June 30, 2016 by Colin Solan
Filed under Animation, California, Comic Books, Comic-Con International, Horror, Movies, Other, Science Fiction and Fantasy, Signing and Appearance Profiles, Television, Video Games
Kevin Smith (Clerks, Yoga Hosers) and Marc Bernardin (Static Shock, Genius) appear at The American Comedy Co. on Thursday, July 21, 2016 at 8:00 PM for a live recording of FATMAN ON BATMAN to talk about all the news in movie make believe, terrific TV and anything that squeaks in Geek!
The American Comedy Co. San Diego
818 6th Ave, #B, San Diego, CA 92101
Join director Patrick Meaney, producer Jordan Rennert, and producer/Neil’s childhood friend, Geoff Notkin for this special Cocteau Cinema screening of the documentary NEIL GAIMAN: DREAM DANGEROUSLY on Saturday, July 9, 2016 at 7:00 PM!
Neil Gaiman is one of the most beloved storytellers in the world today, a medium-jumping legend who opened a new era of comics with Sandman, scared a generation of young readers with Coraline and The Graveyard Book, and has thrilled his fans with years of live readings and signings. Recently, Neil embarked on his final signing tour, one last chance to talk to the fans who love his work and show his appreciation for their years of support. Now you’re along for the ride!
The film offers unprecedented access to Neil, chronicling his journey from myth-loving child to one of the most popular writers in the world. In addition to Neil, the film also features Amanda Palmer, George RR Martin, Grant Morrison, Bill Hader, Wil Wheaton, Michael Sheen, Karen Berger, and many more.
Jean Cocteau Cinema
418 Montezuma Ave Santa Fe NM 87501
Celebrate the DVD release of Model Hunger at Forbidden Planet NYC on Wednesday July 13th from 6:30 – 8:30 PM! Details at the link!
Debbie Rochon – Director
James Morgart – Writer, Executive Producer
Mary Bogle – Star
Voltaire – Star
Kaylee Williams – Star
David Marancik – Star
Michael Thurber – Star
Carmine Capobianco – Star
Suzi Lorraine – Star
832 Broadway, New York, NY 10003
Greg Grunberg and Lucas Turnbloom sign Dream Jumper: Nightmare Escape at Mysterious Galaxy Books on Friday, July 1, 2016 at 6:30 PM.
Some readers were lucky enough to get a taste of Dream Jumper: Nightmare Escape, the new kids’ graphic adventure written by actor Greg Grunberg (Heroes, Alias, Felicity, Star Wars: The Force Awakens, Star Trek Beyond) and drawn by artist Lucas Turnbloom, during May’s Free Comic Book Day. The story follows Ben, a young boy who discovers that he has the power to jump in and out of his friends’ dreams and nightmares and help them battle their worst fears. Join us to learn more about the inspiration for the series, why the creators chose to work in comics form, and what might lie in the Dreamworld.
This is a numbered event – numbers for the signing line are free with the purchase of Dream Jumper: Nightmare Escape from Mysterious Galaxy. Books and tickets will be available for pick-up on Tuesday, June 28, starting at 10 AM!
If you are purchasing your copy online and attending the signing, please be sure to note your intent in the comments section at check-out.
Mysterious Galaxy Books
5943 Balboa Avenue, San Diego, CA 92111
June 28, 2016 by Joe Fauvel
Filed under Animation, Anime, Art Show, Collectibles, Comic Books, Comic Strips, Convention News, Cosplay, Florida, Gaming, Horror, Manga, Movies, Science Fiction and Fantasy, Sports, Television, Video Games, Webcomics
PalmCon Attended Artists are Invited to Exhibit their Work at a Local Gallery!
In an attempt to bring more attention to the talents of the Artists of the Comic Book Industry PalmCon has acquired the cooperation of a Premiere Art Gallery in Lake Worth. With their help, we are putting together an exhibit/sale of the works of the PalmCon family. This will highlight the talents of this industry, and give credence to the work that goes into the medium that we all love.
For more information on how to join or all other thing PalmCon please their website!
Boston Comic Con is thrilled to host celebrated creator FRANK MILLER in a rare convention appearance. Not only is this his only appearance in New England, but it’s also one of his only remaining appearances in the US this year.
This is an amazing opportunity for fans to meet one of the industry’s most significant talents. Miller’s seminal work on Batman and Daredevil redefined both characters and influenced an entire generation of creators. His independent titles Sin City and 300 have both been adapted to films.
