reader, The Map of True Places) and historian Richard Trask. The group discusses witchcraft in American history, especially the Salem witch trials, on which Trask has a unique perspective: two of his ancestors were hanged as witches.
Interesting as these features are, I will suggest one that should have been added: digital images of the “period journals, diaries, and court records” that Eggers drew on to make the film. I would have enjoyed seeing how those print sources were transformed into a cinematic narrative.
The Witch is an entertaining and though-provoking film. It works as a historical drama as well as a thriller. I wouldn’t call it scary, and the filmmakers outsmarted themselves in a few places, making an intellectual choice when something simpler would have worked better. Still, it is an important film, one that makes an original and significant contribution to the horror genre.
Year of Production: 2015
Type: Theatrical Release
Rating: R for Disturbing Violent Content and Graphic Nudity
Genre: Horror, Suspense
Closed Captioned: N/A
Subtitles: Spanish, English SDH
Feature Run Time: 92 minutes
BD Format: 1080p High Definition 16×9 Widescreen (1.66:1)
DVD Format: 16×9 Widescreen (1:66:1)
BD Audio: English 5.1 DTS HD-MA
DVD Audio: English 5.1 Dolby Digital Audio
Lionsgate is a premier next generation global content leader with a strong and diversified presence in motion picture production and distribution, television programming and syndication, home entertainment, digital distribution, new channel platforms, video game sand international distribution and sales. The company has nearly 80 television shows on 40 different networks spanning its primetime production, distribution and syndication businesses. These include the critically-acclaimed hit series Orange in the New Black, the multiple Emmy Award-winning drama Mad Men, the hit broadcast network series Nashville, the syndication successes The Wendy Williams Show and Celebrity Name Game (with FremantleMedia), the breakout series The Royals and the Golden Globe-nominated dramedy Casual.
Its feature film business has been fueled by such successes as the blockbuster Hunger Games franchise, the first two installments of the Divergent franchise, Sicario, The Age of Adaline, CBS/Lionsgate’s The DUFF, John Wick, Now You See Me, Roadside Attractions’ Love & Mercy and Mr. Holmes, Lionsgate/Codeblack Films’ Addicted and Pantelion Films’ Instructions Not Included, the highest-grossing Spanish-language film ever released in the U.S.
Lionsgate’s home entertainment business is an industry leader in box office-to-DVD and box office-to-VOD revenue conversion rates. Lionsgate handles a prestigious and prolific library of approximately 16,000 motion picture and television titles that is an important source of recurring revenue and serves as the foundation for the growth of the company’s core businesses. The Lionsgate and Summit brands remain synonymous with original, daring, quality entertainment in markets around the world. See www.lionsgate.com.
|Awesome Comic Book Collector Show – Houston,Texas|
|Convention Website Address|
|This convention will take place:|
|Date (Format mm/dd/yyyy)|
|About This Convention|
“Awesome Comic Book Collector Show
Sunday July 17,2016Holiday Inn – Southwest 59@Beltway 8
11160 Southwest Freeway
Houston, Texas 77031
(near the intersection of SW Hwy 59 and Beltway 8)
Buy – Sell – Trade for your favorite vintage to modern comic books and related collectibles.
Hours:10am – 4pm Admission:$5.00 (Kids 12 and under free with paying adult)
Bring your old comic books to the show. Dealers will be buying !
Win a $25 shopping spree!
Drawings at 12:30am,1:30pm,2:30pm and 3:30pm
Dealer Tables: (30 – 6ft. available)
Pre pay with paypal : $50.00 each per table
For more info contact:
|Venue Name and Address|
|Holiday Inn – Southwest 59@ Beltway 8
11160 Soiuthwest Freeway
Houston, Texas 77031
|Number of Dealer/Exhibitor Tables|
|Please select the Category that best describes the convention|
Bridge City Comics is proud to announce our Fight Club II Screening and Signing with Chuck Palahniuk on Saturday, July 23, 2016 at the Hollywood Theatre! A screening of the 1999 film Fight Club will begin at 7:30pm, and will be followed by a Q&A session with Chuck, moderated by New York Times best-selling author Chelsea Cain.
Copies of the newly-released Fight Club II hardcover ($30) will be available in the lobby before and after the screening. All copies come already autographed by Chuck.
Tickets for the event can be purchased for $12 ($10 for students/seniors, $9 for members and free admission for high level members) at the Hollywood Theatre and through their website. Copies of the Fight Club II HC are sold separately, and not included in the admission price.
About Fight Club II HC:
Ten years after starting Project Mayhem, he lives a mundane life. A kid, a wife. Pills to keep his destiny at bay. But it won’t last long—the wife has seen to that. He’s back where he started, but this go-round he’s got more at stake than his own life. The time has arrived . . . Collects issues #1–#10 of the series.
The Hollywood Theatre
4122 NE Sandy Blvd, Portland, OR 97212
Roger Black and Waco O’Guin sign Brickleberry issue #1 comic book on Wednesday July 13th at 6:00pm at Golden Apple Comics!
Golden Apple Comics
7018 Melrose Avenue, Los Angeles, CA 90038
Artist Matthew Clark, currently working on DC Comics’ Wonder Woman will be signing and sketching all weekend at our booth, #90 on the con floor. Make SURE you stop on by and say “hi” and grab a sketch or signature!
And Hero Initiative Ambassadors at Derby City include Colleen Doran, Bob Layton, Jae Lee, and Ulises Farinas. Each will have donation jars on their own tables to help raise money for our cause. Do the right thing and help out!
About The Hero Initiative
The Hero Initiative is the first-ever federally chartered not-for-profit corporation dedicated strictly to helping comic book creators in need. Hero Initiative creates a financial safety net for yesterday’s creators who may need emergency medical aid, financial support for essentials of life, and an avenue back into paying work. It’s a chance for all of us to give back something to the people who have given us so much enjoyment.
Since its inception, The Hero Initiative has had the good fortune to grant over $950,000 to the comics’ veterans who have paved the way for those in the industry today. For more information, visit www.heroinitiative.org or call 626-676-6354.