Ronald Wimberly appears at Kinokuniya on Monday, October 31, 2016 at 6:30 PM to sign the new deluxe edition of Prince of Cats from Image Comics! As a bonus to his fans, Ronald Wimberly & The 8 App will giveaway to two lucky winners of the cosplay contest a signed copy of the Artist Edition!
1073 Avenue of the Americas, New York, NY 10018
October 18, 2016 by Joe Fauvel
Filed under Animation, Collectibles, Comic Books, Comic Strips, Convention News, Cosplay, Florida, Gaming, Horror, Manga, Movies, Science Fiction and Fantasy, Sports, Television, Video Games, Webcomics
So please join us for a special Spooky Empire convention this December 2-4, 2016 at the Orange County Convention Center in Orlando, FL.
We are working very hard on getting the guest list together and should have some announcements this week. We are working hard on booking some of the guests that were to attend last weekend.
Anyone that has purchased advanced tickets for the October Spooky Empire, we are giving you two options…your tickets will be accepted at either the December rescheduled event OR the April convention (April 21-23, 2017) For general admission ticket holders, there is no notice necessary and tickets do not need to be re-issued, just bring your existing ticket with you to one of the two events.
If you are a VIP package holder, please contact us to let us know which event you’ll be using your VIP package for.
(Emails will be going out to all ticket holders within the next 24 hours)
Due to the rescheduling of this event, tickets are non-refundable. However, if you are unable to use your tickets for either of the two events, these tickets are transferable. They may be sold or given to someone that can use them.
EXHIBITORS AND TATTOO ARTISTS: Your booth space will be available to you for either December OR April. However, we do need to know ASAP so that we can plan the space accordingly for each show. Emails are going out to all of you as well.
For everyone that has supported Spooky Empire over the last week, you will not be forgotten!! Everyone that contributed will be a part of this event in one way or another. Your generous contributions will go towards the expenses associated with making this rescheduled event happen. We are forever grateful and humbled by everyone’s support, patience, dedication and generosity. This is truly a family! The thought of possibly having to close Spooky Empire for good was the worst possible outcome for us, and all of your support this past week made us realize we have to do whatever we can to keep moving forward!
Stay tuned for updates!
Thanks so much!
Jeff Hughes and the Comic Book Divas Publishing creative team appear at Collected to sign Witch Vs. Genie on Saturday, October 22nd!
225 Exchange St, Burleson, Texas 76028
Overheard on an Atlanta street corner:
“Look at that person with blue hair.”
“No, over there.”
“Oh, I see.”
“Cool, isn’t it?”
“Yeah. What other place can you say, ‘No, the other person with blue hair.”
The “place,” of course, was DragonCon. September 2-5. I have been for the last six years, but this year was special: the 30th anniversary. It started in two downtown hotels, Hyatt and Marriott. The Hilton was added later, then the Sheraton and Westin. When five hotels were not enough space, the vendors were moved into the AmericasMart, a four-building, seven-million-square-foot trade show monolith. This year, AmericasMart became the new home of two other DragonCon mainstays, tabletop gaming (formerly in the Hilton) and Comic and Pop Artist Alley (neé the Hyatt)—evidence that DragonCon, despite its venerability, is still figuring things out. Perhaps that is how it became venerable: refusing to be complacent.
And more growth is on the way. Some programming was held on Thursday this year, and according to media director Dan Carroll, we will see Thursday “full-time real soon.” My colleague Michaela McPherson has written about shifts in the Saturday morning parade. This was the inaugural year for the Dragon Awards, a fan-driven awards program to “recognize the creators of science fiction and fantasy in books, comic books, games and filmed entertainment,” according to a press release. (Awards results are located here.) Attendance grew this year as it does every year, with over 77,000 showing up–and, in some cases, suiting up–for the weekend. These attendees walked (Walk to End Lupus Now), gave blood (about 6,000 units), raised money ($98,000 for the Atlanta Center for Self-Sufficiency through auctions, karaoke, a lip-synch battle, and other events), and enjoyed the 400+ actors, artists, writers, and other guests who formed the convention’s foundation.
