NYC – Eisner Retrospective Panel
Denny O’Neil, David Hajdu, and N.C. Christopher Couch speak at a discussion moderated by Danny Fingeroth on Thursday, August 4th from 7-9 pm.
Admission: $7/Free for MoCCA members
Why and how did the guy who invented and conquered entertainment comics and then spent 25 successful years creating educational comics reinvent himself, the medium of sequential art, and the comics industry itself through his innovation in the literary and autobiographical graphic novel and his endless advocacy for comics as an art form?
About the panelists:
DENNY O’NEIL, one of comics’ most acclaimed writers, worked briefly in journalism, then moved to New York and comics. Denny brought social consciousness to the medium with the groundbreaking Green Lantern/Green Arrow series. His work on Batman— as writer and editor—returned that character to its dark, gothic roots. Denny knew Will Eisner and considered him both a friend and a major influence.
DAVID HAJDU is a critic for The New Republic and a professor at the Columbia University Graduate School of Journalism. He interviewed Will Eisner extensively and wrote about him at length for The New York Review of Books and other publications. He is the author of four books: Lush Life: A Biography of Billy Strayhorn, Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña, The Ten-Cent Plague: The Great Comic Book Scare and How It Changed America, and Heroes and Villains: Essays on Music, Movies, Comics, and Culture. His articles and essays have been selected for a number of anthologies, including Best Music Writing, Best American Magazine Writing, The New York Times Arts & Culture Reader, and Best American Comics Writing.
N. C. CHRISTOPHER COUCH holds a Ph.D. in art history from Columbia University. He is the author of numerous books and articles on Latin American art and on graphic novels and comic art, including The Will Eisner Companion: The Pioneering Spirit of the Father of the Graphic Novel (with Stephen Weiner), Will Eisner: A Retrospective (with Peter Myer), Faces of Eternity: Masks of the Pre-Columbian Americas, and The Festival Cycle of the Aztec Codex Borbonicus. He teaches comics as art and literature at University of Massachusetts, Amherst, the School of Visual Arts, New York, and Trinity College, Hartford. He has curated exhibitions at the American Museum of Natural History, the Americas Society, the Oklahoma Air and Space Museum and the Smith College Museum of Art. His most recent book, Jerry Robinson, Ambassador of Comics (Abrams 2010) has been nominated for a Harvey Award.
DANNY FINGEROTH is MoCCA’s Sr VP of Education and co-curator, with Denis Kitchen, of the Will Eisner’s New York andIn The Spirit of Will Eisner exhibitions. With Arie Kaplan, he co-curated the 2010 Is This the Al Jaffee Art Exhibit? at the museum. For Write Now! magazine, Fingeroth interviewed Will Eisner in depth in 2003. The interview is available in The Best of Write Now! Danny Fingeroth was a longtime editor and writer at Marvel Comics, and is the author of Superman on the Couch: What Superheroes Really Tell us About Ourselves and Society; Disguised as Clark Kent: Jews, Comic, and the Creation of the Superhero; and The Rough Guide to Graphic Novels. He has spoken on comics at The Smithsonian Institution, Columbia University (where he lectured about Eisner), and the Metropolitan Museum of Art. With Roy Thomas, Fingeroth is co-editor of The Stan Lee Universe, a compendium of rarities from Lee’s career, including unseen Will Eisner material, which will be released in fall 2011 by TwoMorrows Publishing. You can contact him at: firstname.lastname@example.org.
About the Will Eisner’s New York: From The Spirit to the Modern Graphic Novel exhibition:
From the Golden Age of Comics through the creation of the modern graphic novel (a form he was instrumental in popularizing), you will find New York City at the heart of Will Eisner’s work. Whether thinly disguised as “Central City” in the pages of his legendary creation, The Spirit, or more directly presented in his autobiographical graphic novels, New York was portrayed by Eisner as only a native of the city could know it.
Like the legendary metropolis itself, there are infinite perspectives from which to look at and appreciate Eisner’s work. Will Eisner’s New York: From the Spirit to the Modern Graphic Novel provides surprising insights and moving revelations about the artist, his work, and his city.
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