Frank is appearing on Friday, August 12 only.
There are three special Frank Miller VIP Packages available each with unique art and autograph guarantee benefits. Click the link for further details.
Plus, Frank will be conducting two one-hour public signings with autographs available on a first-come, first-served basis.
Frank Miller is one of the most celebrated creators in comic book history, noted for combining film noir and manga influences in his comic art creations. Beginning with his run on Marvel’s Daredevil, during which he created the popular ninja assassin Elektra, Miller ushered in a darker, grittier vision of superheroes which paved the way for more mature themes to be explored in comic book form. His seminal work on Batman with The Dark Knight Returns and Year One continues to influence creators today and is sets the stages for the most recent films. His independent titles Sin City and 300 have both been adapted to movies, with Miller co-directing the latter alongside Robert Rodriguez. Most recently Miller has worked on All-Star Batman and Robin and currently is co-writing the third installment of Dark Knight Returns.
He joins a guest artist list of well over 80 of the world’s most talented comic book creators – a portfolio unmatched by any other comic book convention, in New England or elsewhere including Sam Kieth, Jae Lee, John Cassaday, Erik Larsen, Terry Dodson, Mike Allred, Greg Capullo, Adam Hughes, Arthur Adams, Amanda Conner, David Lloyd, Jimmy Palmiotti, Phil Jimenez, Scott Snyder, Mark Waid, Bernie Wrightson, Stan Sakai, and many more!
Media guests include William Shatner (Star Trek), Karen Gillan (Guardians of the Galaxy), Jenna Coleman (Doctor Who), Karl Urban (Star Trek Beyond), Ben McKenzie (Gotham), John Barrowman (Arrow), Ciara Renee (Legends of Tomorrow), Robbie Amell (The Flash), Caity Lotz (Legends of Tomorrow), and more. Check the website for full details on exciting events!
About Boston Comic Con:
The Boston Comic Con is a 100% independently run comic book show committed to bringing the biggest and best comic creators to New England. Run by fans for fans, Boston Comic Con is not affiliated with any other convention tour or corporate interests. Hosting over 120,000 square feet of vendors selling comic books, toys, posters, trading cards, and other pop culture memorabilia, this is a destination event for geeks of any stripe. This year’s convention will be held Friday August 12th, Saturday August 13th, and Sunday August 14th at the Seaport World Trade Center, 200 Seaport Blvd, Boston, MA 02210. For more information please go to our website at www.bostoncomiccon.com and follow us on Twitter (@BostonComicCon) and Facebook!
Remember high school, when we had to read several “classics” of literature? The Scarlet Letter, Moby-Dick, A Tale of Two Cities—you know the ones. These books were classics because they broke new ground, doing things that had not been done before.
God, were they boring! They were books only a professor could love. I was reminded of such books when I watched The Witch, Robert Eggers’s tale of an unlucky girl suspected of witchcraft. Critics have loved the film, giving it 91%, 83 out of 100, 3½ stars, etc. Stephen King tweeted the movie “scared the hell out of” him. It did well at the box office, grossing nearly $40 million on a $1 million budget, but that may be because audiences were expecting The Blair Witch Project redux. I suspect that DVD and Blu-ray sales will be more modest. Film students may study this movie for years to come—it is visually gorgeous and technically advanced—but I doubt it will maintain a larger following.
The movie starts promisingly. Set in New England in 1630, it is the story of a farming family, William and Katherine and their five children. (Other reviews of The Witch call them Puritans, an assumption that may not be true. They are clearly pious, but piety was not limited to any one religious group. Besides, the Great Migration, as it is called, of Puritans to New England began in earnest in 1630, the year this movie was set.) After a tiff with other settlers, William moves his family to the edge of forbidding-looking woods. Immediately, the youngest child, an infant, disappears. The family’s search for the missing boy, and its descent into anger, finger-pointing, and suspicion of demonic involvement, forms the plot for the rest of the film.
So who is the witch of the movie’s title? That would be the oldest daughter, Thomasin. We are never told her age, though she is clearly a teenager. The family first thinks a wolf took the child, but as tensions mount, this becomes a polite fiction. Thomasin was looking after her brother when he vanished, so naturally, she is doing the work of the devil. It isn’t clear what prompted the family to think Thomasin a witch, or why. We tend to imagine people of this era attributing every odd occurrence to dark magic, but surely they had a deeper cosmology than that. Not once does anyone lash out at God for allowing such tragedy, a reaction that seems at least as normal as “because witches.”