I was excited about one guest I had never seen at DragonCon, or any convention: Christopher Paolini, author of the four-volume Inheritance Cycle. Paolini wrote the first volume, Eragon, the story of a farm boy who protects a dragon egg from an evil king, when he was a teenager. His parents self-published the book, and for a year, Paolini promoted it himself at libraries, book shows, and other events. In 2002, the book came to the attention of the publisher Alfred A. Knopf, which re-released the book a year later. This led to three other books, the last one appearing in 2011.
On Friday night, Paolini was one of several panelists for a discussion of self-publishing. The other panelists were freelance writer/editor Jaym Gates, editor Dayna Linton, Baen Books publisher Toni Weisskopf, writer Chris Kennedy, and Todd McCaffrey, son of Anne McCaffrey and custodian of her Pern universe, to which he has contributed several volumes. Some highlights from the panel:
- McCaffrey: The biggest mistake in self-publishing is to “think you can do everything yourself.”
- Eragon was a family project. Paolini’s father, who had press experience, designed the book. Paolini drew the cover and the maps. They borrowed money to finance the printing (the first 50 copies were cut wrong). He dressed in medieval costume and made presentations to schools, libraries, and bookstores. Sold maybe 15 books at a time. Two chain bookstores rejected him, saying the novel was “not commercially viable.”
- Gates: “Readers and writers have different ideas of what works.” This led to a vigorous discussion of the value of editing. It’s the biggest difference between professional publishing and self-publishing (a view echoed by this Slate article). Writers know their own story, but editors are storehouses of stories. They understand the market, and what will appeal to readers. Thus, they can guide the author, helping to bring out his/her voice. As Gates said, “it is the editor’s job to help the writer say what he/she wants to say in the best way.”
- Paolini was skeptical of the wisdom of a beginning writer paying for editorial services, but the other panelists–I won’t say they shouted him down, but they were unified in saying that it would be money well spent. Paolini did agree on the worth of an editor, saying an editor “can fix bad writing. They can’t fix a bad story.” Bottom line: the author has a job, and the editor has a job. Good books result when each person does their job.
- McCaffrey talked about “hybrid authors”–authors who write for traditional publishers and do some self-publishing. Here is a good discussion of this type of writer. The panel agreed that the hybrid approach is the best, blending the advantages of self-publishing (speed; flexibility; more profit per sale) with the comfort of traditional publishing (editorial, design, and marketing services; bulk sales; multi-book deals; advances against royalties). More authors are taking this approach, which is new in the history of publishing. According to Weisskopf, the “received wisdom” used to be that, if you self-publish, you’ve “tainted the waters and will never get a traditional contract.” The panel agreed that this is no longer the case.
- On traditional contracts: beware the predators. Gates brought up two blog posts by John Scalzi (here and here), who has always been an advocate of authorial self-interest, about Hydra, an imprint of Random House with shockingly bad contract terms. The panel’s message: don’t be so desperate to publish that you’ll sign anything.
All the growth in DragonCon has brought some irritation. At 2:30 on Friday afternoon, the vendor room in the AmericasMart reached capacity and was shut down. I have never experienced that at a convention (I read about it happening a couple of years ago at the Rhode Island Comic-Con). The room was open an hour or so later, I think–I didn’t wait around to find out–so it wasn’t a disastrous inconvenience. But I did find myself wondering, is there no building in Atlanta large enough to handle DragonCon?
The lines in the hotels were certainly longer than ever. I waited nearly two hours to buy Saturday-only badges for members of my party. (It is useless to buy these in advance because DragonCon mails you a card that you have to redeem on-site for a badge.) There may be no space to do this, but I would love to see registration expanded. Or split into two buildings. Why do one-day badges have to be claimed on site? Why can’t they be mailed? One thing is for sure: a single ballroom in the basement of the Sheraton is inadequate for the thousands upon thousands of people who opt for one-day badges.
DragonCon is a study in lines. Walking around the sidewalks, you’ll often see a line with no discernible beginning snaking into an unmarked side door. It’s like a speakeasy line. If you ask someone what they’re waiting for, they respond without confusion, but what if they’re wrong? What if the real purpose of the queue has been miscommunicated all the way down, so that someone who thinks they’re waiting for William Shatner’s photo op is actually in line for the blood bank?
It isn’t that hard to form a line, after all. My wife and I did it for Chris Paolini’s Sunday autograph session, which was scheduled for 2:30. Jim Butcher had started signing in the same room at 1:00. His line was capped at 1:30, and we knew that people looking for Paolini would start showing up soon. So we stood a few feet behind the last person for Jim Butcher and declared it the Start of the Line. Within minutes, a hundred people were standing behind us, and when a DragonCon staffer came along and legitimized us, I felt like Saul Alinsky.
If you have never been to DragonCon, you need to go. It is not the largest convention in the U.S., but it is unique, being spread across five Atlanta hotels. I have often wondered why it doesn’t move to the Georgia International Convention Center or the Georgia World Congress Center. It may need to, especially when attendance reaches 100,000, as I believe it will. But I hope DragonCon doesn’t move. I love the atmosphere of hotel-based conventions. There are other hotels in downtown Atlanta, and maybe DragonCon will incorporate those. Whatever happens, I look forward to many more years of attending this convention, which was my first and will always be one of the best.
Cinderella, Wonder Woman, and an assassin walked into a bar. Sounds like the beginning of a bad joke. Actually, it was the first day of DragonCon 2016.
DragonCon is one of the largest conventions in the Southeast. This was my third year, but my first as a journalist. Even as a veteran convention goer, you really never know what to expect, especially for a place such as this. With over 75,000 attendees, it’s hard to find the same cosplayer twice, and it’s easy to lose your companions, like the Doctor loses Rose in every episode.
This is especially true of the Saturday morning parade. Several streets in downtown Atlanta are blocked off, and the sidewalks are covered in Disney Princesses, Deadpools, and Batmans (Batmen?) all converging together. It’s one of the few places you can see the Punisher pull Bullseye out of the street to prevent him from being run over by Doc Brown’s DeLorean. Until recently, people could register to be in the parade up until the day before. It has grown so popular, however, that last year registration for the 3,200 slots closed in August. This year, registration closed on March 1st. Also, for the first time, the parade was broadcasted on the CW Network. One of the best things about this parade is the fact that they have a specific place for just the Deadpools to roam, and it’s certainly one of the most popular cosplays done in any convention I have been to.
And then of course, due to the new movie that came out recently, Suicide Squad, my colleague, Anthony Aycock, and I were curious to see just how many Harley Quinns and Jokers there were, but only from that movie. We counted a total of ninety-one Margot Robbie Harley Quinns and nineteen Jared Leto Jokers. Most of the Harleys were in her usual outfit, complete with the shirt that says “Daddy’s Lil’ Monster,” but we noticed some variations. One Harley was wearing the prison uniform from the beginning of the movie, a few were wearing the “stripper” Harley outfit, and then there were a couple that had dressed as Harleen Quinzel, the pre-Harley Quinn – long white lab coat, no nonsense blond bun, and leading a prisoner Joker with a makeshift leash. I also saw one Charlie Quinn, a male Harley with “Mommy’s Lil’ Monster” scrawled on his pecs. I suppose one reason that there were more Harleys than Jokers is because most people seemed to have had a distaste for Leto’s portrayal of him. It might be because I was a fan of 30 Seconds to Mars far before the movie was even thought of, but I actually quite enjoyed it. One criticism I have though is that we didn’t see much into the abusive relationship, and now most couples who are unfamiliar with the characters are thinking “OMG hashtag relationship goals!”
One of the most popular areas of DragonCon is the Walk of Fame, which is overflowing with beloved actors of the traditional and voice kind. A few of my favorites were Carlos Valdes (Cisco from the CW TV show The Flash), Jason Isaacs (Lucius Malfoy, Commander Zhao, and Captain Hook), Nolan North (voice of Deadpool in the Deadpool video game, Nathan Drake from Uncharted, and Desmond Miles from the Assassin’s Creed series), and of course William Shatner (you already know who this is).