Robert Eggers, a former production and costume designer who somehow leapfrogged all other roles to direct The Witch, has been praised for the historical accuracy of the film. A note at the end states that many of the details, including dialogue, come “directly from period journals, diaries, and court records.” No doubt the scenes and wardrobes are spot-on. I wonder also whether Eggers consulted a little book called The New England Primer. Published in 1727, but no doubt circulating in oral form long before, it includes a section called “A Dialogue between Christ, a Youth, and the Devil” whose lines are similar to a prayer uttered several times in the movie: “Oh God my Lord I now begin. Oh help me and I’ll leave my sin,” etc. Whether inspired or made up, it is an excellent detail (you can hear Thomasin reciting it around the 1:55 mark of this trailer).
One thing I could have done without is the decision to have the actors speak in the archaic tongue of the early 1600s. The film is full of “thee” and “thou,” with the occasional “prithee.” One character says, “Speak, if this be pretense,” and other announces, “I’ll to the wood.” Early Modern English, which is what linguists call this time period, can feel like a different language. I had to turn on subtitles to make sure I didn’t miss stuff, a practice I hate. (Diction wasn’t the only reason. Despite setting the volume on my TV at 50, I strained to hear anything softer than a shout.) Many period pieces have not suffered from contemporary speech—Shakespeare in Love won seven Oscars without a single “thou”—so I don’t understand Eggers’s compulsion here.
Another thing I struggled to grasp was what constitutes a “witch” in Eggers’s world. Toward the end of the film, Thomasin talks to Black Phillip, the family goat. Goats have long been associated with Satan, so does that mean a witch is someone who can talk to possessed animals? No, because two of the other children claim they’ve heard the goat talk. Thomasin kills her mother, so does that mean a witch is someone who commits murder? No, it was self-defense: her mother attacked her. Thomasin seems uninterested in magic and incurious about dark forces, so it must be that she is a witch because weird things are happening. There is that limited cosmology again. Black Phillip asks Thomasin if she wants to live “deliciously,” and as far as I can tell, this vague invocation is the crux of Eggers’s witchery. What does it mean to live deliciously? Kidnap babies, I guess.
The best horror films rely on suspense, not gore, and in that way, The Witch scores big. As I watched Katherine go insane with grief, Thomasin struggle with guilt, and William become Job-like (in addition to the baby, his crops died, his wife didn’t trust him, and he watched another son die), I thought, all this plus witchcraft? But for a horror story, the evil force needs more definition. Michael Myers, Jason Voorhees, Fred Krueger—these are great horror villains because we can see them, and we know what they’re about. The Blair Witch never appears in person, but we see her stalking the three filmmakers. We hear locals talk about kids being abducted and killed. Then Josh disappears. Problems are clearly supernatural in origin. In The Witch, I never felt that William’s struggles couldn’t be explained by his living arrangements: the American wilderness in the 17th century.
In terms of extras, this Blu-ray is not packed, but it does have a few nice elements. The audio commentary features Eggers alone. I am used to commentaries featuring several cast members in an improvised dialogue, but these quickly wear thin. A director-only commentary can be more focused and insightful, which this one certainly is. There is a short (eight minutes) making-of featurette, The Witch: A Primal Folklore, that should be a bit more in-depth. Much better is the Q&A mixing cast members with a pair of experts, novelist Brunonia Barry (The Lace Reader, The Map of True Places) and historian Richard Trask. The group discusses witchcraft in American history, especially the Salem witch trials, on which Trask has a unique perspective: two of his ancestors were hanged as witches.
Interesting as these features are, I will suggest one that should have been added: digital images of the “period journals, diaries, and court records” that Eggers drew on to make the film. I would have enjoyed seeing how those print sources were transformed into a cinematic narrative.
The Witch is an entertaining and though-provoking film. It works as a historical drama as well as a thriller. I wouldn’t call it scary, and the filmmakers outsmarted themselves in a few places, making an intellectual choice when something simpler would have worked better. Still, it is an important film, one that makes an original and significant contribution to the horror genre.