We stood in line for Nolan North (who was tardy to the party), and ended up talking to his agent for a while. She told us that voice actors usually make around $900 per four hours of work plus residuals (i.e., they get paid each time the episode they were in is broadcast). Anime voice actors make a lot less, roughly $65 per hour. Most conventions guarantee their celebrities a certain amount of money. For example Lana Parrilla of Once Upon a Time gets $10,000 per convention. If her autograph sales fall short of that, the convention makes up the difference. DragonCon, however, does not make guarantees like that. Not even for ol’ Bill Shatner. I found this fascinating, especially how undervalued anime voice actors are. I expect that to change, however, as anime becomes more mainstream.
Finally, Nolan arrived, and I managed to speak to him as he was signing a Deadpool Pop figure for me (I am not a nerd, I swear). Interviews are not allowed in the Walk of Fame, but I wanted to ask him a couple of questions out of my own curiosity. He was so friendly and engaging that it might as well have been an interview.
My first question was what he thought of Ryan Reynolds stealing the spotlight for Deadpool. He said, “There is no spotlight. Ryan does a terrific job, but I do have an idea for a cameo for the next movie. Deadpool is chasing someone, fires a gun, blows a hole in the wall, and behind the wall, I’m standing there wearing headphones, recording Deadpool’s voice for a video game. And Ryan looks at me and says, ‘You sound nothing like me’ and shoots me.” Nolan went on to say how funny Ryan is on Twitter, and I second that since I stalk him too.
My second question was how Nolan felt about the Assassin’s Creed movie coming out in December. He replied, “I’m a big fan of Michael Fassbender [co-producer and star of the movie]. What I like about it is that it will be an original take on the story. It won’t just be the game translated into the movie. The game is the inspiration for a unique movie.”
I stood there with Nolan so long that his agent started clearing her throat—thank goodness I didn’t have a third question—but it was interesting getting his perspective. As a fan of the Assassin’s Creed franchise, I was a bit tentative to see the movie, but after hearing Mister Desmond Miles himself praise it, I have a bit more hope for how it will turn out. Oh, and when I got his autograph on Friday, it was only $20, but two days later, he was charging $40. Way to up your game, North.
Are you thinking about going to DragonCon? Here are five morsels of advice:
- Bring all the money you have plus what you can bum from your parents and what you can earn by selling a kidney. I’m not saying stuff is overpriced; you’ll just want to buy it all.
- Prepare to stand in line for an hour and a half, feet tired, arms dragging the floor, just to be told to come back later after the actor’s friggin’ panel (I’m looking at you, Carlos Valdes).
- The hotels in downtown Atlanta fill up fast, but don’t worry: you can stay outside the city and just take the MARTA in. It’s quick and cheap. But don’t let the homeless guys take your money—you need it for the autographs and the plushies and the posters and . . . you get the idea.
- Prepare to walk. I know a lot of you like to wear heels everywhere. Don’t. You will not be able to feel anything beyond the blisters that will begin to appear after just the first day.
- Have fun, but not so much it’ll land you in Erewhon.
Now have a look at these pix from DragonCon 2016 . . .
Author E.K. Johnston and Ashley Eckstein, voice of Ahsoka Tano on The Clone Wars and Star Wars Rebels, sign at Barnes & Noble on Tuesday October 11, 2016 at 7:00 PM to sign the new novel AHSOKA! Ashley Eckstein will also feature “Her Universe” giveaways and prizes. The 501st Storm Troopers will be here! If you come in costume, you will receive a limited edition Star Wars patch.
About the book:
Fans have long wondered what happened to Ahsoka after she left the Jedi Order near the end of the Clone Wars, and before she re-appeared as the mysterious Rebel operative Fulcrum in Rebels. Finally, her story will begin to be told. Following her experiences with the Jedi and the devastation of Order 66, Ahsoka is unsure she can be part of a larger whole ever again. But her desire to fight the evils of the Empire and protect those who need it will lead her right to Bail Organa, and the Rebel Alliance.