Year of Production: 2015
Type: Theatrical Release
Rating: R for Disturbing Violent Content and Graphic Nudity
Genre: Horror, Suspense
Closed Captioned: N/A
Subtitles: Spanish, English SDH
Feature Run Time: 92 minutes
BD Format: 1080p High Definition 16×9 Widescreen (1.66:1)
DVD Format: 16×9 Widescreen (1:66:1)
BD Audio: English 5.1 DTS HD-MA
DVD Audio: English 5.1 Dolby Digital Audio
Lionsgate is a premier next generation global content leader with a strong and diversified presence in motion picture production and distribution, television programming and syndication, home entertainment, digital distribution, new channel platforms, video game sand international distribution and sales. The company has nearly 80 television shows on 40 different networks spanning its primetime production, distribution and syndication businesses. These include the critically-acclaimed hit series Orange in the New Black, the multiple Emmy Award-winning drama Mad Men, the hit broadcast network series Nashville, the syndication successes The Wendy Williams Show and Celebrity Name Game (with FremantleMedia), the breakout series The Royals and the Golden Globe-nominated dramedy Casual.
Its feature film business has been fueled by such successes as the blockbuster Hunger Games franchise, the first two installments of the Divergent franchise, Sicario, The Age of Adaline, CBS/Lionsgate’s The DUFF, John Wick, Now You See Me, Roadside Attractions’ Love & Mercy and Mr. Holmes, Lionsgate/Codeblack Films’ Addicted and Pantelion Films’ Instructions Not Included, the highest-grossing Spanish-language film ever released in the U.S.
Lionsgate’s home entertainment business is an industry leader in box office-to-DVD and box office-to-VOD revenue conversion rates. Lionsgate handles a prestigious and prolific library of approximately 16,000 motion picture and television titles that is an important source of recurring revenue and serves as the foundation for the growth of the company’s core businesses. The Lionsgate and Summit brands remain synonymous with original, daring, quality entertainment in markets around the world. See www.lionsgate.com.
Bridge City Comics is proud to announce our Fight Club II Screening and Signing with Chuck Palahniuk on Saturday, July 23, 2016 at the Hollywood Theatre! A screening of the 1999 film Fight Club will begin at 7:30pm, and will be followed by a Q&A session with Chuck, moderated by New York Times best-selling author Chelsea Cain.
Copies of the newly-released Fight Club II hardcover ($30) will be available in the lobby before and after the screening. All copies come already autographed by Chuck.
Tickets for the event can be purchased for $12 ($10 for students/seniors, $9 for members and free admission for high level members) at the Hollywood Theatre and through their website. Copies of the Fight Club II HC are sold separately, and not included in the admission price.
About Fight Club II HC:
Ten years after starting Project Mayhem, he lives a mundane life. A kid, a wife. Pills to keep his destiny at bay. But it won’t last long—the wife has seen to that. He’s back where he started, but this go-round he’s got more at stake than his own life. The time has arrived . . . Collects issues #1–#10 of the series.
The Hollywood Theatre
4122 NE Sandy Blvd, Portland, OR 97212
Join Kevin Smith (Clerks, Mallrats, Chasing Amy) as he records SModcast live at 92Y on Monday, July 11, 2016 at 7:30 pm!
Learn about the history of Comic Book Men and get a sneak peak at Kevin Smith’s new late-night talk show Geeking Out on AMC.
About Geeking Out:
Geeking Out, a new late-night talk show hosted by Kevin Smith (Comic Book Men, Clerks) and Greg Grunberg (Heroes, Heroes Reborn Star Wars: Episode VII – The Force Awakens), will take a timely look at pop culture through a fanboy lens and feature talk, clips, celebrity interviews and out-of-the-studio segments. The series will premiere with a special episode covering Comic-Con International: San Diego in late July followed with eight more 30-minute episodes to run weekly starting in late summer.
92nd Street Y
1395 Lexington Avenue, New York, New York 10128
Julie Klausner & Billy Eichner appear with moderator Caryn James at the 92nd Street Y on Sunday, July 17, 2016 at 7:30 pm for a Difficult People talk and advance screening.
Two aspiring NYC comedians who aren’t living up to their potential, hate just about everything and everyone — except for each other.
That’s the hilarious journey of creator, writer, Executive Producer and star Julie Klausner (How Was Your Week?) and co-star Billy Eichner (Billy on the Street) on Hulu’s hit comedy series Difficult People. Laugh your way through an advance screening of an episode from Season 2, then hear from these two funny people about playing wayward versions of themselves on their painfully comic, Amy Poehler-produced show.
92nd Street Y
1395 Lexington Avenue, New York, New York 10128