Barnes & Noble – Colonial Plaza Market Center
2418 E Colonial Drive Orlando, FL 32803
September 29, 2016 by Joe Fauvel
Filed under Animation, Anime, Collectibles, Comic Books, Comic Strips, Convention News, Cosplay, Florida, Gaming, Horror, Manga, Movies, Science Fiction and Fantasy, Sports, Television, Video Games, Webcomics
With only 8 days left until the show, we figured we would do a an unveiling for our fans! The program cover was designed by Morgan Wilson from Lux Nova Studio! She will be at the show all weekend if you’d like to get your copy signed. Let us know what you think of the cover!
Get your advance tickets for Spooky Empire. http://
Join Books of Wonder on Monday, October 10th at 6:00 PM in welcoming author MARGARET STOHL for the launch of Black Widow: Red Vengeance! Margaret will be joined in conversation by fellow authors RYAN NORTH, MARGUERITE BENNETT, and LORRAINE CINK, as well as Marvel’s Director of Content and Development, SANA AMANAT, and Marvel’s Producer, JUDY STEPHENS.
RYAN NORTH for To Be or Not To Be: A Chooseable-Path Adventure and The Unbeatable Squirrel Girl Beats Up the Marvel Universe
MARGUERITE BENNETT for A-Force Vol. 0: Warzones!
LORRAINE CINK for Marvel Absolutely Everything You Need to Know
Black Widow: Red Vengeance is the action-packed sequel to the instant best-seller, Black Widow: Forever Red. This time, Stohl takes readers inside the minds of Marvel’s most cunning and dangerous spies—Black Widow and Red Widow—delving deeper into their powers and will reveal more than ever before about the infamous assassin and her fledgling hero-in-training.
Pre-order Black Widow Red Vengeance and receive a signed limited edition comic book, Red Widow: First Strike written by Margaret Stohl. *
*Limited to quantities on hand. While supplies last.
We are also pleased to announce a Cosplay contest judged by Marvel staff JUDY STEPHENS. There will be prizes, treats, and wristbands, so come dressed in your very best!
Books of Wonder
18 West 18th Street, New York, NY 10011
Join Margaret Stohl at Barnes & Noble at The Grove on Saturday, October 15, 2016 at 2:00 – 4:00 PM for the Marvel “Black Widow: Red Vengeance Tour” featuring Ryan North, Marguerite Bennett, Shannon Hale, Kate Leth, Judy Stephens, and Ann Foley.
The action-packed sequel to the instant New York Times bestseller Black Widow: Forever Red penned by #1 New York Times bestselling author Margaret Stohl. Stohl takes readers inside the minds of Marvel’s most cunning and dangerous spies–Black Widow and Red Widow–delving deeper into their powers and will reveal more than ever before about the infamous assassin and her fledgling hero-in-training
Be sure to be here for this amazing discussion and podcast for “The Women of Marvel”
*Giveaway + cosplay contest prize
This is a wristbanded event. Wristbands will be issued beginning Saturday, October 15th at 9am to customers who purchase “Black Widow: Red Vengeance from Barnes & Noble at The Grove. Wristbands will be issued on a first-come, first-served basis.
• Limit 1 wristband per book
• No memorabilia please
• Check back for more details as they become available
For more information contact Barnes & Noble at The Grove.
Barnes & Noble – The Grove
189 The Grove Dr, Ste K 30, Los Angeles, California 90036
September 27, 2016 by Joe Fauvel
Filed under Animation, Anime, Collectibles, Comic Books, Comic Strips, Convention News, Cosplay, Florida, Gaming, Horror, Manga, Movies, Science Fiction and Fantasy, Sports, Television, Video Games, Webcomics
October 7-9, 2016
Orange County Convention Center
Full event and Photo Op schedules are confirmed and posted!
Download them now and prepare yourself for a full weekend of entertainment and fun!